Japanese Crime Fiction

In the winter of 1937, the village of Okamura is abuzz with excitement over the forthcoming wedding of a son of the grand Ichiyanagi family. But amid the gossip over the approaching festivities, there is also a worrying rumour - it seems a sinister masked man has been asking questions about the Ichiyanagis around the village. Then, on the night of the wedding, the Ichiyanagi family are woken by a terrible scream, followed by the sound of eerie music - death has come to Okamura, leaving no trace but a bloody samurai sword, thrust into the pristine snow outside the house.

As they do every year, a small group of acquaintances pay a visit to the remote castle-like Water Mill House, home to the reclusive Fujinuma Kiichi, son of a famous artist, who has lived his life behind a rubber mask ever since a disfiguring car accident. This year, however, the visit is disrupted by an impossible disappearance, the theft of a painting, and a series of baffling murders. The brilliant Kiyoshi Shimada arrives to investigate.

When Toru Narazaki's girlfriend, Ryoko, disappears, he tries to track her down, despite the warnings of a private detective he's hired to find her. Ryoko's past is shrouded in mystery, but the one concrete clue leads him to a compound in the heart of Tokyo, with a group that seems to be a cult led by a charismatic guru. Narazaki plunges into the secretive world of the cult, ready to expose himself to any of the guru's brainwashing tactics if it means he can learn the truth about Ryoko. But the cult isn't what he expected, and he has no idea of the bubbling violence beneath its surface.

As a member of a New York Mafia family, Levi Yoder's role is unique: He's a fixer, a solver of problems, a man whose code puts loyalty above all else, yet he's a man with a conscience. In the Inside Man, Levi's search for the kidnapped grandchild of a Japanese mob boss plunges him into a world filled with chaos. When he's falsely accused of a heinous series of crimes, the FBI makes Levi an offer he can't refuse: use his mob connections to help investigate the murders of several undercover agents or find himself in jail awaiting trial, without a way to clear his name.

The war crimes trials at Nuremberg and Tokyo meted out the Allies' official justice; Lord Russell of Liverpool's sensational bestselling books on the Axis' war crimes decided the public's opinion. The Knights of Bushido, Russell's shocking account of Japanese brutality in the Pacific in World War II, describes how the noble founding principles of the Empire of Japan were perverted by the military into a systematic campaign of torture, murder, starvation, rape, and destruction. Notorious incidents like the Nanking Massacre and the Bataan Death March emerge as merely part of a pattern of human rights abuses. Undoubtedly formidable soldiers, the Japanese were terrible conquerors. Their conduct in the Pacific is a harrowing example of the doctrine of mutual destruction carried to the extreme, and begs the question of what is acceptable—and unacceptable—in total war.

Nanao, nicknamed Ladybug - the self-proclaimed “unluckiest assassin in the world” - boards a bullet train from Tokyo to Morioka with one simple task: Grab a suitcase and get off at the next stop. Unbeknownst to him, the deadly duo Tangerine and Lemon are also after the very same suitcase - and they are not the only dangerous passengers onboard. Satoshi, “the Prince”, with the looks of an innocent schoolboy and the mind of a viciously cunning psychopath, is also in the mix and has history with some of the others.

Acclaimed best-selling novelist Kunihiko Hidaka is found brutally murdered in his home on the night before he’s planning to leave Japan and relocate to Vancouver. His body is found in his office, a locked room, within his locked house, by his wife and his best friend, both of whom have rock solid alibis. Or so it seems.

Japanese literary sensation Fuminori Nakamura’s latest novel is as a dark look into human psyche - what turns someone into a killer? Can it be something as small as a suggestion?

Inspired by the real-life Glico-Morinaga kidnapping, an unsolved case which terrorized Japan for two years, Lady Joker reimagines the circumstances of this watershed episode in modern Japanese history and brings into riveting focus the lives and motivations of the victims, the perpetrators, the heroes and the villains. As the shady networks linking corporations to syndicates are brought to light, the stakes rise, and some of the professionals we have watched try to fight their way through this crisis will lose everything—some even their lives.

Down a quiet backstreet in Kyoto exists a very special restaurant. Run by Koishi Kamogawa and her father Nagare, the Kamogawa Diner treats its customers to wonderfully extravagant meals. But that's not the main reason to stop by... The father-daughter duo have started advertising their services as 'food detectives'. Through ingenious investigations, they are capable of recreating a dish from their customers' pasts – dishes that may well hold the keys to forgotten memories and future happiness.

