Mostrando resultados por narrador "Gisela Chipé" en Todas las categorías

After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry.

John Alves, son of a famous Presbyterian martyr on the Portuguese island of Madeira, spends his childhood in jail and in poverty. When he meets Mary Freitas—though the adopted daughter of a master botanist, her true lineage is the subject of dangerous rumor—a spark kindles a lasting bond. But soon their families must confront the rising blood tide of warfare between Catholics and Protestants. Fleeing with only what they can carry, John and Mary are separated and arrive at different times and places in a rapidly growing and changing mid-nineteenth-century Illinois.

The seven houses in these seven stories are empty. Some are devoid of love or life or furniture, of people or the truth or of memories. But in Samanta Schweblin’s tense, visionary tales, something always creeps back in: a ghost, a fight, trespassers, a list of things to do before you die, a child’s first encounter with a dark choice or the fallibility of parents.

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows.

Regeneration offers a visionary new approach to climate change, one that weaves justice, climate, biodiversity, equity, and human dignity into a seamless tapestry of action, policy, and transformation that can end the climate crisis in one generation. It is the first book to describe and define the burgeoning regeneration movement spreading rapidly throughout the world.

Under the light of ancient Western philosophies, our darker moods like grief, anguish, and depression can seem irrational. When viewed through the lens of modern psychology, they can even look like mental disorders. The self-help industry, determined to sell us the promise of a brighter future, can sometimes leave us feeling ashamed that we are not more grateful, happy, or optimistic. Night Vision invites us to consider a different approach to life, one in which we stop feeling bad about feeling bad.

Dr. Ayana Elizabeth Johnson, renowned marine biologist and co-founder of the All We Can Save climate initiative, compiles the best science and nature writing of the year.

Getting paid $80,000 to stay in bed for 13 weeks? That sounds like a dream job for Vanessa, one of 12 participants chosen for a bedrest study. Played by Karla Souza (How to Get Away with Murder), Vanessa is looking forward to earning extra money while putting her troubles—her mom’s death, an unplanned pregnancy, and a falling out with her cousin/best friend Brigid (Zoë Winters of Succession)—on pause. Vanessa quickly realizes, however, that she cannot outrun her problems...especially with her legs beginning to atrophy.

Growing up in the ’90s along Clement Moore Avenue in Queens, Brisma and Kelly are two young Latinas with an inseparable bond, sharing everything and anything with each other. The girls are opposites: Brisma is sweet, sensitive, and observant, whereas Kelly is free-spirited, flirtatious, and bold. But together, they binge on Sour Patch Kids, listen to Boyz II Men cassette tapes, and dance to Selena and Mariah Carey where no one can see them.

From the National Book Award–winning translator, an atmospheric and wise debut novel of a young Brazilian woman’s first year in America, a continent away from her lonely mother, and the relationship they build over Skype calls across borders.

Thirty diverse, award-winning authors and illustrators - including Renee Watson (Piecing Me Together), Grace Lin (Where the Mountain Meets the Moon), Meg Medina (Merci Suarez Changes Gears), and Adam Gidwitz (The Inquisitor's Tale) - engage young people in frank discussions about racism, identity, and self-esteem. Featuring stories filled with love, acceptance, truth, peace, and an assurance that there can be hope for a better tomorrow, The Talk is an inspiring anthology and must-have resource published in partnership with Just Us Books.

Carlota Moreau: A young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula, the only daughter of a genius—or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol, an outcast who assists Dr Moreau with his scientific experiments, which are financed by the Lizaldes, owners of magnificent haciendas with plentiful coffers. The hybrids: The fruits of the Doctor's labour are a motley group of part-human, part-animal monstrosities.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

'No regrets.' You've heard people proclaim it as a philosophy of life. That's nonsense, even dangerous, says Daniel H. Pink in his latest bold and inspiring work. Everybody has regrets. They're a fundamental part of our lives. And if we reckon with them in fresh and imaginative ways, we can enlist our regrets to make smarter decisions, perform better at work and school and deepen our sense of meaning and purpose.

He got dumped by his pregnant girlfriend, his grandfather just dropped dead, and on the anniversary of the raid that doomed his drug-dealing aunt and uncle, his mother makes her unwanted return, years after she fled to marry another American fool like his father. Misfortune, however, is a Cunha family affair, and no generation is spared. Not Daniel’s grandfather João—poor João—born to a prostitute and forced to raise his siblings while still a child himself.

Montserrat has always been overlooked. She's a talented sound editor, but she's left out of the boys' club running the film industry in '90s Mexico City. She's all-but-invisible to her best friend Tristán. Then Tristán discovers his new neighbour is the cult horror director Abel Urueta, and the legendary auteur claims he has a way to change their lives - even if his tales of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed.

Good Night Stories for Rebel Girls: 100 Immigrant Women Who Changed the World is the third book in the New York Times best-selling series for children. Packed with 100 all-new bedtime stories about the lives of incredible female figures from the past and the present, this volume recognizes women who left their birth countries for a multitude of reasons: Some for new opportunities, some out of necessity. Listeners will whip up a plate with Asma Khan, strategize global affairs alongside Madeleine Albright, venture into business with Rihanna, and many more.

Zeus, Athena, Apollo, Aphrodite, and the other denizens of Mount Olympus feel almost as present and larger than life today as they did when they were worshipped as gods. Humanity has been telling and retelling stories about the characters from Greek and Roman myth for centuries—heck, the Romans liked the Hellenic originals so much, they remade them faster than Marvel remakes Spider-Man movies. And from Virgil's Aeneid to Xena: Warrior Princess to Percy Jackson to The Song of Achilles, the obsession has never waned.

Veronica is late, and Julián is increasingly convinced she won't ever come home. To pass the time, he improvises a story about trees to coax his stepdaughter, Daniela, to sleep. He has made a life as a literature professor, developing a novel about a man tending to a bonsai tree on the weekends. He is a narrator, an architect, a chronicler of other people's stories. But as the night stretches on before him, and the hours pass with no sign of Veronica, Julián finds himself caught up in the slipstream of the story of his life—of their lives together.

As a child, Isabel Allende watched her mother, abandoned by her husband, provide for her three small children. As a young woman coming of age in the late 1960s, she rode the first wave of feminism. She has seen what has been accomplished by the movement in the course of her lifetime. And over the course of three marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality.