Showing results by narrator "Jennifer Van Dyck" in All Categories

"I haven't laid eyes on Marc's gorgeous face in months. And with a new mother and an I-know-everything teenager under my protection, I don't exactly have time to fantasize about ever seeing him again. Then our long-awaited reunion is ruined by a vicious ambush by strays. Now our group is under attack, Marc is missing and I will need every bit of skill and smarts to keep my family from being torn apart. Forever."

When you think of St. Petersburg noir, some of the greatest literary names immediately spring to mind - Alexander Pushkin, Nikolay Gogol, and Fyodor Dostoevsky. Modern day St. Petersburg lavishly offers the scenery and conditions for true noir stories, and the writers in St. Petersburg Noir succeed in concocting their own worlds within this city with stories ranging from mystical to outwardly grotesque.

Famous director Elias Theropodous has chosen Haggerman’s Catskills Resort as a shooting location for his next film. It sounds glamorous to much of the staff, but resort manager Elizabeth Grady is less satisfied. Dealing with the ridiculous demands of the antagonistic director is bad enough, and his attempts to walk all over Elizabeth are making her feel like her position at the resort has been changed into a bit part. But when Elias is poisoned during a dinner at the resort, the future of the film and the resort itself are on the line.

Greta had always loved the fog - the soft gray mist that rolled in from the sea and drifted over the village. Then one day when Greta was walking in the woods and the mist was closing in, she saw the dark outline of a stone house against the spruce trees - a house where only an old cellar hole should have been. Then she saw a surrey come by, carrying a lady dressed in plum-colored silk. The woman beckoned for Greta to join her, and soon, Greta found herself launched on an adventure that would take her back to a past that existed only through the magic of the fog.

John likes to arrive first. He enjoys standing quietly with a house before his clients arrive, and today, although he feels pinned beneath an invisible weight, he resolves to savor this solitary moment. It's one of those overhauled ranches so common to Old Cranbury these days, swollen and dressed to resemble a colonial. White, of course, with ornamental shutters and latches pretending to hold them open. A close echo of its renovated sisters on Whistle Hill Road, garnished with hostas and glitzed with azaleas.

The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe firsthand the changes brought to their lives by pregnancy, childbirth, and mothering.

Pittsburgh has recently (and more than once) been called the most livable city in America; yet the old image of smoky skies and steel mills spewing forth grit has never quite disappeared. Its history as a dirty industrial center is a part of its residents, a part of their toughness. The people of the steel city fight.

Eve Duncan has turned down the job twice already. Her skill and devotion in identifying murder victims and helping bring their killers to justice may be world-renowned. But Eve works exclusively for law enforcement and the families of the innocent, and the man on the other end of the phone is many things, none of them law-abiding or innocent.

In “The Pleasure of Her Company,” a lonely, single woman befriends the married couple next door, hoping to learn the secret of their happiness. In "Long Distance," a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape. And in the incandescently wise and moving title novella, a dentist, aware that his wife has fallen in love with someone else, must comfort her when she is spurned....

Again and again, Molly Antopol’s deeply sympathetic characters struggle for footing in an uncertain world, hounded by forces beyond their control. Their voices are intimate and powerful and they resonate with searing beauty. Antopol is a superb young talent, and The UnAmericans will long be remembered for its wit, humanity, and heart.

In this beautifully written and powerful debut novel, Ella Joy Olsen traces the stories of five fascinating women who inhabit the same historic home over the course of a century - braided stories of love, heartbreak, and courage connect the women, even across generations.

The Dunnes have set off on a 10 day boat trip, a trip that hopefully will bring them closer together, despite the fact that the father, Stuart is staying behind on land. But just when things start to take a turn for the better, disaster strikes.

It all begins with a painting called Guilt. Eve Duncan’s daughter, Jane, has no idea why she painted the portrait of the chilling face that now hangs in a Paris gallery. But the members of a cult know both the face and the significance behind it. They believe that Jane must die - when the moment is right, and not an instant before she leads them to an ancient treasure whose value and power are beyond price. But for now, they target those close to her - killing without mercy or conscience.

The answers Captain Jonathan "Coop" Cooper and the crew of the Ivoire seek lie in the Boneyards. But an encounter from Coop's recent past shows up to haunt him, an encounter he never told Boss about, an encounter that could threaten her future, his life, and the fragile peace between the Alliance and the Empire.

When the captain and senior crew abandon the Renegat, linguist Raina Serpell assumes command. She needs to get the ship and remaining crew home. As the ship comes under attack from the planet below, Raina must first figure out how to operate the ship’s firepower. Harder still, she must battle her own past to become captain in more than just name alone.

For Tel Aviv Noir, Etgar Keret and Assaf Gavron have masterfully assembled some of Israel's top contemporary writers into a compulsively readable collection. Featuring brand-new stories by: Etgar Keret, Gadi Taub, Lavie Tidhar, Deakla Keydar, Matan Hermoni, Julia Fermentto, Gon Ben Ari, Shimon Adaf, Alex Epstein, Antonio Ungar, Gai Ad, Assaf Gavron, Silje Bekeng, and Yoav Katz.

A graveyard of spaceships, abandoned by the mysterious Fleet thousands of years earlier. Boss calls it "the Boneyard". She needs the ships inside to expand her work for Lost Souls Corporation. Yash Zarlengo thinks the Boneyard will help her discover if the Fleet still exists. Boss and Yash, while exploring the Boneyard, discover a small ship with a powerful and dangerous problem: the ship's active anacapa drive.

The Condition tells the story of the McKotches, a proper New England family that comes apart during one fateful summer. One day on the beach, Frank McKotch is struck by an image he cannot forget: his 13-year-old daughter, Gwen, strangely infantile in her child-sized bikini, standing a full head shorter than her younger cousin Charlotte. At that moment, he knows a truth that he can never again unknow: something is terribly wrong with his only daughter.

In a city full of police controversies, hippie artist punk houses, and overzealous liberals, Portland, Oregon, is a place where even its fiction blurs with its bizarre realities. Brand-new stories by: Gigi Little, Justin Hocking, Christopher Bolton, Jess Walter, Monica Drake, Jamie S. Rich (illustrated by Joelle Jones), Dan DeWeese, Zoe Trope, Luciana Lopez, Karen Karbo, Bill Cameron, Ariel Gore, Floyd Skloot, Megan Kruse, Kimberly Warner-Cohen, and Jonathan Selwood.

"My Irish grandfather, Thomas Lawrence Downey, was a great storyteller. I never tired of sitting on his knee - and later, when I was a bit too big, sitting at his feet with one of my baby sisters on his knee - listening to his wonderful tall tales. Among the stories I loved the best were the ones about the Irish - and the Downey family in particular. In those tales, I'm afraid, 'dramatic flair' and artistic liberties took over for fact. But as any good storyteller knows, to embellish is to make the tale interesting, especially to a young Tomie."