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On April 29, 1992, following the acquittal of four police officers charged with the beating and arrest of Rodney King and the earlier killing of teenager Latasha Harlins, the city of Los Angeles erupted in violence. Many of these events were centered on the city’s Koreatown, where tensions between the Black and Korean American communities had simmered for years, fueled by economic challenges and redlining and enflamed by sensationalized and racist media.

One of the most important and least understood true stories of our nation, the fight for representation is an ongoing and epic quest to build the democracy sketched out in the Constitution but unfinished in the twenty-first century. With impeccable research and exhilarating prose, Represent tells the story of voting rights in the United States from the American Revolution up to the present day.

Edie is a talented dancer and a skilled gymnast with hopes of making the Olympic team. Between her rigorous training and her struggle to find her place in a family where she’s the daughter “with brains but no looks,” Edie’s too busy to dwell on the state of the world. But life in Hungary in 1943 is dangerous for a Jewish girl.

For teens who are space fans, this book is loaded with fascinating facts, great stories, and new ways of thinking about the challenges of space. It covers topics on the science of space and developments in technology (e.g., satellites behaving like spacecraft), and it also considers the laws that have been drafted for space travel and space etiquette—the agreed upon norms of behavior that allow humans to explore without conflict. The book discusses the problem of space debris, and the growth of space tourism.

In Flamboyants, George M. Johnson celebrates writers, performers, and activists from 1920s Black America whose sexualities have been obscured throughout history. Through 14 essays, Johnson reveals how American culture has been shaped by icons who are both Black and Queer–and whose stories deserve to be celebrated in their entirety.

You need to work to live. That’s the truth for most people, and plenty of people in power have been abusing that truth for centuries. Long before the first labor unions were formed, workers still knew what exploitation looked like. It looked like the enslavement of Black people. It looked like generations of children dying in dangerous jobs. It looked like wealthy people hiring private militaries to attack their employees. But workers have always found a way to fight back.

It was true until only recently, their past achievements had been erased—that’s what happened to five Black ballerinas, members of the groundbreaking Dance Theater of Harlem. At the peak of the Civil Rights Movement, Lydia Abarca, who dance critics praised effusively, was the first Black prima ballerina of this major dance company. Alongside fellow founding members Sheila Rohan and Gayle McKinney-Griffith, and first-generation dancers Karlya Shelton and Marcia Sells, these swans of Harlem shone a bright light on the depth of Black professional classical dancers.