In the wake of World War II, the Allied forces charged 28 Japanese men with crimes against humanity. Correspondents at the Tokyo trial thought the evidence fell most heavily on 10 of the accused. In December 1948, five of these defendants were hanged, while four received sentences of life in prison. The tenth was a brilliant philosopher-patriot named Okawa Shumei. His story proved strangest of all. Among all the political and military leaders on trial, Okawa was the lone civilian.

The winter of 1578, four years prior to the Honno-ji Incident. Araki Murashige has betrayed his ally Oda Nobunaga and holed himself up in Arioka Castle—but a string of unsettling incidents within the castle walls has him at his wit’s end. The desperate warlord’s only hope for solving these mysteries is imprisoned in the castle’s dungeon: a man named Kuroda Kanbei, one of Oda’s most gifted strategists. When all the conflict and intrigue come to a close, what will these two men have gained…and lost?

In the wake of a brutal war with a rival cartel, a certain drug lord flees Mexico and ends up halfway around the world, where he runs into a Japanese organ broker doing business in Jakarta. After their fateful meeting, the two of them travel to Japan in order to establish a new business in the organ trade. There, the former cartel leader takes a lonely young boy under his wing. These three lives gradually become inextricably entangled in a web of crime, violence, and human flesh.

Kosuke Kindaichi arrives on the remote Gokumon Island bearing tragic news—the son of one of the island’s most important families has died, on a troop transport ship bringing him back home after the Second World War. But Kindaichi has not come merely as a messenger—with his last words, the dying man warned that his three step-sisters’ lives would now be in danger. The scruffy detective is determined to get to the bottom of this mysterious prophesy, and to protect the three women if he can.

A decade ago, Tokyo Police Detective Kyoichiro Kaga went to collect the ashes of his recently deceased mother. Years before, she ran away from her husband and son without explanation or any further contact, leaving her estranged son with many unanswered questions. Now in Tokyo, Michiko Oshitani is found dead many miles from home. Strangled to death, left in the bare apartment rented under a false name by a man who has disappeared without a trace. Oshitani lived far away in Sendai, with no known connection to Tokyo—and neither her family nor friends have any idea why she would have gone there.

Detective Kyochiro Kaga of the Tokyo Police Department has just been transferred to a new precinct in the Nihonbashi area of Tokyo. Newly arrived, but with a great deal of experience, Kaga is promptly assigned to the team investigating the murder of a woman. But the more he investigates, the greater number of potential suspects emerges. It isn’t long before it seems nearly all the people living and working in the business district of Nihonbashi have a motive for murder.

Bridget Jones meets James Bond! What happens when you stumble in the arms of a gorgeous man with DANGER! written all over? Especially, when you're stuck in your worst magical eclipse? FREE on Kindle Unlimited! I’m Sophie Rowling. I used to be a world-renowned violinist, until my world was turned upside down. Following a freak accident in Paris, I can’t remember how to play the violin anymore. To make matters worse, I’m supposed to perform for my childhood teacher’s retirement party, which is just weeks away. Usually I would turn to my BFFs, Jackie the ghost and Allegra the violin ...

A witch violinist, Romance bubbling in the cauldron, the return of a ghost and fairy… Throw in an overprotective daddy and freaky mobsters getting in the way. FREE on Kindle Unlimited! I’m Sophie Rowling. Violinist, witch, and wholehearted believer in Magic and Happily Ever After. A terminal case of musician’s block and lost magic used to be my biggest problems. Dante Walker. Tall, cocky, and mysterious Mr. Wrong… who turns out to be the magical cure for my musician’s block. After rescuing me from murderous kidnappers, he ends up spending the night with me, in the same bed, and…...

Since the beginning of civilization, crime and injustice has existed. At the same time, gangs in all shapes and sizes have been around, from rebels, dissidents, and rogue soldiers to the average circle of miscreants loitering in alleys and behind convenience stores. In Japan, a gang of a different breed would arise - one underscored by honor, respect, family, and a code of ethics. They are the Yakuza. The Yakuza claim to be the Robin Hoods of the Far East. While they may lean towards the other side of the law, justice is all they truly aim for.

Ken Hideyoshi is the new guy in Halawa Correctional Institute. He’s tough looking, a hard case. His cellmate is Cal—the mute tattoo artist of the prison who murdered his own wife. Ken, already inked with a gang symbol and a Japanese emblem, eventually asks Cal to create an elaborate tattoo on his back, in kanji script, of Musashi’s Book of the Void.