Showing results by publisher "Coach House Books" in All Categories

Adults don’t talk about the business of doing our business. We work on one assumption: The world of public bathrooms is problem - and politics-free. No Place to Go: How Public Toilets Fail Our Private Needs reveals the opposite is true. No Place to Go is a toilet tour from London to San Francisco to Toronto and beyond. From pay potties to deserted alleyways, No Place to Go is a marriage of urbanism, social narrative, and pop culture that shows the ways - momentous and mockable - public bathrooms just don’t work.

In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau’s Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R’s Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson’s ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.

In the 1540s, a young French noblewoman, Marguerite de la Rocque, was abandoned on an island in the Gulf of Saint Lawrence with her maidservant and her lover. In present-day Stockholm, an author and mother become captivated by the image of Marguerite sheltered in a dark cave after her companions have died. This image soon becomes an obsession. She must find out the real story of the woman she calls the Bear Woman. But so much in this history is written so as to gloss over male violence. And the maps and other sources she consults are at times undecipherable.

Fleeing the city at the beginning of the pandemic, two families are cramped together in a small century-old country house. Winter seeps through the walls, the wallpaper is peeling, and mice make their nest in the piano. Without phones or internet, they turn to the outdoors, where a new language unfolds, a language of fireflies and clover. The five children explore nature and its treasures, while our narrator, Anaïs, turns to the eccentric neighbours and her own family history to find peace and meaning in the middle of her life.

In the twelve unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made familiar and the familiar strange, such that a girl growing wings on her legs feels like an ordinary rite of passage, while a bug-infested house becomes an impossible, Kafkaesque nightmare. Each story builds a new world all its own: a group of children steal a haunted doll, a runaway bride encounters a sea monster, a vendor sells toy boxes that seemingly control the passage of time, an insomniac is seduced by the Sandman.

Daisy, a writer confined to her home, receives a parcel containing the manuscript of a novel about a Syrian refugee and is asked to pose as its writer. Julia, the curator at the Kleinzahler Gallery, has no idea that her sister, Clara, has written a novel. However, she does know that Clara suffers from a debilitating mental illness. Maurice's life is changed by an art installation involving a pair of binoculars welded to the wall through which visitors are invited to observe passersby outside. An ultralight aircraft's collision with a quiet lawn brings them all together.

An unnamed man is spending the evening with his ex-girlfriend. She’s obsessed with the 1956 John Wayne classic The Searchers, and she recounts the story as a way for them to talk about their histories, their families, maybe even their relationship. But as he gets more drunk and belligerent, she gets more and more uncomfortable with him being in her home.

It’s a hot summer night, and Hugh Dalgarno, a 31-year-old clerical worker, thinks his brain is broken. Over the course of a day and night in an uncannily depopulated public park, he will sift through the pieces and traverse the baroque landscape of his own thoughts: the theology of nosiness, the beauty of the arbutus tree, the pathos of Gene Hackman, the theory of quantum immortality, Louis Riel’s letter to an Irish newspaper, the baleful influence of Calvinism on the Scottish working class, the sea, the CIA, and, ultimately, thinking itself and how it may be represented in writing.

When the curtain rises on Malmaison, it reveals a once-enchanting estate, quietly falling into darkness and ruin, and at the heart of it, a father, one of a long line of fathers who have flourished at the expense of those around them. The silence seems peaceful, but lurking under it is a deep malevolence, scores of ugly and violent secrets kept by cast-off mistresses and abandoned daughters.

Most of the things Pillow really liked to do were obviously morally wrong. He wasn't an idiot; clearly it was wrong to punch people in the face for money. But there had been an art to it, and it had been thrilling and thoughtful for him. The zoo was also evil, a jail for animals who'd committed no crimes, but he just loved it. The way Pillow figured it, love wasn't about goodness, it wasn't about being right, loving the very best person, having the most ethical fun. Love was about being alone and making some decisions.

Distraught and hopeless, an eighteen-year-old distance runner, Regan, decides to end her life. And she’ll do it through an unusual new method available only on the dark web. Enter Ülle, a woman with amnesia, who will, inadvertently, make Regan’s wish come true.

When Tia meets Pacifique, it’s a once-in-a-lifetime love. They spend five wild days and nights together, and then Tia wakes up in the hospital with a collarbone broken in a bike accident—and no trace of Pacifique. Unable to convince anyone that Pacifique exists, Tia winds up in a psychiatric ward, forced to face the possibility that this perfect lover may be a figment of her imagination. While there, Tia meets Andrew, a contemplative man with schizophrenia, who falls in love with Tia. He, too, tells her to forget Pacifique. Who to believe?

One cold winter night, Charlie shares a cab with a stranger in a purple hat. As they talk, a cloud of purple smoke overwhelms him, and he wakes up to find himself behind the only desk in the Epiphany Detective Agency. Charlie, as it turns out, is trapped in Metaphoria, an otherworldly place that reality has forgotten, a place where everything means something else. His first client is Shirley Miller, who insists on hiring Charlie to find her husband’s missing heart. In fact, she’s so insistent that she replaces Charlie’s heart with a bomb.

Audrey Cole has always loved to drive. Anytime, anywhere, any car: a questionable rustbucket, a family sedan, the SUV she was paid to drive around the oil fields. From the second she learned to drive, she’s always found a way to hit the road. Years ago, when she abandoned her oil field job, she found herself chauffeuring around the Lever Men, a B-list band relegated to playing empty dive bars in far-flung towns. That’s how she found herself at the Crash Palace, an isolated lodge outside the big city where people pay to party in the wilderness.

Growing up with a menacing drunk for a father and a grief-stricken mother, a girl spends her 1980s childhood staring at the television to escape the depression and looming violence that fill her suburban home. After winning a modelling competition, she dedicates herself to becoming a placid image onto which anything can be projected, a blank slate with a blank stare. Earning enough in Paris to retire in her 20s, she buys a studio in Montreal and retreats from the world, cultivating her existence as an image through her virtual reality avatar. But then her mother develops cancer.

Rachel is a young single mother living with her son, Tristan, on a lake - remote, nearly inhospitable. She does what she has to do to keep them alive. But soon, and unexpectedly, Tristan will have to live alone, his youth unprotected and rough. The wild, open place that is all he knows will be overrun by strangers - strangers inhabiting the lodge that has replaced his home, strangers who make him fight, talk, and even love, when he doesn't want to.

Coach House Books is an independent Canadian publisher of poetry, fiction, drama & nonfiction. Good on paper since 1965.

A community of outsiders takes over an abandoned gas station. They spend their days ripping up asphalt, drinking beer and eating hot dogs, and wandering through woods and towns in search of new ways of living. People come and go: a charismatic landscaper, Italian anarchists, a policewoman, travelers. A teenager drifts into homelessness. And The Girl With No Name keeps a journal of her attempts to meet new people and sleep with them, sex that is “not a sideline” but the motivating force in a story she is struggling to understand.

“The virus exposed how we live and work. It also revealed how we play, and what we lose when we have to stop.” For every kid who makes it to the NBA, thousands more seek out the pleasure and camaraderie of pick-up basketball in their local community centre or neighbourhood park. It’s a story that plays out in sport after sport–team and individual, youth and adult, men's and women's.

Thirty years ago, a professor threw a chair at Sina Queyras after they’d turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virginia Woolf to recover the body and thinking of that time. Using Woolf’s A Room of One’s Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one’s own at the center of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us?