Ancient Medieval

From the schism between Rome and Constantinople to the rise of the T'ang Dynasty, from the birth of Muhammad to the crowning of Charlemagne, this erudite book tells the fascinating, often violent story of kings, generals, and the peoples they ruled.

These 24 dramatic lectures examine key events from ancient Egypt, Greece, and Rome to medieval Europe and Asia. Spanning thousands of years and three continents, this course illuminates fascinating historical dramas on the individual scale.

When Galeran of Heywood returns from the Crusades, longing for his wife, Jehanne, he finds his castle under siege and his wife alone with a child that is not his own. Seeing Galeran alive was all Jehanne ever hoped for. But credible rumors of Galeran's death wrought dangerous folly that Jehanne never expected when they kissed goodbye three years prior. Now enemies from church and state hover, looking for spoils, and Galeran and Jehanne must decide: find a way to forgive each other and fight together, or allow others to orchestrate their fate.

Prizewinning historian Chris Wickham defies the conventional view of the Dark Ages in European history with a work of remarkable scope and rigorous yet accessible scholarship. Drawing on a wealth of new material and featuring a thoughtful synthesis of historical and archaeological approaches, Wickham argues that these centuries were critical in the formulation of European identity. Far from being a middle period between more significant epochs, this age has much to tell us in its own right about the progress of culture and the development of political thought.

Ovid's sensuous and witty poem brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation, often as a result of love or lust, in which men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best known myths and legends of ancient Greece and Rome.

One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its center is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader, Agamemnon.

In this ground-breaking work, Norman Cantor explains how our current notion of the Middle Ages—with its vivid images of wars, tournaments, plagues, saints and kings, knights and ladies—was born in the 20th century. The medieval world was not simply excavated through systematic research. It had to be conceptually created: it had to be invented, and this is the story of that invention.

Surviving the Trojan War was just the beginning of the adventure for Odysseus. What lay ahead was a journey home that would last for years as he encountered gods and monsters before finally returning home - only to face the greatest threat to his happiness of all. This translation of Homer's classic tale captures all the timeless excitement and gripping drama that have made it a favorite for centuries.

This anonymous fourteenth-century text is the glory of English mysticism, and one of the most practical and useful guides to finding union with God ever written. Carmen Acevedo Butcher’s new translation is the first to bring the text into a modern English idiom - while remaining strictly faithful to the meaning of the original Middle English. The Cloud of Unknowingconsists of a series of letters written by a monk to his student or disciple, instructing him (or her) in the way of Divine union.

The stars and constellations are among the few remaining objects that appear to us just as they appeared to our distant ancestors. From anywhere on Earth, a person may view the celestial panorama simply by stepping outside at night and gazing upward. This nonfiction narrative presents the tales of the 48 classical constellations, compiled from literature spanning a thousand years from Homer to Claudius Ptolemy. These age-old tales have captured the human imagination from ancient times to the present.

All effective debaters, whether they know it or not, employ Aristotle's 3 basic principles of effective argument that form the spine of Rhetoric. In Poetics, Aristotle draws a dramatic distinction between poetry and history. This collection also includes Aristotle's body of work that has come to be identified as Logic.

The Confessions of St. Augustine is one of the most moving diaries ever recorded of a man's journey to the fountain of God's grace. Writing as a sinner, not a saint, Augustine shares his innermost thoughts and conversion experiences, and wrestles with the spiritual questions that have stirred the hearts of the thoughtful since time began.

The Aeneid is one of the greatest works in all of world literature. It is filled with mythology, history, and archaeology; it is infused with patriotism, religious feeling, and pathos; it is rich in adventure and romance. As the story begins, a storm shipwrecks Aeneas and his Trojan followers near Carthage in North Africa. There, Aeneas falls in love with Dido, queen of Carthage. But the gods order him to leave for Italy. In despair, Dido commits suicide. Upon finally reaching Italy, Aeneas goes down into the lower world and learns about his future descendants, the Romans.

At the approach of the first millennium, the Christians of Europe did not seem likely candidates for future greatness. They saw no future beyond the widely anticipated Second Coming of Christ. But when the world did not end, the peoples of Western Europe suddenly found themselves with no choice but to begin the heroic task of building a Jerusalem on Earth. In The Forge of Christendom, Tom Holland masterfully describes this remarkable new age, a time of caliphs and Viking sea kings, the spread of castles, and the invention of knighthood.

In The Fall of Rome, eminent historian Bryan Ward-Perkins argues that the "peaceful" theory of Rome's "transformation" is badly in error. Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans.

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

The Arabic legacy of science and philosophy has long been hidden from the West. British-Iraqi physicist Jim Al-Khalili unveils that legacy to fascinating effect by returning to its roots in the hubs of Arab innovation that would advance science and jump-start the European Renaissance.

"It takes an entire lifetime to learn how to die", wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always", and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.

First appearing around 1400, The Alliterative Morte Arthur, or The Death of King Arthur, is one of the most widely beloved and spectacularly alliterative poems ever penned in Middle English. Now, from the internationally acclaimed translator of Sir Gawain and the Green Knight, comes this magisterial new presentation of the Arthurian tale, rendered in unflinching and gory detail. Following Arthur's bloody conquests across the cities and fields of Europe, all the way to his spectacular and even bloodier fall, this masterpiece features some of the most spellbinding and poignant passages in English poetry.