Baseball Film

Best-selling author George Vecsey is an esteemed and award-winning sports journalist for the New York Times. In Baseball, he recounts the history of America's national pastime. Baseball has been around in various forms for thousands of years, but only within the last 200 years has it become an American institution. Growing from a sport played in open fields and big-city streets, baseball has seen its share of innovators and detractors, heroes and villains.

Baseball has always been a symbol as much as a sport. With a blend of individual confrontation and team play, a luxurious pace, and an immaculate urban parkland setting, it offers a sunny rendering of the American Dream, both the hard work that underpins it and the rewards it promises. Film, America's other national pastime, which magnifies and mythologizes all it touches, has long been the ideal medium to canonize this aspirational idea.

Bull Durham, the breakthrough 1988 film about a minor league baseball team, is widely revered as the best sports movie of all time. But back in 1987, Ron Shelton was a first-time director and no one was willing to finance a movie about baseball—especially a story set in the minors. The jury was still out on Kevin Costner’s leading-man potential, while Susan Sarandon was already a has-been. There were doubts. But something miraculous happened, and The Church of Baseball attempts to capture why.

The authors of the acclaimed and best-selling The Civil War, Jazz, and The War turn to another uniquely American phenomenon: baseball. Geoffrey C. Ward's and Ken Burns’s moving and fascinating history of the game goes beyond stolen bases, double plays, and home runs to demonstrate how baseball has been influenced by, and has in turn influenced, American life.

No Crying in Baseball is a rollicking, revelatory deep dive into a one‑of‑a‑kind film. Before A League of Their Own, few American girls could imagine themselves playing professional ball. But Penny Marshall's genre outlier became an instant classic and significant aha moment for countless young women who saw that throwing like a girl was far from an insult. Part fly‑on‑the‑wall narrative, part immersive pop nostalgia, No Crying in Baseball is for those who love stories about subverting gender roles as well as fans of the film who remain passionate thirty years after its release.

Baseball explores the history of organized baseball during the mid-twentieth century, examining the sport on and off the field and contextualizing its development as both sport and business. Steven P. Gietschier begins with the Great Depression, looking at how those years of economic turmoil shaped the sport and how baseball responded. Gietschier covers a then-burgeoning group of owners, players, and key figures whose stories figure prominently in baseball's past and some of whom are still prominent in its collective consciousness.

A succinct history of baseball, newly revised and updated. In this third edition of his lively history of America's game, widely recognized as the best of its kind, Benjamin G. Rader expands his scope, covering record crowds and record income, construction of new ballparks, a change in the strike zone, a surge in recruiting Japanese players, and an emerging cadre of explosive long-ball hitters. The book is published by The University of Illinois Press.

"I consider myself the luckiest man on the face of the Earth". On July 4, 1939, baseball great Lou Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium and gave a speech that included the phrase that would become legendary. He died two years later and his fiery widow, Eleanor, wanted nothing more than to keep his memory alive. With her forceful will, she and the irascible producer Samuel Goldwyn quickly agreed to make a film based on Gehrig's life, The Pride of the Yankees.