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Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC's Blue Network in January 1941. It featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned, and the famous "creaking door" slowly began to open. Every week Inner Sanctum Mysteries told stories of ghosts, murderers, and lunatics.

This collection contains 12 of the greatest radio shows ever broadcast during the golden age of radio! You'll hear Freeman Gosden and Charlezas Correll as Amos and Andy, Howard Duff as Detective Sam Spade, Tom Conway as the immortal Sherlock Holmes, Jim and Marian Jordon as Fibber McGee and Molly, Willard Waterman as the Great Gildersleeve, Eve Arden as Connie Brooks of Our Miss Brooks, William Conrad as Marshal Matt Dillon on Gunsmoke, Charles Laughton in a terrifying episode of Suspense, plus many more!

The Whistler was one of radio's top mystery programs, airing from May 16, 1942 until September 22, 1955. The Whistler was an ominous narrator who opened each episode with, "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

Philo Vance is a fictional character featured in numerous crime novels written by S. S. Van Dine, published in the 1920s and 1930s, who was later revived in film and on radio and television. During that time Vance was immensely popular. He was portrayed as a stylish, even foppish dandy, a New York bon vivant with a highly intellectual bent - America's Sherlock Holmes. He worked closely with his secretary and right-hand woman, Ellen Deering, and his pal, John Markham, New York County district attorney.

The Lux Radio Theatre was one of the longest running - and most extravagant - shows from radio's golden age. The show featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host for the lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s.

Sam Spade was a hard-boiled detective with cold detachment, a keen eye for detail, and unflinching determination to achieve his own justice. The character of Sam Spade was created by writer Dashiell Hammett in 1930 for his crime story The Maltese Falcon, and for most people, the character is closely associated with actor Humphrey Bogart, who played Sam Spade in the third and most famous film version of the story. In 1946, William Spier, one of radio's top producers, brought Sam Spade to the airwaves.

Here are 12 episodes of the horror and mystery series written and produced by radio announcers beginning in 1946. There were several series under the Hall of Fantasy banner, all produced by Richard Thorne. The first originated from radio station KALL in Salt Lake City. Richard Thorne and Carl Greyson were announcers for the station and coproduced the bare-bones horror series beginning in 1946. Written or adapted by Robert Olson and directed by Thorne, the stories were mostly murder mysteries with traditional endings.

Hosted by Cecil B. DeMille and starring numerous icons of the screen, this collection of old-time radio classics includes six episodes of The Lux Radio Theatre - one of the longest running, most extravagant shows from radio's golden age. The show featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures, making this lavish production a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s.

William Conrad was a big part of the golden-age of radio. Not only did he star as US Marshal Matt Dillon on Gunsmoke (five episodes in this collection), but he appeared on hundreds of radio shows during the 1940s and 50s. Here’s sixteen radio broadcasts that either star William Conrad or have him in the supporting cast. You won’t have any problem identifying his deep baritone voice!

Like Mike Hammer and Philip Marlowe, Shayne is a loner. Once happily married, Mike is devastated when his wife is suddenly and tragically murdered. Grief stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of New Orleans, seeking out his style of revenge on injustice.

Here are 12 of the greatest American comedy shows ever broadcast during the golden age of radio. You'll hear Ozzie and Harriet Nelson in The Adventures of Ozzie and Harriet.

Among several newspaper-based dramas during radio's golden age, Night Beat was a cut above the others. It was the story of Randy Stone, a hard-nosed Chicago Star newsman, and his quest for the human-interest story behind the headlines. Frank Lovejoy starred as Randy Stone, who came to vivid life thanks to expert scripts by Russell Hughes, Larry Marcus, E. Jack Neuman, and John Michael Hayes. Lovejoy's distinctive voice and approach to the role, combined with top performances by veteran radio actors, gave Night Beat a noir style that listeners loved.

The Whistler was one of radio's top mystery programs airing from May 16, 1942 until September 22, 1955. The Whistler was an ominous narrator who opened each episode with, "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men andwomen who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

The Black Museum was a weekly radio crime drama produced for the BBC in 1951 and based on real-life cases from the files of Scotland Yard. Orson Welles, who was living in London at the time, was both host and narrator for these dramatized stories based on Scotland Yard's Black Museum, which housed its collection of murder weapons and various ordinary objects once associated with historical crime cases.

Raymond Chandler's celebrated hard-boiled private eye, Philip Marlowe, made his radio debut in 1945 on the Lux Radio Theatre with Murder, My Sweet, starring Dick Powell. Two years later NBC brought the character to the air in his own weekly series starring Van Heflin, The New Adventures of Philip Marlowe. A summer replacement for The Bob Hope Show, the series was short lived, ending on September 9, 1947.

The Weird Circle radio show was an anthology of classic thrillers from the pens of the world's best-known and respected fiction authors of the 19th century. The focus was on stories of horror, suspense, and the supernatural by such authors as Edgar Allan Poe, Robert Louis Stevenson, and Mary Shelley, with an occasional drama by the likes of Emily Brontë, Charles Dickens, and George Eliot.

Every week, Inner Sanctum Mysteries told a story of ghosts, murderers, and lunatics. Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC radio's Blue Network in January 1941 and featured one of the most memorable and atmospheric openings in radio history, as an organist hit a dissonant chord, a doorknob turned, and a creaking door slowly began to open.

Throckmorton P. Gildersleeve was a popular character appearing each week on the Fibber McGee and Molly radio show. On August 31, 1941, Gildersleeve landed his own situation comedy, The Great Gildersleeve, becoming radio's first spin-off. Gildersleeve moved from the town of Wistful Vista, where Fibber McGee and Molly lived, to Summerfield, where he oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie and Leroy Forrester.

This collection showcases Lucille Ball's amazing spectrum of radio work, from comedy to mystery and everything in between. As Lucy Ricardo, Lucille Ball brought a tomboy's enthusiasm and a scatterbrained quality to the long-running television program I Love Lucy. She was the wacky wife making life difficult for her loving but exasperated husband, Ricky Ricardo, played by Ball's real-life husband, Desi Arnaz.

The Falcon radio series aired from 1943 until 1954. "The Falcon" was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance, and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, the Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation he had to deal with.