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The Seventh Victim
- Narrated by: Joanne Froggatt, Mathew Horne
- Length: 11 hrs and 25 mins
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Publisher's summary
On Sunday, February 3rd 1990, seven-year-old Danny Redpath disappeared from his home. Four months later, his body was found in the nearby forest, washed clean of all evidence. Over time, more bodies were discovered; more families devastated forever.
Apprehended while attempting to abduct another child, Jonathan Egan-Walsh was charged with the murders of thirteen boys. Convicted on all counts, he received life in prison and went unrepentant, still refusing to reveal the whereabouts of one of his victims, Zachery Marshall.
Twenty-five years later, Zachery’s mother Diane is still searching for his body. When Jonathan dies in custody, she realises she will never know its location – until she receives a letter he left in his cell, in which he admits he was guilty of all the crimes of which he was accused, except the murder of her son.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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Dietrich
- By: Don Winslow
- Narrated by: Ed Harris
- Length: 1 hr and 11 mins
- Original Recording
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It’s the summer of ’77 in New York City, and the only thing more unnerving than the scorching heatwave is the rampant murder, leaving washed-up homicide detective Richard Dietrich on edge. When Dietrich investigates a brutal mob hit the brass doesn’t want him to solve, he goes from phoning it in to getting in over his head. Caught up in a mysterious second homicide with an even more perplexing perpetrator, Dietrich starts to second guess his instincts—and his memory—as he searches for answers at the bottom of a bottle.
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Haunting ending
- By Shirley Anderson on 04-21-24
By: Don Winslow
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Verity
- By: Colleen Hoover
- Narrated by: Vanessa Johansson, Amy Landon
- Length: 8 hrs and 10 mins
- Unabridged
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Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.
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intriguing but skip if triggered by child abuse
- By Amazon Customer on 05-16-19
By: Colleen Hoover
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Home Is Where the Bodies Are
- By: Jeneva Rose
- Narrated by: January LaVoy, Cassandra Campbell, Brittany Pressley, and others
- Length: 8 hrs and 27 mins
- Unabridged
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After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before. While going through their parents’ belongings, the siblings stumble upon a collection of home videos and decide to revisit those happier memories.
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Great story but performance is cringey
- By Stephine on 05-30-24
By: Jeneva Rose
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The Worst of You
- By: Sarah Richards
- Narrated by: Sarah Desjardins
- Length: 10 hrs and 51 mins
- Original Recording
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In The Worst of You, just-wed architects Timo and Nia flee a murder scene, setting in motion a chain reaction of lies and betrayals that threaten to unravel everything they have built together. Twisted and propulsive, this thriller is told from the alternating perspectives of the couple and those close to them on Williwaw Island, each with their own motive to use the outcome of the murder case to their advantage. When a huge storm sweeps up the coast, trapping everyone on tiny Williwaw Island, it’s a race against time—and the elements — to stop the murderer from striking again.
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A boring drawn out simplistic plot
- By RJD on 05-31-24
By: Sarah Richards
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Bluebeard
- By: Jim Clemente, Peter McDonnell
- Narrated by: Joseph Fiennes, Karen David, Holt McCallany, and others
- Length: 3 hrs and 38 mins
- Original Recording
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In 1919, Kathryn Wombacher finds a lonely-hearts ad placed by one Walter Andrew: "Would be pleased to correspond with a refined young lady or widow. Object, matrimony.” Kathryn and Walter fall in love and marry within weeks. What Kathryn doesn’t know...is that her new husband is really James “Bluebeard” Watson, a notorious West Coast serial killer who catfished and married 22 women, murdering 10.
