Mostrando resultados por autor "Nikolai Gogol" en Todas las categorías

Khoma Brut had no idea the trouble he would be in when he asked for shelter at a lonely hut, belonging to an old woman. Enjoy this quirky and spooky tale by Nikolai Gogol.

Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. THE MYSTERIOUS PORTRAIT: Nowhere did so many people pause as before the little picture-shop in the Shtchukinui Dvor. This little shop contained, indeed, the most varied collection of curiosities. The pictures were chiefly oil-paintings covered with dark varnish, in frames of dingy yellow.

Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore. Gogol had a profound and enduring impact on literature which can be evidenced from his masterpiece, "The Cloak", more popularly although wrongly translated as "The Overcoat" published in 1841. A hundred years later Vladamir Nabokov called it ‘The greatest Russian short story ever written'.

"The Nose" is the second best known story of Gogol, after "The Overcoat". A military major discovers his nose is missing and works to recover it. He finds the nose but it pretends to have a life of its own, as a fellow human. It in fact has a higher rank than the Major himself. The Major is perplexed, goes back to his apartment, and has the nose returned to him. With great joy he recovers his nose, only to find it won't reattach to his face. After much going on, he finds the nose reattached to his face.

Evenings on a Farm Near Dikanka is a collection of short stories by Nikolai Gogol, written from 1831 to 1832. They appeared in various magazines and were published in book form when Gogol, who had spent his life in Ukraine up to the age of 19, was 22. He put his early impressions and memories of childhood into these pictures of peasant life. His mother's descriptions of village customs, dress, superstitions, and old stories were also used as primary sources. Please note: This audiobook is in Russian.

Orson Welles, Sir Laurence Olivier, and Michael Redgrave present a collection of classic Russian fiction including "The Overcoat", "The Queen of Spades", and "A Day in the Country."

"Diario de un loco", publicada en 1834, es una historia muy corta, de apenas viente páginas, pero que se compensa con lo hilarante y extraño de su contenido, muy al estilo de Gogol. La historia es escrita a manera de diario íntimo contado en primera persona y ordenado cronológicamente por un funcionario público, llamado Aksenti Ivanovich (42 años) y de un apellido extraño, según comentario de uno de los personajes. El diario inicia un tal 3 de octubre, no se precisa el año y se va narrando muy escasamente de lo que le va sucediendo al personaje.

Un caballero de industria ruso, Chichikov, ha descubierto que si compra a sus antiguos duenos los siervos muertos despues del ultimo censo, puede lograr grandes subvenciones y esas son las almas muertas. La meta del autor fue "tratar de mostrar el alma rusa, con su variedad de dotes y riquezas morales pero tambien con sus defectos, que caracterizan al pueblo ruso".

This collection features two of the most well known stories by the great Russian writer Nikolay Gogol (1809-1852). These selections from his Petersburg tales, "Nevsky Prospect" and "The Nose", are full of humor, mystery and mysticism.

Some call him a Russian Mark Twain. And with his special blend of comedy, social commentary, and fantasy, Nikolai Gogol paved the way for his countrymen Tolstoy and Dostoyevsky. This sampling of Gogol's works includes the increasingly fantastic entries of The Diary of a Madman followed by the wonderfully surrealistic The Nose in which the title character embarks on some unlikely activities when separated from its owner's face. Rounding out the collection are the woefully comic tale of a clerk's acquisition of The Overcoat and Ivan Fyodorovich and his Aunt, in which the title character retires to his country estate, managed by a wily Aunt.

A true horror classic of Ukrainian literature, Nikolai Gogol's Terrible Revenge raises the notions of terror, betrayal, and revenge to an entirely new level.

Christmas carols, the devil, fresh-baked bread, unrequited love, a witch's broomstick, Catherine the Great, cossacks, paintings, vodka, stolen moon, an unexpected blizzard, sausage, and one very fancy pair of shoes - all is mayhem and merriment in Nikolai Gogol's delightful Christmas tale.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

"Diary of a Madman"(1835) is a farcical short story by Nikolai Gogol. The story follows the life of a civil servant Poprishchin during the repressive era of Czar Nicholas I. Written in diary format, the narrative shows the descent of Poprishchin into insanity. As he loses it, he begins to “understand” canine conversations. Later, he loses a sense of time, and saw himself as the king of Spain. Poprishchin's alienation from society is strongly rooted to the way he perceives and treats people around him.

Many of Gogol's stories feature ineffectual individuals who are overwhelmed by the caprices of fate. In Diary of a Madman, one of his most colorful tales, the narrator, a humble and obscure office worker, veers from mere eccentricity into full blown lunacy, and finds that the delusions fostered by madness are anything but comforting.

Plus que des œuvres littéraires brillantes, ce sont des portraits en creux de la société russe du XIXème siècle. Ces tableaux de mœurs nous renseignent avec talent et sagacité sur une société, des tempéraments, l'évolution d'un peuple, d'un Empire, et brosse le portrait au quotidien des hommes et des femmes, tous ces personnages qui vivent et qui peuplent ces chefs d'œuvres. La littérature en langue russe proprement dite naît au cours du XVIIème siècle, tout d'abord avec la poésie et le théâtre, mais très tôt naît une très riche tradition romanesque.

No one could have recognized this village of ours a little over a hundred years ago: a hamlet it was, the poorest kind of a hamlet. Half a score of miserable izbas, unplastered, badly thatched, were scattered here and there about the fields. There was not an enclosure or decent shed to shelter animals or wagons.

The writer who did most to establish prose as a force in Russian literary culture was Nikolai Gogol. Gogol's example combined with the pronouncements of the literary critics of the period, established prose as the literary medium of the future. Fyodor Dostoevsky is supposed to have said, referring to himself and his fellow Realists, "We have all come out from under Gogol's "Overcoat".

This collection of two classics by the great Russian writer Nikolay Gogol (1809-1852) includes two listener favorites. The first is his farcical story "Diary of a Madman", one of the master's most anthologized works. The second is his "The Portrait" which whimsically interweaves fiction with reality.

Gogol's great comic masterpiece paints an hilariously satirical picture of provincial life in 19th century Russia. Its publication in 1847 not only provided inspiration for succeeding generations of Russian writers, but fanned the already flickering flames of social discontent which were eventually to flare up and consume Russia in the revolution of 1917.