Mostrando resultados por narrador "Nicola Barber" en Todas las categorías

London: 1968. Liz Houghton is languishing as an obituary writer at a London newspaper when a young girl’s disappearance captivates the city. If Liz can break the story, it’s her way into the newsroom. She already has a scoop: Her best friend Marisa is a police officer who is assigned to the case. Liz follows Marisa to Dorset, where they make another disturbing discovery. Twenty-five years ago, three girls disappeared while evacuating from London during the Blitz. One was found murdered in the woods near a train line. The other two were never seen again.

In this short tale for fans of Cinderella and Bridgerton, Pearl’s ball gown may carry the whiff of mothballs, but her dance card for the duke’s ball is full…until she loses a shoe. In her enthusiasm, Pearl’s foot slides out of her too-big damask slipper in the middle of a dance and gets kicked around the ballroom to the amusement of the sophisticated guests. What is a spirited but clumsy heroine to do? Can her composure and good humor save her social dignity?

Eleanor, the charming manager of a cozy tea shop, enjoys the transportive ritual of making a cup of Masala Chai tea, reminisces about the tea's origins, and delights in the beauty of her quaint English village during the holidays. Bedtime stories are narrated by the world's most celebrated voices and written with no beginning, middle, or end so you don't stay up to hear what happens next. They're interesting enough to give your mind something to focus on, but delivered in a way that encourages sleep.

"Playing Possum": Sookie Stackhouse brings enough birthday cupcakes for her nephew's entire class but finds she's one short when the angry ex-boyfriend of the school secretary shows up. "Dahlia Underground": Venerable vampire Dahlia Lynley-Chivers survives an attack by an anti-vampire terrorist group, only to show them they tried to blow up the wrong bloodsucker.

Molly Murphy - now Molly Sullivan - is a year into her marriage, expecting her first child, and confined to the life of a housewife. She’s restless and irritable in the enforced idleness of pregnancy and the heat of a New York summer in 1905. So when a trip to the post office brings a letter addressed to her old detective agency asking her to locate a missing Irish serving maid, Molly figures it couldn’t hurt to at least ask around, despite her promise to Daniel to give up her old career as a detective. On the same day, Molly learns that five babies have been kidnapped in the past month.

When 22-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the poorest section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood's most vivid chronicler. Call the Midwife: Farewell to the East End is the last book in Worth's memoir trilogy, which the Times Literary Supplement described as "powerful stories with sweet charm and controlled outrage" in the face of dire circumstances.

Molly’s policeman husband, Daniel, is late returning home. He comes with a tale to tell: There was a murder on Ellis Island that day, and the main suspect is the spitting image of Molly. The circumstances are eerily similar to when Molly herself arrived on Ellis Island, and she can’t help but feel a sense of fate. Molly was meant to be there that day so that she can clear this woman’s name.

With the apocalyptic threat of moonfall looming ever closer, Nyx and her allies must venture into the eternally sunblasted lands to search for an ancient weapon buried untold millennia ago. All the while, enemies close upon her flanks, and a greater danger lurks ahead. For beneath a desert turned to glass, hidden from the scorching heat, life thrives—both wondrous and monstrous. But a more fearsome menace lies even deeper, where an ancient army has been seeded to protect a secret from any who dare seek it out.

New York, 1908: The days are getting longer—and warmer—in Manhattan. Molly Murphy Sullivan doesn’t want to leave her home in the city, but typhoid is back, and she’s expecting. So she heads north with the children to summer with her mother-in-law in Westchester County. Molly tells herself it won’t be so bad, after all the countryside is pretty, and she’s determined to make the best of it. Even if she’s leaving her husband, Daniel, behind. And at least she’s not the only one heading north. Her great friends, Sid and Gus, are headed to the Catskills to visit Sid’s family.

Molly Murphy Sullivan's husband, Daniel, a police captain in turn-of-the-century New York City, is in a precarious position. The new police commissioner wants him off the force altogether. So when Daniel's offered an assignment from John Wilkie, head of the Secret Service, he's eager to accept. Molly can't draw any details of the assignment out of him, even where he'll be working.

With Molly Murphy’s wedding to NYPD Captain Daniel Sullivan quickly approaching, the Irish P.I. heads to the Westchester County countryside,where Daniel’s mother can counsel her on a bride’s proper place. Surprisingly, Molly seems to be agreeing with her future mother-in-law’s advice. Molly promises to leave her detective work behind and settle down after becoming Daniel’s wife…but she isn’t married yet. So when she gets word of a possible case, Molly sneaks back into the city to squeeze in a little more sleuthing before the wedding bells can ring.

When twenty-two-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the direst section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood';s most vivid chronicler. Woven into the ongoing tales of her life in the East End are the true stories of the people Worth met who grew up in the dreaded workhouse, a Dickensian institution that limped on into the middle of the twentieth century.

I Let You Go follows Jenna Gray as she moves to a ramshackle cottage on the remote Welsh coast, trying to escape the memory of the car accident that plays again and again in her mind and desperate to heal from the loss of her child and the rest of her painful past. At the same time, the novel tracks the pair of Bristol police investigators trying to get to the bottom of this hit-and-run.

Irish immigrant Molly Murphy and her New York City P.I. business are in the midst of a sweeping influenza epidemic and a fight for women’s suffrage that lands her in jail. Her betrothed, Police Captain Daniel Sullivan, finds her, but he hardly has time to bail her out, what with Chinese gangs battling for control of a thriving opium trade. The only consolation Molly can take from her vexing afternoon in the clink is that it made her some new friends among the Vassar suffragists - and brought her a pair of new cases.

At the age of 22, Jennifer Worth left her comfortable home to move into a convent and become a midwife in postwar London’s East End slums. The colorful characters she met while delivering babies all over London - from the plucky, warm-hearted nuns with whom she lived to the woman with 24 children who couldn't speak English to the prostitutes and dockers of the city’s seedier side - illuminate a fascinating time in history.

Molly Murphy Sullivan's husband, Daniel, a captain in the New York City police force, is stumped. He's chasing a murderer whose victims have nothing in common - nothing except for the taunting notes that are delivered to Daniel after each murder. And when Daniel receives a note immediately after Molly and her young son, Liam, are in a terrible train crash, Daniel and Molly both begin to fear that maybe Molly herself was the target.

En route to London from New York, Flight 305 suddenly loses power and crash-lands in the English countryside, plunging a group of strangers into a mysterious adventure that will have repercussions for all of humankind. Struggling to stay alive, the survivors soon realize that the world they've crashed in is very different from the one they left. But where are they? Why are they here? And how will they get back home?

First published in 1924, The Man in the Brown Suit is a thrilling adventure and murder mystery by Agatha Christie. The protagonist is Anne Beddingfield, the orphaned daughter of a famous archaeologist, who goes to live with her father’s solicitor and his wife in London. Anne is searching for an adventure and something exciting to occupy her time when she is witness to the sudden death of a man at Hyde Park Corner tube station when the man falls onto the electrified train track and is killed instantly.

In the latest in Rhys Bowen's award-winning historical series, Molly Murphy is supposed to give up sleuthing now that she’s married, but the murder of an alderman puts her on the trail of a killer.

Dashiell Hammett was a crime writer who elevated the genre to true literature, and The Thin Man was Hammett’s last - and most successful - novel. Following the enormous success of The Thin Man movie in 1934, Hammett was commissioned to write stories for additional films. He wrote two full-length novellas for the films that became After the Thin Man and Another Thin Man.