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Tracing the birth of a revolutionary, Huey P. Newton's famous and oft-quoted autobiography is as much a manifesto as a portrait of the inner circle of America's Black Panther Party. From Newton's impoverished childhood on the streets of Oakland to his adolescence and struggles with the system, from his role in the Black Panthers to his solitary confinement in the Alameda County Jail, Revolutionary Suicide is unrepentant and thought-provoking in its portrayal of inspired radicalism.

When Simon Kuper left London for Paris in his early thirties, he wasn't planning to make a permanent move. Paris, however, had other plans. Kuper has grown middle-aged there, eaten the croissants, seen his American wife through life-threatening cancer, taken his children to countless football matches on freezing Saturday mornings in the city's notorious banlieues, and in 2015 lived through two terrorist attacks on their neighborhood. Over two decades of becoming something of a cantankerous Parisian himself, Kuper has watched the city change.

Kent Wong’s Swimming to Freedom is a memoir of a childhood amid revolutionary times, where boyish adventures and school days mixed with dire poverty and political persecution, and a moving story of an inextinguishable yearning to be free. Mao’s Hundred Flower Campaign ensnared Kent’s father. A decade later the Cultural Revolution closed schools, plunged the country into chaos, and scattered Kent and his sisters to disparate villages where they struggled to eke out a bare existence.

Darrin Bell was six years old when his mother told him he couldn’t have a realistic water gun. She said she feared for his safety, that police tend to think of little Black boys as older and less innocent than they really are.

Waiting in the emergency room at Temple University Hospital in North Philadelphia where his eighteen-year-old nephew, Nasir, lay unconscious after being shot nine times, MK Asante began pouring his heart and soul into a series of letters to a beautiful, dying Black boy so full of life. As Nasir fought for survival, MK realized there was so much—too much—that he had kept from his nephew, starting with the truth about his father, MK’s brother, Uzi, whom Nasir had never met. MK could no longer remain silent because in many ways, his nephew was repeating the mistakes of the past.

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In the 1950s, a young Ngāhuia is fostered by a family who believe in hard work and community. Although close to her kuia, she craves more: she wants higher education and refined living. But whānau dismiss her dreams. To them, she is just a show-off, always getting into trouble, talking back and running away.

Shalom Auslander was raised like a veal in a dysfunctional family in the Orthodox community of Monsey, New York: the son of an alcoholic father; a guilt-wielding mother; and an overbearing God. Now, as he reaches middle age, Auslander begins to suspect that what plagues him is something worse, something he can't so easily escape: a story. The story. One implanted in him at an early age, a story that told him he is fallen, broken, shameful, disgusting, a story we have all been told for thousands of years, and continue to be told by the religious and secular alike, a story called "Feh."

A pathbreaking analysis of the relationship between Mandela the myth, and Mandela the historical figure, this book looks at the way images, stories, and politics have been combined to create the iconic image of Mandela that we know today. Boehmer explores the long trajectory of Mandela's life, explaining first the historical and political context of the struggle against apartheid in South Africa, and then the post-apartheid period of difficult reconciliation, including the shifts and changes in Mandela's reputation since the millennium.

We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nemonte digs into generations of oral history, uprooting centuries of conquest, and hacking away at racist notions of Indigenous peoples. Ultimately, she reveals a life story as rich, harsh, and vital as the Amazon rainforest herself.

Almost every Latina has heard the phrase calladita te ves más bonita—you look most beautiful when you are silent. It's a message rooted in machismo passed from generation to generation, and one that poet and Latine therapist, Kim Guerra, grew up on. In Badass Bonita, Guerra tells a story of coming into her own power, and guides listeners through the process of finding their own. Rejecting what she was taught as a girl, she learned to use her voice and the more she listened to that inner niña, the more she unearthed her inner guerrera.

Born in Brooklyn, New York in 1963, Patrick grew up in the midst of some of the most turbulent and culturally impactful periods of NYC's history. Often neglected as a child by his parents—a father who struggled with alcohol addiction and an overworked mother who struggled to make ends meet—he learned to fend for himself. Now a renowned visual artist, musician, actor and writer, Dougher brings to life his memories, his struggles, personal revelations, and a life intimately tied to the realities of growing up Black and disenfranchised on the streets.

Born into the Waorani tribe of Ecuador's Amazon rainforest, Nemonte Nenquimo was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. Age 14, she left the forest for the first time to study with an evangelical missionary group in the city. Eventually, her ancestors began appearing in her dreams, pleading with her to return and embrace her own culture. She listened. Two decades later, Nemonte has emerged as one of the most forceful voices in climate-change activism.

In Exit Wounds, Peter Godwin considers the life of migrants, exiles and refugees, and grieves the many losses that make life both magnificent and unbearable. With generations of history behind him, he brings us into the spaces which make us question, suffer and celebrate the lives we have among family and friends, and the healing of our own scars.

Lola Young has been an actress, an academic, an activist and a crossbench peer. But from the age of eight weeks to eighteen years, she was moved between countless foster care placements and children's homes. It would take many decades before she was able to make sense of her childhood. Baroness Young's story is a vital part of contemporary Black British history, but is also a moving account of being a child in care, a black child in a white family, and the sense of disconnection that comes from living between cultures.

In the turbulent late seventies, six-year-old Susanna Crossman moved with her mother and siblings from a suburban terrace to a crumbling mansion deep in the English countryside. They would share their new home with over fifty other residents from all over the world, armed with worn paperbacks on ecology, Marx and radical feminism, drawn together by utopian dreams of remaking the world. They did not leave for fifteen years.

In The White Peril, Omo Moses deftly interweaves his own life story with excerpts from both his great-grandfather's sermons and the writings of his father, the civil rights activist Bob Moses. The result is a powerful chorus of voices that spans 3 generations of an African American family, all shining a light on the Black experience, all calling fiercely for racial justice.

Filled with love for land, history, and people, it is more than anything else—a family story and a love story told with enormous humanity and feeling. How the son (one of six), born at the height of the displacements to a disabled father and illiterate mother, a believer in peaceful resistance, became a leading poet and writer in Palestine, before being forced, with his own young family in tow, to flee and start a new life in Australia.

What makes Zenadth Kes/Torres Strait unique? And what is it like to be a Torres Strait Islander in contemporary Australia? Growing Up Torres Strait Islander in Australia, compiled by poet and author Samantha Faulkner, showcases the distinct identity of Torres Strait Islanders through their diverse voices and journeys.

When Nusrit Mehtab joined the Met Police in the late 80s the organisation was rife with racism and misogyny. Officers refused to patrol with her, or even call her by her name. Her attempts to get promoted were met with hostility and ridicule and she was subject to cruel pranks. As the years passed and her seniority grew, Nusrit was dismayed to find that these problems got worse, not better. After 30 years, she finally had enough and left the MET, initiating an employment tribunal against them in the process.