Mostrando resultados por autor "Lawrence Block" en Todas las categorías

The sexual upheaval of the 1970s was a remarkable turning point in the evolution of contemporary sexual behavior. As much as anyone, John Warren Wells stalked the barricades of this social revolution. He met the players, and let them pour their stories into his sympathetic ear. From the original publisher's edition:" The Taboo Breakers is a penetrating, unbiased study of these modern "swingers." Just what do they do, and with whom, and why? Are they fools and sinners, the shock troops of a new sexual revolution, hell-bent hedonists piling one thrill upon another? Or are they merely ...

When Don Westlake and I were starting out as writers, we both served an apprenticeship writing erotic novels for Harry Shorten at Midwood Books and Bill Hamling at Nightstand. (I was Sheldon Lord for Midwood and Andrew Shaw for Nightstand, while Don was Alan Marshall for both publishers. Note though that the presence of either name upon a book is no guarantee that one of us wrote it. Both of us made arrangements whereby lesser writers would submit works under our names—and I know it's hard to believe that any writers were less than we were back then, but it's true.) Well. We'd become ...

Lawrence Block on Lust Weekend: “LUST WEEKEND was written in 1962 and published that same year by Nightstand Books. The title’s an obvious play on THE LOST WEEKEND, Charles Jackson’s groundbreaking novel of alcoholism. The book was a sensation, as was the film adaptation starring Ray Milland. “The people at Nightstand generally changed the titles on my manuscripts. But LUST WEEKEND made the cut, and I’m sure I came up with the title first and wrote the book to fit. ‘Lust’ was a favorite word at Nightstand, where they wanted to excite the readers withoutd alarming the censors. ...

Turning 29 years old, Janet Giddings Kurland starts a journal and records her comfortably routine suburban lifestyle. But when she rolls the dice with her friend's husband, she starts down a path that will lead her to the hip streets of Greenwich Village. Amidst the sexually free, Janet blossoms and her housewife's journal turns into a sex diary filled with unexpected encounters, dangerous partners, and drug-fueled sexual escapades.

It is Kit Tolliver's oft-repeated role in life to hook up with a suitable male, go home with him, have richly satisfying and often inventive sex with him, and then kill him and take his money. She'd done so in three stories ("If You Can't Stand the Heat", set in Hell's Kitchen, "Rude Awakening," set in the Bronx, and "You Can Call Me Lucky," set in an Indian casino in Michigan) and, while I knew her like a sister, I still didn't know her name or her backstory or why she was doing these terrible things. Then Gardner Dozois and George R. R. Martin invited me to contribute a story to a cross-...

When Kit Tolliver met Alvin Kirkaby, he looked cute in his military uniform. He was on his way to an overseas assignment, and maybe it was an uncharacteristic attack of patriotism that led her to break her usual pattern and spare his life. But now he’s just a name on her list, and home from the wars, so all she has to do is head down to Hedgemont, North Carolina, and give her soldier boy an honorable discharge. Then she walks into his trailer and finds out things are a little more complicated than that... All of Kit’s homicidal (and increasingly erotic) adventures are collected in book ...

Lawrence Block remembers: “Back in the 1960s, when I was writing erotic novels for several publishers, I trauned and employed several ghostwriters. The first, William Coons, was recruited by my friend Donald Westlake; MAN FOR RENT is half his work and half mine, and here’s what wrote about it in my memoir of those early years, A Writer Prepares…” This happened fairly early in Bill’s ghosting career, when he was living with his wife and daughter in Washington Heights—but not too early, because it was after Nightstand had upped their order to two Andrew Shaw titles a month. I’d ...

When we first met Kit Tolliver, in “If You Can’t Stand the Heat,” we didn’t know her name. She walked into a bar in New York’s Hell’s Kitchen, where a slightly sinister gentleman picked her up, took her home, and took her to bed. She had a good time. Then she killed him, took his money, and went on her way. In her fourth appearance, “Clean Slate,” we found out more about Kit. Her name, and how she got this way. And she in turn finds her mission in life. There were five men who slept with her and lived to tell the tale, and she’s determined to hunt them down and wipe them ...

In “Clean Slate” (Kit Tolliver #4) Kit found her mission in life. There were five men who once slept with her and lived to tell the tale, and she’s determined to hunt them down and wipe them off the board of life. So far, so good. But what do you do when all you know about a guy is the name he gave you? She’d met him in Philadelphia, but he was in town on business, so all she really knew was that he was from someplace else. Good old Sid from Philadelphia, except he wasn’t from Philadelphia, and his name wasn’t Sid. Want to give that a whirl out on Google? Then Rita told her ...