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Performances
- By HappyMom on 05-24-24
By: Jim Clemente, and others
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Oregon
- By: Don Winslow
- Narrated by: Ed Harris
- Length: 1 hr and 6 mins
- Original Recording
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It was 1970 in a defeated Rhode Island fishing town. Vietnam and Nixon dominated the national news. Both the near and distant future looked bleak. But they were five inseparable high school friends with something incredible in common: an unwavering resolve to look after each other no matter what hell life threw at them. And they were on a mission. The plan was simple: Go off the grid before they turned 18 to avoid the draft. They’d sell some grass, stack some cash, then head west and start a commune. What could possibly go wrong?
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This really hit home.
- By Ray Beaulieu on 05-26-24
By: Don Winslow
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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One of Us Is Dead
- By: Jeneva Rose
- Narrated by: Andi Arndt, Hillary Huber, Elizabeth Evans, and others
- Length: 9 hrs and 22 mins
- Unabridged
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Buckhead isn’t a place you live, it’s a place you survive. And that applies even to the wealthy housewives that have it all. Fancy cars, designer clothes, and daily salon appointments aren’t nearly enough to keep them fulfilled and happy. Because in this town, privilege and opulence go hand in hand with betrayal and revenge. Jenny, the owner of Glow, an exclusive membership-only beauty salon, knows that better than anyone, because she knows everything about these housewives—down to each individual strand of hair.
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Great mystery. Sexually graphic.
- By Sue on 09-04-22
By: Jeneva Rose
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Bloodhound
- By: Thomas Page McBee, Todd Ellis Kessler
- Narrated by: Elliot Fletcher, Alice Kremelberg, Stephen Root, and others
- Length: 2 hrs and 50 mins
- Original Recording
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Overall
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In the tradition of M. Night Shyamalan and Stephen King, Bloodhound is a coming-of-age suspense drama about Jay Pulver, a trans college student who discovers he has mysteriously acquired superhuman abilities when he accidentally kills his sister’s ex-boyfriend. Recruited by a brilliant but eccentric scientist at the FBI, Jay is tasked with employing his unique powers to track down a domestic terrorist group currently setting off bombs around Washington, DC.
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Great Brother and Sister Duo
- By Rachel on 06-06-24
By: Thomas Page McBee, and others
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The Justice
- By: James Patterson, Aaron Cooley
- Narrated by: Sanaa Lathan, David Rasche, Susan Kelechi Watson, and others
- Length: 2 hrs and 57 mins
- Original Recording
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Justice Beth Garner (Sanaa Lathan) just landed the appointment of a lifetime—a seat on the Supreme Court. Now a mysterious company is blackmailing her for her vote on a landmark case. Caught up in the checkered past of her hero and mentor, Chief Justice Clayton Erlenborn, Beth must cunningly maneuver through a dangerous web of secrets, deception, and cold-blooded murder. Armed with only her moral compass and unflinching nerve, she’s up against a sinister world full of undercover agents, domestic terrorists, and black ops assassins—all of whom want her to comply or die.
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One of the best
- By Jackie on 02-25-24
By: James Patterson, and others
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Masterful narration of a clever story
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Don't Hang Up
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Adam Turner works the mid-dawn shift at his local radio station. From 12am to 6am, it’s his job to fill the airtime with old songs, inane chatter, and the occasional talkback caller. It’s a long way from his prime-time slot from over a decade ago, when he was a star in the making. Now there’s no producers, no billboards, no stakes, and not many listeners. His frequent callers are drunk students headed home from a night out, or long-range truck drivers. He is completely alone in the studio from midnight until dawn every night. And then one night at 12:45am, he gets a different kind of call.
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I don’t understand the reviews
- By James Perkins on 07-15-23
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What listeners say about The Seventh Victim
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Performance
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- Donna
- 10-30-22
Good, if a little predictable
I liked this story and enjoyed listening to it. Unfortunately the reader does use the wrong character name in a few sections which isn't great and I guesses the ending a bit early.
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- Trudi
- 04-01-21
interesting
good story line.
draws you in and might surprise you!
not too much gore, more mystery and not a lot of bad language (bonus for me!)
