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Slut. Shrew. Sinful. Scold. The 19th- and early 20th-century American women profiled in this collection were called all these names and worse when they were alive. And that’s just fine. These glorious dames earned those monikers, and one hundred years later they can wear them proudly! With irresistible charm and laugh-out-loud impertinence, New York Times bestselling author Therese Oneill chronicles the lives of eighteen unbecoming ladies whose audacity, courage, and sheer disdain for lady-like expectations left them out of so many history books.

Have you ever wished you could live in an earlier, more romantic era? Ladies, welcome to the 19th century, where there's arsenic in your face cream, a pot of cold pee sits under your bed, and all of your underwear is crotchless. (Why? Shush, dear. A lady doesn't question.) Unmentionable is your hilarious, scandalously honest (yet never crass) guide to the secrets of Victorian womanhood.

Feminist historian Therese Oneill is back, to educate you on what to expect when you're expecting...a Victorian baby! In Ungovernable, Oneill conducts an unforgettable tour through the backward, pseudoscientific, downright bizarre parenting fashions of the Victorians.

Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama - even into puppet shows and performing-dog acts. Detective fiction and the new police force developed in parallel, each imitating the other - the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P. D. James and Patricia Cornwell.

A television talk show host returns to her childhood summer home to rebuild her life after she's fired for falling ratings. The return is bittersweet as the house has been neglected for years. She's flooded with memories of the wonderful summers she spent with her sisters and cousins before a tragic event changed everything. Working to uncover what really happened the last summer they were all together, she reaches out to her family and the women all gather for an uneasy family reunion.

This series of 36 fascinating lectures is a chronological journey into the story of Victorian Britain, from the unexpected ascension to the throne of teenaged Princess Victoria in 1837 to her death in 1901 as the Boer War neared its end.Presented with all of Victoria's strengths and foibles left intact by an award-winning teacher and author, the lectures invite you to reflect on both the positive and negative aspects of her reign.

Teresa of Avila's Interior Castle is one of the most celebrated books ever written by a mystic on abiding in union with Christ. Writing in obedience to the requests of two of her superiors, the humble 16th century Spanish sister protests "...for the love of God, let me get on with my spinning and go to choir...like the other sisters...I am not meant for writing; I have neither the health nor the wits for it."

The year 1900 ushers in a new century and the promise of social change, and women rise together toward equality. Yet rules and restrictions remain, especially for women like Alice Butterworth, whose husband has abruptly disappeared. Constance Halstead, a young widow, has thrown herself into charitable work. Meeting Alice at the orphanage, she offers lodging in exchange for Alice's help creating a gown for the Leap Year ball of Les Mystérieuses, the first all-female krewe of Mardi Gras. Piece by piece, the breathtaking gown takes shape, becoming a symbol of strength for both women.

When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the "ungettable" Zelda has fallen for him despite his unsuitability: Scott isn't wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed.

In a dingy apartment on the Passage du Pont-Neuf in Paris, Thérèse Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband's earthy friend, Laurent. But their passion for each other soon compels the lovers to commit a crime that will haunt them forever.

Meet the Geller sisters: Beck, Claire, and Sophie, a trio of strong-minded women whose pragmatic, widowed mother, Marti, will be dying soon and taking her secrets with her. Marti has ensured that her modest estate is easy for her family to deal with once she’s gone—including a provision that the family’s summer cottage on Mount Desert Island, Maine, must be sold, the proceeds split equally between the three girls. Enter C.J. Reynolds, an enigmatic Southern ex-con with his own hidden past, who complicates the situation. All is not what it seems, and everything is about to change.

Ce "livre vivant" est un des premiers de la Sainte. Il n'a pas reçu de titre comme tel, en effet, les bibliothécaires de l'Escorial lui en donnèrent un qui nous a été transmis jusqu'à ce jour. De toutes ses œuvres, "La Vida" est la plus longue et Sainte Thérèse se présente à nous comme écrivain. Il s'agit d'un écrit profond, saisissant, d'une révélation authentique de son âme, au point qu'elle-même l'appelle ainsi : mon âme ("Lettre à Luisa de la Cerda", 23 juin 1568, 3 ; V 16, 6 ; V épilogue, 4). Sainte Thérèse a fait dans ce livre un effort systématique - le premier dans l'histoire de la pensée et de la littérature - pour déverser en ces pages la totalité de sa personne, en sorte que les critiques littéraires le considèrent comme le livre le plus personnel de toute la littérature espagnole.