Lawrence Block on GIRLS ON THE PROWL: “GIRLS ON THE PROWL was first published by Nightstand Books in 1961, with Andrew Shaw credited as author. Harold W. McCauley provided the cover art. The principal characters—one hesitates to characterize them as titular—are Saundra, Marilyn, and Joan. (Joan is the lesbian.) “A mere forty-three years later, THE BURGLAR ON THE PROWL was first published by William Morrow in 2004, with Lawrence Block credited as author. Amy King provided the jacket design, Paul Oakley the jacket illustration, while the author photograph was the work of Athena ...

The crime fiction canopy's a broad one, with room to give shelter to writing of all sorts, as editor Lawrence Block shows with At Home in the Dark.

Sound interesting? The author thinks so too! Listen to Born to Be Bad and experience the compelling world of erotica.

When young, broke, and single Chip Harrison finds a bus ticket to Bordentown, South Carolina, he knows it was sent by the hand of fate. It’s his way out of wintry New York City, Bordentown’s sheriff provides a very warm welcome! Before long, Chip charms his way into the sheriff’s good graces and into the arms of Lucille, the preacher’s daughter. Even Chip should see he is headed for trouble with a capital T, in another furiously funny caper by Edgar Award-winning author Lawrence Block.

When Joyce Kendall arrives in New York, fresh out of Clifton College in Iowa, she has a job and an apartment waiting for her. The job's as a first reader for Armageddon Publications. The apartment's at 21 Gay Street, and the small Federal-period house is already home to a lesbian couple, Jean Fitzgerald and Terri Leigh, and an out-of-work newspaperman, Pete Galton. The relationships of these four people under one roof add up to a fast-paced story that is not only satisfying fiction but a rare window on Bohemian life in the late 1950s.

O Rose thou art sick. /The invisible worm, /That flies in the night /In the howling storm: /Has found out thy bed /Of crimson joy: /And his dark secret love / Does thy life destroy. Those eight lines constitute the complete text of “The Sick Rose,” published by William Blake in Songs of Experience in 1794. I took to Blake early on, and thought Of Crimson Joy would make a dandy title. I accordingly fastened it on this novel when I sent the manuscript to Harry Shorten at Midwood.

Hard Case Crime, die außergewöhnliche Krimi-Reihe als exklusive und ungekürzte Hörbuchproduktionen: Willkommen in einer Welt, in der die Sonne nur scheint, um tiefe Schatten zu werfen und in den Augen verkaterter, übernächtigter Männer zu brennen. Einer düsteren, brutalen Welt der Ganoven und Huren, in der die scheinbar ehrbaren Bürger moralisch verkommen sind, die Polizisten sowieso.

In the third installment of his acclaimed anthology series, master of crime fiction Lawrence Block has gathered together the best talent from popular fiction to produce an anthology of short stories based on masterpieces of American art. Among the star-studded lineup of writers you'll find Jerome Charyn, Jane Hamilton, Christa Faust, John Sandford, Sara Paretsky, Walter Mosley, Charles Ardai, Barry Malzberg, and Janice Eidus.

In her fifth appearance, “Waitress Wanted,” Kit Tolliver had to leave Phoenix in a hurry. She’d had sex with her boss, and that sealed his fate; the guy had about as much survival potential as a male Black Widow spider. Now she’s in Washington State, renting a room in a comfortable suburban house, and ready to hook up with one of the men on her list. A Chicagoan, he slept with her a couple of years ago in New York, and got out of town before she could seal the deal. And now he’s right here in Kirkland, and he doesn’t know it, but he’s about to get lucky. Except the clown ...

Lawrence Block remembers: “I wrote Campus Tramp in July of 1959. By then I had written four or five erotic novels for Midwood Tower Books, Harry Shorten’s new paperback publishing venture, all of them published under the pen name of Sheldon Lord. Campus Tramp was written for another publisher, William Hamling’s Nightstand Books, and I chose a new pen name for it—Andrew Shaw. “Before long young mister Shaw was writing a book a month for Nightstand. At one point I brought in a ghostwriter, a friend of my friend Don Westlake, taught him how to write erotic novels, and took a sliver ...

in Doing It!, John Warren Wells collects the popular correspondence columns he wrote for Swank Magazine, and gives his readers free rein to post their reports from the barricades of the Sexual Revolution. You'll hear from Alfred, who wants to watch his wife make it with another man. You'll meet Beatrice,always looking for new ways to please her husband. Dean is a dedicated rubber fetishist, CNH is partial to fur. Margaret gave up sex ten years ago...for her mother. Chester wants a spanking. And Ted wants to know how much is too much. And here's a fellow who signs himself Electro-Freak: "I ...