Mostrando resultados por autor "Virginia Woolf" en Todas las categorías

Presented here are 3 short works by Virginia Woolf, each a unique consideration of the work of Fyodor Dostoyevsky. The essays included are: The Father: Woolf's ruminations of family and, particularly, the father within the works of Dostoyevsky. More Dostoyevsky: Further thoughts on Dostoyevsky's work, an author of whom she once wrote “It is directly obvious that he is the greatest writer ever born." In Cranford: A comedic exploration of Dostoyevsky's work where Woolf transplants the great master into English provincial life to explore the unique nature of his work and the English nature.

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.

The short stories written during and about World War I are often overshadowed by the excellent verse of the War Poets. Yet the short story is perhaps their equal in other ways. Within these succinct little time capsules of words are captured ideas, attitudes, feelings and life that are expressed in a few minutes just as movingly, imaginatively and tellingly as in any other form. Some of these stories will be familiar, but some may not. From Virginia Woolf to Katharine Mansfield and John Buchan to C. E. Montague, various writing styles try to make sense of this world at war.

Adeline Virginia Woolf (January 25, 1882 - March 28, 1941) was a feminist, pacifist, anti-fascist and English writer born in South Kensington, London. She is considered one of the most important modernist 20th-century authors, literary critics, and pioneer in the use of stream of consciousness as a narrative device. This is the only surviving recording of Virginia Woolf, a talk called, "Craftsmanship."

Fifty short stories by women writers who broke the mould.

Kew Gardens may not be unlike any beautiful garden you might visit. However, Virginia Woolf, invites us to inspect the minds of a few who visit the garden. This is a place of dreams, an oasis, a hideaway from all that is busy and frantic.

The Ported fingers of glass hang downwards. The light slides down the glass, and drops a pool of green. All day long the ten fingers of the lustre drop green upon the marble. The feathers of parakeets their harsh cries sharp blades of palm trees green, too.

À Londres, ce soir, Clarissa Dalloway offre une fête ! La haute société anglaise a intérêt à s'amuser. Or, de vieilles connaissances ressurgissent des limbes et exhument des souvenirs comme on ouvre une boîte de Pandore. Ce mois de juin d'après-guerre n'en est pas moins radieux. Quant à Lucrezia, déracinée de son Italie natale, elle tente de retrouver son mari dans la froide Angleterre. Septimus est là, mais absent. Pâle vétéran décoré, le jeune homme reste hanté par les tranchées et les bombes. Parfois, il entend la voix d'un de ses amis mort au front.

Testo illuminante e fondamentale per intere generazioni, esso ha origine nell’invito a tenere due conferenze sul tema "donne e romanzo" rivolto...

"The Voyage Out" is the first novel by Virginia Woolf, published in 1915 by Duckworth; and published in the U.S. in 1920 by Doran. Rachel Vinrace embarks for South America on her father's ship and is launched on a course of self-discovery in a kind of modern mythical voyage. The mismatched jumble of passengers provide Woolf with an opportunity to satirize Edwardian life.

Mrs. Dalloway è il primo grande romanzo di Virginia Woolf, pubblicato nel 1925. Nell'arco di una sola giornata i fili invisibili delle emozioni uniscono...

"Gita al Faro" (1927) è il ritratto corale della famiglia Ramsay, che ogni estate ospita diversi amici su un'isola delle Ebridi. Virginia Woolf sembra avere una lente di ingrandimento con la quale osserva ognuno di loro, con il suo flusso continuo di pensieri, immagini, ricordi, associazioni, aspettative, paure.

Pubblicato per la prima volta nel 1928, "Orlando" ("Orlando: A Biography") è la straordinaria cronaca della vita del protagonista che si sviluppa nel corso di quattro secoli. L'elemento centrale del romanzo è quindi Orlando, personaggio androgino dal sesso certo ma in evoluzione. La sua esistenza fantastica, spesso assolutamente libera da qualsiasi schema, anche sessuale, attraversa il XVII, il XVIII, e il XIX secolo, e riporta un lucido e interessante resoconto della società inglese dell'epoca.

The Mark on the Wall is the first published story by Virginia Woolf. It was published in 1917 as part of the first collection of short stories written by Virginia Woolf and her husband, Leonard Woolf, called Two Stories. It was later published in New York in 1921 as part of another collection entitled Monday or Tuesday. The Mark on the Wall is written in the first person, as a "tream of consciousness" monologue. The narrator notices a mark on the wall, and muses on the workings of the mind.

A rich and varied collection of classic short stories by British writers: 'Quality' by John Galsworthy, 'The Mark on the Wall' by Virginia Woolf, 'The Horse Dealer’s Daughter' by D. H. Lawrence, 'The Ticking of the Clock' by Louisa Baldwin, 'The Fiddler of the Reels' by Thomas Hardy, 'The Return' by R. Murray Gilchrist, 'Kew Gardens' by Virginia Woolf, 'Seashore Macabre' by Hugh Walpole, 'Satan’s Circus' by Eleanor Smith, 'The Coffin Merchant' by Richard Middleton....

En «Una novela no escrita», la protagonista —alter ego de Virginia Woolf— especula sobre la vida interior y el alma de una persona mientras la observa desde el asiento de un tren.

A collection of short stories written by some of the greatest female writers of all time including Virginia Woolf, Kate Chopin, Katherine Mansfield, and Winifred Holtby.

En La marca en la pared, Virginia Woolf lleva al lector a un viaje introspectivo, observando una mancha en la pared. La narradora, mientras intenta identificar la marca, se sumerge en una serie de reflexiones y pensamientos que abarcan desde la naturaleza de la vida hasta cuestiones filosóficas. La historia es una obra maestra del monólogo interior, representando una exploración íntima de la mente humana, que culmina en una revelación inesperada sobre la marca.

La relación entre Virginia Woolf y la excentricidad era peculiar. "Desde el primer momento se vio que ella era incalculable, excéntrica y propensa a los accidentes", señala su sobrino, el historiador de arte Quentin Bell. Su aspecto, su ropa y, en suma, ella misma podían generar impresiones encontradas. "Tenía una presencia que la volvía notable de inmediato", dice Madge Garland, legendaria editora de Vogue, al recordar la primera vez que la vio, en los años veinte.

Als Orlando nach einer ausschweifenden Feierlichkeit am Hofe des türkischen Sultans aus einem langen und erholsamen Schlaf erwacht, lässt es sich nicht leugnen: Die Tage seiner Männlichkeit sind gezählt, in der Nacht ist er zur Frau geworden. Orlando nimmt es, wie es kommt, und reist fortan ewig jugendlich durch die Weltgeschichte. Dabei trifft er auf die großen Dichter und Denker verschiedener Epochen. Was Virginia Woolf mit "Orlando" vorlegte, ist ein spielerischer Ritt durch die literarischen Genres, ein satirisches, sprachgewaltiges, feministisch angehauchtes Vergnügen.