Mostrando resultados por autor "Virginia Woolfs" en Todas las categorías

This is a story from the Classic Women's Short Stories collection.

In the aftermath of World War I, Clarissa Dalloway is an upper-class politician’s wife, who longs for the carefree, impassioned days of her youth. Her marriage to a sensible man gives her many opportunities to socialize and progress in society, but this practicality also prevented her from following other romantic and personal passions. These old regrets come to new light as Clarissa is reintroduced to Peter Walsh, a man she loved—and who had proposed to her—in her younger days.

Geleneksel roman anlayışını yıkarak dünya edebiyatının en sıra dışı yazarlarından biri olan Virginia Woolf, Dalgalar'la şiir ve düzyazıyı benzersiz bir şekilde bir araya getiriyor ve bilinç akışı tekniğinin en önemli eserlerinden birini ortaya koyuyor. Dalgalar'da, üç erkek ve üç kadının çocukluklarından yaşlılık dönemlerine kadar tüm hayatları bilinç akışı tekniğiyle anlatılıyor. Dış dünyaya ise sadece karakterlerinin onu algılayışları üzerinden yer veriliyor. Woolf, ortak bir yazgıyla yer yer birbirinden uzaklaşan ama sıklıkla kesişen hayatları anlatıyor.

Jacob’s Room was written in 1922 and is Virginia Woolf’s third novel; the first in which she made a radical shift from the established style of prose narrative writing and began experimenting with the modernist "stream of consciousness style" now so firmly associated with her work and that so shook the literary establishment. Jacob’s Room is overwhelmingly centered around feelings of absence and emptiness and is a collection of memories and sensations that chart the life of Jacob Flanders, largely observed through the eyes of others.

To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny, and bitterness. Its use of stream of consciousness, reminiscence, and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.

Imagine living in a house over 100 years old, and of course wondering about the former occupants, and now the couple living in the home meets the former residents. Only one problem; the former residents have been dead for many years, and these are the ghosts of the loving couple who lived in the home searching for treasure. Glenn Hascall does a magnificent job performing as the narrator of this charming story by Virginia Woolf.

Back by popular demand, novelists Siri Hustvedt ( The Blazing World), Jennifer Egan (Pulitzer Prize-winner for A Visit from the Goon Squad), and Margot Livesey ( The Flight of Gemma Hardy), the trio that has brought Middlemarch, Pride & Prejudice, Anna Karenina, and The Portrait of a Lady to life at past events in this series, revisit Virginia Woolf's classic.

Virginia Woolf's semi-biographical novel, inspired by her life changing love affair with Vita Sackville-West, takes us on an exhilarating, fantastical roller coaster, tracing 400 years of English history, in the company of her shape-shifting, gender-bending, time-travelling hero Orlando, whose inner conflicts and triumphs challenge our preconceptions of the nature of love, the battle of the sexes, posing socal and metaphysical questions including what we now call climate change.

Unabridged readings of four fictional masterpieces. Contained in this collection are four more enduring classics, read in full by some of the very best audiobook narrators. With over 32 hours of irresistible storytelling, tracked by chapter for ease of navigation, this is the perfect way to immerse yourself in these iconic works.

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

Adeline Virginia Woolf (January 1882-1941) was an English writer and one of the preeminent modernists of the 20th century. "Kew Gardens" is a short story set in the London botanic garden of the same name on a hot July day. The narrative consists of brief evocative snapshots of four groups of people as they pass by a flowerbed.

Clarissa Dalloway es una mujer de la alta sociedad londinense, casada con un diputado conservador del parlamento británico. Clarissa se prepara para dar una fiesta en su casa donde se rencontrará con amigos que hace muchos años que no ve. Mientras pasea por las calles londinenses ultimando los preparativos, Clarissa se encuentra inmersa en sus propios recuerdos y examina las decisiones que ha tomado a lo largo de su vida, como su romance de infancia con Peter Walsh.

Baseado em palestras proferidas por Virginia Woolf nas faculdades de Newham e Girton em 1928, o ensaio Um teto todo seu é uma reflexão acerca das condições sociais da mulher e a sua influência na produção literária feminina. A escritora pontua em que medida a posição que a mulher ocupa na sociedade acarreta dificuldades para a expressão livre de seu pensamento, para que essa expressão seja transformada em uma escrita sem sujeição e, finalmente, para que essa escrita seja recebida com consideração, em vez da indiferença comumente reservada à escrita feminina na época.

To the Lighthouse tells of one summer spent by the Ramsay family and their friends in their holiday home in Scotland. Offshore stands the lighthouse, remote, inaccessbile, an eternal presence in a changing wolrd. A projected visit to the lighthouse forms the heart of this extraordinary novel which, through the minds of the various characters, explores the nature of time, memory, transience and eternity.

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.

The Ramsey family, with house guests, visit the Isle of Skye at least twice. The plot is not at all the point though, as this is a book about how people think and feel and relate. There’s insight into the world of childhood thought and emotion, and a variety of views of adult care and perceptions. I hope this doesn’t make it sound ‘difficult’, it doesn’t need to be–just let the sentences flow and make your own sense of the words. It’s perhaps as close as a novel can come to the highly individual experience of looking at a painting.

Au phare, c'est cette destination vers laquelle se tend et se déploie tout le roman, un serment en suspens, à flux tendu au-dessus des profondeurs abyssales de la conscience des personnages. La promesse d'une promenade scelle l'alliance de Mrs Ramsey avec ses enfants, contre le père, contre vents et marées, le temps qui passe et la Guerre - c'est autour de cette parole donnée que se nouent les désirs enfouis et les pensées tues, que se cristallisent tragiquement les souvenirs d'enfance.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.