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- Kelly
- 03-20-20
Seriously? Why the good reviews?
I couldn't tell one character from another... man from woman because the narrator didn't change her voice even a little. She also sounded rushed.
The premise of the story was also highly improbable. A retired cop and author of the book about this serial killer get together and try to find who killed missing victim #7 because the killer insists on his deathbed it wasn't him. Where for me it goes off the rails, is when we realize the killer is distantly related which explains the clothes the police found in his house with the other victims. Uhm, flimsy explaination. There are so many trite remarks and silly plot holes not to mention dialogue. It's weird to have a high soft voice as a man too. The first part explanting there mothers grief is very good. The search for the real killer is predictable and amateurish. The rave reviews shock me now that I'm in it. I'll finish but I'm skipping to the end. To be honest it's a bit of a mess.
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3 people found this helpful
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- Megan
- 02-18-22
loved this book so much
enjoyed this book so much... will read this again..... you will not regret the credit. All Michael Woods books are great..
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1 person found this helpful
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- Amy Turki
- 05-21-20
Great crime story.
Between the storyline and the narrator's, it was hard to pause the book and it kept me guessing about the ending all the way through.
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2 people found this helpful
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- donnyk915
- 01-17-23
Chilling
Chilling, creepy & Suspenseful. This was a great story with a surprising ending.; The very end. Excellent narration by Joanne Froggat per usual.
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1 person found this helpful
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- "cstyles118"
- 07-28-22
Excellent book
This was such a well written and narrated book. The ending was a great twist!
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- Jennifer
- 04-27-22
Thank Goodness it’s Over!
How does this novel have 4.5 Stars?!!!!!
And how do novels (I use that term lightly here) like this one even get published? First of all, it’s evident this author just made up this story without doing any research or having the novel reviewed by an expert in the police force or the ranks of journalists. Then secondly, as I often ask, “where are the editors?” I continue to be surprised that such sloppy work manages to get published. And I have now purchased this novel via Audible. I feel like I’m an enabler to someone who should definitely not be a writer.
There are three major issues with this novel:
(1) It’s full of mistakes. Here are just a few examples:
~ It’s made clear that the murderer’s mother died when he was very young and yet at some point in the book, there’s a reference to “he only had his grandmother and mother”.
~In another scene, one of the main characters says something to the effect of “you don’t understand. You’re happily retired and I don’t want that for myself”. The husband replies with different options so she doesn’t need to be retired, but can focus on what he considers more positive activities to which she replies “you don’t understand. It’s about justice!” Say what? No wonder the husband doesn’t understand, right?
~The most egregious error is when Diane is having dinner with her ex-husband, Nick, and the narrator is reflecting on how she sees herself and says something to the effect of “Caroline wasn’t happy with her body”. So the author doesn’t remember this character’s name?”
There are many more. The above are just a few examples.
(2) In addition to the above, there’s what I call “continuity of character”. What I mean by that is, does the character essentially behave consistently through the novel? The answer in this novel is “no”. There is no consistent theme to any of the characters (save Alex). It’s difficult to get a sense of who they are at their core because there is no core.
(3) Then there’s the “who would do that” factor? I’m getting more and more frustrated by characters being written to behave in a way that no one would. Like would you call the DI who is on maternity leave when you found something? And heavily pregnant, would she run out to the scene? And furthermore, would a DI and her team run into the house to look for evidence? Or would they, perhaps, verify it there was an owner to ensure they could proceed without a search warrant to ensure they were compliant with police and legal procedures. So much inanity!
(4) Last, but not least, the reason I felt like taking a leap of faith on this author (in addition to the inconceivable
rating) was that Joanne Froggatt was the narrator. I’m a fan both from Downton Abbey as well as other novels she’s read. I think this one was a throw-away for her. There was so little range that sometimes I couldn’t catch who was talking. That was pretty disappointing.
Outside of a compelling prologue and epilogue, there’s nothing of value here.
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