Parade's End Tetralogy

Both a portrait of a love triangle - between Tietjens, his beautiful and reckless wife, Sylvia, and the suffragette Valentine - and a depiction of life on the Western Front, Parade's End is one of the greatest fictional works of the 20th century. Ranging from the drawing rooms of England to the trenches of France, and moving between past and present, it is a haunting exploration of identity, loss and memory.

First published as four separate novels ( Some Do Not…, No More Parades, A Man Could Stand Up, and The Last Post) between 1924 and 1928, Parade’s End explores the world of the English ruling class as it descends into the chaos of war. Christopher Tietjens is an officer from a wealthy family who finds himself torn between his unfaithful socialite wife, Sylvia, and his suffragette mistress, Valentine. A profound portrait of one man’s internal struggles during a time of brutal world conflict, Parade’s End bears out Graham Greene’s prediction that "there is no novelist of this century more likely to live than Ford Madox Ford."

The Parade's End tetralogy privileges not the conflict of World War I itself, but the impact the war had on its participants and upon society writ large. It is often referred to as one of the greatest 20th century novels, and one of the best depictions of war in literature.

The first volume of Parade's End introduces the central characters: Christopher Tietjens, a brilliant, unconventional mathematician; his dazzling but unfaithful wife Sylvia; and the young Suffragette Valentine Wannop. It starts with the cataclysmic meeting of Tietjens and Valentine: a weekend whose violence prefigures the coming war.

No More Parades is the second of four in Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The novel follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Highlighting the tension between traditional values and the new reality of a world marred by war, the novel details Tietjens' turmoils in both his personal life and on the warfront—and what follows when those struggles become one and the same.

This is the second novel in the series of four, depicting the meeting, courtship and ultimate fulfilment of two modern heroes, Christopher Tietjens and Valentine Wannop, despite social condemnation, personal travails and World War I.

A Man Could Stand Up, the third volume of Parade's End, brings Ford's characters to the 'crack across the table of History', across which lie their uncertain post-war futures. Divided into three parts, the novel is a kaleidoscopic vision of a society at climactic moment.

A Man Could Stand Up—is the third of four installments in Ford Madox Ford's Parade's End tetralogy, which follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Opening on Armistice Day (November 11, 1918), A Man Could Stand Up—serves as the climax of the series. Highlighting the tension between traditional values and a rapidly changing social order, the novel details Christopher and Valentine's trials as the post-war world takes shape around them.

Last Post is the fourth and final installment of Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The story follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his wife, Sylvia; and his mistress, Valentine Wannop.

The Last Post, the fourth and final volume of Parade's End, is set on a single post-war summer's day. Valentine Wannop and Christopher Tietjens share a cottage in Sussex with Tietjens' brother and sister-in-law. Through their differing perspectives, Ford explores the tensions between his characters in a changing world, haunted by the experience of war, facing an insecure future for themselves and for England.