Showing results by narrator "Amira Ghazalla" in All Categories

Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. In the taverna, hidden beneath garlands of garlic, chili peppers and creeping honeysuckle, Kostas and Defne grow in their forbidden love for each other. A fig tree stretches through a cavity in the roof, and this tree bears witness to their hushed, happy meetings and eventually, to their silent, surreptitious departures. The tree is there when war breaks out, when the capital is reduced to ashes and rubble, and when the teenagers vanish.

Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. The taverna is the only place that Kostas and Defne can meet in secret, hidden beneath the blackened beams from which hang garlands of garlic and chilli peppers, creeping honeysuckle, and in the centre, growing through a cavity in the roof, a fig tree. The fig tree witnesses their hushed, happy meetings; their silent, surreptitious departures. The fig tree is there, too, when war breaks out, when the capital is reduced to ashes and rubble, when the teenagers vanish.

It is April 1900, in the Levant, on the imaginary island of Mingheria—the twenty-ninth state of the Ottoman Empire—located in the eastern Mediterranean between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives—brought either by Muslim pilgrims returning from the Mecca or by merchant vessels coming from Alexandria—the island revolts.

In January 2017, President Donald Trump signed an executive order halting all refugee admissions for 120 days and temporarily barring entry from seven Muslim-majority countries. Mass protests followed, and the order has since been blocked, revised and challenged by judges, politicians, activists and artists alike. But the battle is not yet over, and in the wake of recent terrorist attacks in the UK, Trump has renewed calls for the ban.

1901. Night draws in. With the stealth of a spy vessel, the royal ship Azizye approaches the famous vistas of Mingheria. 'An emerald build of pink stone.' The 29th state of the ailing Ottoman Empire. The ship carries Princess Pakize, the daughter of a deposed sultan, her doctor husband, and the Royal Chemist, Bonkowski Pasha. Each of them holds a separate mission. Not all of them will survive the weeks ahead. Because Mingheria is on the cusp of catastrophe. There are rumours of plague—rumours some in power will try to suppress. Plague is not the only killer.

Saudi Arabia is one of the most closed countries in the world. Nicola Sutcliff decided to go behind the veil for four years, living, working and socialising in Saudi society. Through personal interviews, 30 women share their stories: from world-renowned activists to wives in polygamous households; high-ranking princesses to desert-dwelling bedouins. They talk candidly about the issues most intriguing to a Western audience - driving, sister wives and the religious police - as well as lesser known aspects of their lives....

1901. Night draws in. With the stealth of a spy vessel, the royal ship Azizye approaches the famous vistas of Mingheria. 'An emerald build of pink stone.' The 29th state of the ailing Ottoman Empire. The ship carries Princess Pakize, the daughter of a deposed sultan, her doctor husband, and the Royal Chemist, Bonkowski Pasha. Each of them holds a separate mission. Not all of them will survive the weeks ahead. Because Mingheria is on the cusp of catastrophe. There are rumours of plague—rumours some in power will try to suppress. But plague is not the only killer.