Showing results by narrator "Andia Winslow" in All Categories

On February 17, 2022, Brittney Griner arrived in Moscow ready to spend the WNBA offseason playing for the Russian women’s basketball team where she had been the centerpiece of previous championship seasons. Instead, a security checkpoint became her gateway to hell when she was arrested for mistakenly carrying under one gram of medically prescribed hash oil. Brittney’s world was violently upended in a crisis she has never spoken in detail about publicly—until now.

We do not know the future of sex—but perhaps we could imagine it. Amia Srinivasan’s stunning debut helps us do just that. She traces the meaning of sex in our world, animated by the hope of a different world. She reaches back into an older feminist tradition that was unafraid to think of sex as a political phenomenon. She discusses a range of fraught relationships—between discrimination and preference, pornography and freedom, rape and racial injustice, punishment and accountability, students and teachers, pleasure and power, capitalism and liberation.

The inspiring story of Vice President Kamala Harris told in the new Who HQ Now format for trending topics. On November 7, 2020, Kamala Harris, a senator from California, became the first woman and the first African American and South Asian American person to be elected to the vice presidency. While her nomination for this position was not unexpected, her rise to national prominence was one filled with unexpected turns and obstacles.

How should we talk about sex? It is a thing we have and also a thing we do: a supposedly private act laden with public meaning, a personal preference shaped by outside forces, a place where pleasure and ethics can pull wildly apart. We need to interrogate the fraught relationships between discrimination and preference, pornography and freedom, rape and racial injustice, punishment and accountability, pleasure and power, capitalism and liberation. We need to rethink sex as a political phenomenon.

What My Hand Say, on one hand, is a bold unapologetic tribute to Black people living their lives in South Carolina. While on other hand, it is a palpable reckoning with the state’s weighted history. In this book, Glenis Redmond’s poems span from the 1800s to the present. The impact of going from poem to poem purposely causes emotional whiplash, as if to say welcome to the volatile place, in which “I/we have always had to live.”