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We hope you will enjoy these fine, old-fashioned stories that Lord Byron wrote in an old-fashioned way. He tells these tales in rhyming verse and heroic couplets, and he makes them dashing, romantic, and even melodramatic in a way that has become foreign to us with the passing of time.

Housman himself knew that his output as a poet would not be large. In his preface to this volume, he wrote, rather touchingly: "I publish these poems, few though they are, because it is not likely that I shall ever be impelled to write much more." He pulled Last Poems together because his life-long friend, Moses Jackson, was dying and Housman wanted Jackson to be able to read these poems before Jackson passed away.

The best way to appreciate this long and fascinating poem, really a novel in verse, is to just let it wash over you. Don't try to get caught up in the story, for Byron won't let you do that; don't try to figure it out, for Byron doesn't want you to do that either. Just listen to the man converse with you and enjoy his playful talk - that's why he wrote it, and that's what it's for.

The Wood Beyond the World transports its hero, Walter the Golden, from the English village of Langton-on-Holm across the seas to a magical kingdom in a forest beyond the known world, ruled by the Mistress, an extraordinarly beautiful, complex, and sinister woman. There he meets the Maid, a woman captured, enslaved, and tortured by the Mistress, who has magical powers of her own.

In The Man Against The Sky, Edwin Arlington Robinson presents us with a gallery of characters drawn from the streets, homes and gathering places of Tilbury Town, his fictional Northeastern dwelling place. A mysterious compelling stranger, a woman living on charity, a welcoming home - this and other portraits give us a compelling and perceptive view of the range of human character and feeling.

With Childe Harold's Pilgrimage, cantos III and IV, Byron comes to the high point of his work and to clear and definite mastery of his art as a poet. Though he himself doubts his powers - he says his visions no longer swim so palpably before his eyes as once they did - his visions are far more palpable to us, expressed as they are with the full depth of his romantic and passionate feelings. He continues the device of the journey of the fictional Harold, but Harold is almost a ghost; the thin disguise and facade that separates him from the poet essentaily vanishes.

Carl Sandburg fixed his eyes on the people of his time and place. He ignored or scorned the wealthy, the comfortable, the complacent, the powerful and those who serve them; he had no time for the ruling class. His eyes were open to the immigrant, the laborer, the hobo, the farmer, the man who works with his hands, the woman who runs a family, the soldier who goes to war for them.

This volume of The Poetry of Lord Byron is focused on work in which Byron dealt with certain themes that recurred throughout his career, especially personal integrity in the search for freedom and for love, and the suffering that can go with that search. "The Prisoner of Chillon", the keynote piece of this volume, is one of Byron’s most riveting pieces. Based on the true story of Francois Bonivard, it tells a story of political repression and human endurance.

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language - has minced no words - to describe violent scenes of violent times. In particular, the torture of Beatrice Cenci at the hands of the authorities of Rome is given in brutal and clinical detail, sparing nothing.In this, the second of the series, Dumas tells the frankly horrifying story of the tragic sons and daughers of Francesco Cenci.

This is Carl Sandburg's fourth collection of poetry. His signature style, a rough-and-ready free verse that often transforms into poetic prose, is in full view. Like Whitman before him and like Masters and Frost in his own time, he puts his focus directly on life as he sees it around him, life in the rough-and-tumble Chicago of the early 20th century and life in the American West at a time when that wild country was finally succumbing to civilization

In these two tales drawn from the magical world of the jungles of India, Rudyard Kipling explores issues of good and evil, courage and honor, materialism and spirituality. In "The King's Ankus", the wolf-boy Mowgli confronts a treasure made long ago by humankind--treasure for which humankind will kill, and kill, and kill again. In "The Miracle of Purun Bhagat", a man who has known wealth, and power, and great responsibility casts all that aside for the humble life of a wandering beggar-priest--until circumstances bring him once more to take command and save life.

For everyone who loves, who ever loved, who searches for love, who suffers from love, who rejoices in love, these poems are for you. Are you in love? Have you ever been in love? Do you wish you were in love? Or perhaps you wish you weren't in love? This set of 70 poems is for you. It ranges in time from the classical Greece to the voices of the early 20th century.

Here are two terrifying and sobering stories of ghosts who will stop at nothing. In Henry James' "The Romance of Certain Old Clothes", a woman's envy of her dead sister threatens to destroy her. In "Lost Hearts", three children learn that a classical scholar's love of the past has led him into a terrible and bloody delusion.

This volume of Lord Byron’s poetry contains four sets of his poems, starting with his famous book of poetry, Hebrew Melodies, and continuing with the Poems of the Separation, poetry he wrote in the period 1816-1823, his “Jeux d’Esprit”, and a group of poems written in homage to the great poets of Italy. Hebrew Melodies is a collection of lyrics Byron wrote to be set to music, as indeed they were, by a composer named Isaac Nathan.

In this, the second volume of the work, William Hazlitt takes us through the history of Napoleon's campaigns in Italy and Egypt. In the course of these campaigns, and in Napoleon's life in Paris between them, we can see a young, brilliant military leader starting to transform himself from a leader of armies into a leader of nations. His brilliant successes on the battlefield bring him to the adoring attention of the French people and the rather alarmed attention of the French government.

In this, the fourth volume of the work, William Hazlitt takes us through the great turning point in Napoleon's life: his invasion of Russia. He shows us the situation in Europe at that time: England controlling the sea, France controlling the land, and only Russia left as a land-based threat to France. He also explores the changes in Napoleon's life and mind: his divorce from Josephine, his marriage to Maria Louisa, his friendship with Emperor Alexander...a friendship that turned to deep enmity.

In this, the third volume of the work, William Hazlitt takes us through the a critical period in Napoleon's life: his leadership of France as first consul. He shows us how the political developments of the time coincided with Napoleon's personal development, the experiences that convinced him that France needed a new leader, and how he came to believe that he himself was that leader. This volume ends with the greatest transition of all, from first consul to emperor.

In this, the sixth of the series, Dumas tells the story of Urbain Grandier, a Catholic priest, little known to the English-speaking world, but famous among French speakers; he was the target of a religous and political conspiracy that began among his personal and political enemies in the town of Loudon and ended at the highest levels of political and religious power in the kingdom of France, with the direct involvement of Cardinal Richelieu and possibly of the king himself.

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language - has minced no words - to describe violent scenes of violent times. In this, the fifth of the series, Dumas tells the story of Karl-Ludwig Sand, a man little known to the English-speaking world, but famous among German speakers; he was the man who assassinated August von Kotzebue, a vigorous advocate of Russia's interests and the interests of the Austrian Empire. In the years immediately following the fall of Napoleon, many people in Germany, particularly young people, were eagerly anticipating the coming of liberal government. Much to their dismay, the autocratic governments existing before the war were not only re-established, but put great energy to ensuring that a liberal revolution would never happen. Karl-Ludwig Sand, a young German student, became convinced that Kotzebue was the key figure in this wave of repression. He made up his mind to kill the man, and kill him he did.

In this, the fourth of the series, Dumas tells the story of Mary Stuart, Queen of Scots - a story both strikingly touching and almost morbidly violent. Never one to allow a mere fact to stand in the way of a good story, though very sympathetic to Mary, Dumas puts all the most sensational accusations made against her - mostly by her enemies - to circumspect yet full use, which certainly distorts history, but makes for a great tale.