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At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good.

In When Women Ran Fifth Avenue, journalist Julie Satow draws back the curtain on three visionaries who took great risks, forging new paths for the women who followed in their footsteps. This stylish account, rich with personal drama and trade secrets, captures the department store in all its glitz, decadence, and fun, and showcases the women who made that beautifully curated world go round.

In early 2021, popular artist Anna Marie Tendler checked herself into a psychiatric hospital following a year of crippling anxiety, depression and self-harm. Over two weeks, she underwent myriad psychological tests, participated in numerous therapy sessions, connected with fellow patients and experienced profound breakthroughs, such as when a doctor noted, “There is a you inside that feels invisible to those looking at you from the outside.”

Unti Nonfiction has descriptive copy which is not yet available from the Publisher.

After Grant Wahl died of an aortic aneurysm at the 2022 FIFA World Cup in Qatar, collapsing in his press seat during a quarterfinal match, tributes to Wahl poured in from around the globe. Wahl was beloved for good reason—he was kind, generous, and unflinching in the face of injustice. He was also clearly one of the best journalists covering sports of his generation. Spanning four decades of storytelling, World Class collects for the first time the finest work of Grant Wahl.

Norah Vincent became an instant media sensation with the publication of Self-Made Man, her take on just how hard it is to be a man, even in a man’s world. Following in the tradition of John Howard Griffin (Black Like Me), Vincent spent a year and a half disguised as her male alter ego, Ned, exploring what men are like when women aren’t around. As Ned, she joined a bowling team, took a high-octane sales job, went on dates with women (and men), visited strip clubs, and even managed to infiltrate a monastery and a men’s therapy group.

In this close-up look at the ardent love affair between the author and her painting teacher, which began in the 1970s, when she was seventeen and he was forty-seven and married with two children, Ciment not only reflects on how their love ignited (who leaned in first for that kiss?) but interrogates her 1990s memoir on the subject, Half a Life. She asks herself if she told the whole truth when she wrote about their passion back then, and what truth looked like to her in the even longer-ago era of love-bead curtains when she fell in love.

By way of H. G. Wells and Rebecca West’s affair through 1930s nuclear physics to Flanagan's father working as a slave laborer near Hiroshima when the atom bomb is dropped, this daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die. At once a love song to his island home and to his parents, this hypnotic melding of dream, history, place and memory is about how our lives so often arise out of the stories of others and the stories we invent about ourselves.

Connection is a Song is a journey through the sounds of the 1990s; the story of a life-defining love of music and the tracks that shaped this girl's adventures through the decade. It travels from the impossibly mournful 'Nothing Compares 2 U' by Sinead O'Connor to the delirium of the KLF's '3 a.m. Eternal' via the cartoon swagger of EMF's 'Unbelievable', Madonna's terrifyingly sexy 'Vogue' and the guitar indie heart of the '90s where Elastica's 'Connection' beats Blur and Oasis in Anna's own Battle of Britpop.

Offering answers to those questions and more through a mix of travelogue and social history, A Month of Sundays entertainingly charts the story of what author Daniel Gray argues is the People's Day. Told through Sundays whiled away in places from the Hebrides to Hyde Park – via Sunderland, Scarborough, Liverpool and beyond – Gray's latest book is a charming journey in time and place. A Month of Sundays offers nostalgia, people's history and affectionate, absorbing writing – a book drenched in the scent of gravy and summoning the faint sound of church bells.

Alan Garner is an exceptional lecturer and essayist. This rich collection of writings, spanning more than twenty years, explores an enviable range of scholarly interests: archaeology, myth, language, education, philosophy, the spiritual quest, mental health, literature, music and film. The book also serves as a poetic autobiography of one of England's best-loved but least public writers. He hears himself declared dead at the age of six; he draws on the deep vein of a rural working-class childhood in a family of craftsmen who instilled the passion for excellence and for innovation and humour.

What happens when the Zusaks open their family home to three big, wild, pound-hardened dogs – Reuben, a wolf at your door with a hacksaw; Archer, blond, beautiful, deadly; and the rancorously smiling Frosty, who walks like a rolling thunderstorm? The answer can only be chaos: there are street fights, park fights, public shamings, property trashing, bodily injuries, stomach pumping, purest comedy, shocking tragedy, and carnage that needs to be seen to be believed . . . not to mention the odd police visit at some ungodly hour of the morning.

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.

Zehn kurze Biografien berühmter Menschen werden präsentiert, das Wichtigste kurz und knapp auf den Punkt gebracht. Unterhaltung und Wissen in einem! Mit dabei: Leo Tolstoi, Jules Verne Rudyard Kipling, Stefan Zweig, Kurt Tucholsky, Agatha Christie, Joseph Roth, Antoine de Saint-Exupery, Astrid Lindgren, Philip Roth.

Zehn kurze Biografien berühmter Menschen werden präsentiert, das Wichtigste kurz und knapp auf den Punkt gebracht. Unterhaltung und Wissen in einem! Mit dabei: Gotthold Ephraim Lessing, Heinrich von Kleist, Heinrich Heine, Theodor Fontane, Hermann Hesse, Erich Maria Remarque, Bertolt Brecht, Erich Kästner, Heinrich Böll, Günter Grass.

Connie Chung is a pioneer. In 1969 at the age of 23, this once-shy daughter of Chinese parents took her first job at a local TV station in her hometown of Washington, D.C. and soon thereafter began working at CBS news as a correspondent. Profoundly influenced by her family’s cultural traditions, yet growing up completely Americanized in the United States, Chung describes her career as an Asian woman in a white male-centered world.

Through extensive research, expert sourcing and interviews with insiders, Britain’s most celebrated investigative biographer, Tom Bower, has unearthed a succession of revelations that give surprising insight into the reality of ‘Brand Beckham’. Exploring the couple’s relationship, and the truth about their football and fashion careers, their finances and their new life in Miami, The House of Beckham unravels the extraordinary reality of the business-savvy cultural icons to tell an engrossing, often astonishing story of money, sex and power.

A stunningly written literary memoir about gender-fluidity, class, masculinity, and the American Southwest that captures the author’s experience growing up in a trailer park outside of Tucson, Arizona Cactus Country is a literary coming-of-age memoir tracing the intersections of trans identity, class, and the landscape of the American Southwest. Set in a trailer park outside Tucson, Arizona, the book tells the story of a young gender-fluid person growing up against the dramatic natural backdrop of the Sonoran Desert.

Born in the Bronx, Guy Trebay was raised in an atmosphere of privilege on Long Island’s North Shore after his entrepreneurial father struck business gold with Hawaiian Surf, a wildly successful cologne company that capitalized on the optimism of the 1960s as marketed to “an adventurous new breed of men.’’ But behind the facade of material prosperity lay the emotional disarray of a household dominated by a charismatic, con artist father, a glamorous yet lost and careless mother, a family haunted by tragedy.

Mitchell Burns never wanted to be a miner. Growing up in a Queensland coal mining town with parents in the industry, it never felt like pursuing his passion for photography was an option. So he went in the only direction he knew–straight into the mines.