Film Director Biography

A teen idol at 15, an international icon and founder of the Brat Pack at 20, and one of Hollywood's top stars to this day, Rob Lowe chronicles his experiences. Never mean-spirited or salacious, Lowe delivers unexpected glimpses into his successes, disappointments, relationships, and one-of-a-kind encounters with people who shaped our world over the last 25 years. These stories are as entertaining as they are unforgettable.

Stanley Kubrick revolutionized Hollywood with movies like Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange, and electrified audiences with The Shining and Full Metal Jacket. David Mikics takes listeners on a deep dive into Kubrick's life and work, illustrating his intense commitment to each of his films.

A Companion to Martin Scorsese is a comprehensive collection of original essays assessing the career of one of America's most prominent contemporary filmmakers....

Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnes Varda (1928-2019) wrote and directed some of the most acclaimed films of her era. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, Carrie Rickey explores the "complicated passions" that informed Varda's charmed life and indelible work.

In this first biography of Woody Allen in over a decade, David Evanier discusses key movies, plays, and prose as well as Allen's personal life. Evanier tackles the themes that Allen has spent a lifetime sorting through in art: morality, sexuality, Judaism, the eternal struggle of head and heart. Woody will be the definitive word on a major American talent as he begins his ninth decade and his sixth decade of making movies.

In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award-winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness.

Starting out in the mid-70s, a time when few women were directing movies, Susan Seidelman was determined to become a filmmaker. She longed to tell stories about the unrepresented characters she wanted to see on screen: unconventional women in unusual circumstances, needing to express themselves and maintain their autonomy. Her genre-blending films reflect a passion for classic Hollywood storytelling, mixed with a playful New Wave spirit, informed by her years living in downtown NYC.

Few filmmakers, if any, make the kind of impact that Martin Scorsese has made on American cinema. The winner of every prestigious film award, including the Oscar, Scorsese is a living legend. Bestselling author and award-winning filmmaker Mary Pat Kelly’s groundbreaking biography reveals how this working-class boy from Manhattan’s Little Italy became one of our most acclaimed, celebrated, and influential filmmakers. Martin Scorsese: A Journey maps Scorsese’s personal and artistic evolution.

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself.

Warner Bros. Studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose vision for Hollywood helped shape the world of entertainment.

Werner Herzog is the undisputed master of extreme cinema: building an opera house in the middle of the jungle; walking from Munich to Paris in the dead of winter; descending into an active volcano; living in the wilderness among grizzly bears - he has always been intrigued by the extremes of human experience. From his early movies to his later documentaries, he has made a career out of exploring the boundaries of human endurance: what we are capable of in exceptional circumstances and what these situations reveal about who we really are. But these are not just great cinematic themes.

Best known for his horror/sci-fi/fantasy films including Phantasm, The Beastmaster, Bubba Ho-tep, and John Dies at the End, now Don Coscarelli’s taking you on a white-knuckle ride through the rough and tumble world of indie film. This memoir fits an entire film school education into a single audiobook. It’s loaded with behind-the-scenes stories and will prove indispensable for fans of Coscarelli’s movies, aspiring filmmakers, and anyone who loves a story of an underdog who prevails while not betraying what he believes.

Sir Peter Ustinov's beautifully crafted autobiography is told with exquisite wit and insight. From his birth in April 1921, it spans his extraordinary career as actor, playwright, film star, and director, confirming his early belief that he is 'irrevocably betrothed to laughter'. Ustinov's renowned gift for mimicry is exploited to the full in Dear Me. Eccentric relatives, school masters, sergeant majors, and manic Hollywood moguls are all brought unforgettably to life.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

In 1971, Newsweek heralded The Last Picture Show as "the most impressive work by a young American director since Citizen Kane." Indeed, few filmmakers rivaled Peter Bogdanovich's popularity over the next decade. Riding the success of What's Up, Doc? (1972) and Paper Moon (1973), Bogdanovich became a bona fide celebrity, making regular appearances in his own movie trailers, occasionally hosting late-night television shows, and publicly advocating for mentors John Ford and Howard Hawks.

Ron Howard is long overdue to have his filmography viewed through the lens of the auteur theory. Since his debut in the late-1970s, he has remained one of the most prolific and recognizable working filmmakers, and yet... his "directed by" titles have garnished a low amount of commentary by film academics. Even younger mainstream directors have earned more than one volume of academic attention ? and yet Howard, who has continually developed himself, seems to only get treated with pop-culture-trivia "fun fact" regarding his acting career.

The Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists.

While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen as a talented director, producer, entrepreneur, and humanitarian. Bill Duke is the memoir of a Hollywood original.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.