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In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

For nearly two centuries, the authorship of William Shakespeare's plays has been challenged by writers and artists as diverse as Sigmund Freud, Mark Twain, Henry James, Helen Keller, Orson Welles, Malcolm X, and Sir Derek Jacobi. How could a young man from rural Warwickshire, lacking a university education, write some of the greatest works in the English language?

As part of President Franklin D. Roosevelt's progressive New Deal, the Work Progress Administration is created to support unemployed workers, including writers, artists, musicians and actors. The Federal Theatre Project, a major part of that programme, begins to stage critically acclaimed, subsidised and groundbreaking productions across America. From one of the world's great storytellers, The Playbook is an invigorating re-enactment of a terrifyingly prescient moment in twentieth-century American cultural history.

Shakespeare's position as England's national poet is established and unquestionable. But as James Shapiro illuminates in this revelatory new history, Shakespeare has long held an essential place in American culture. Why, though, would a proudly independent republic embrace England's greatest writer? Especially when his works enact so many of America's darkest nightmares: interracial marriage, cross-dressing, same-sex love, tyranny, and assassination?

James Gleick explains the theories behind the fascinating new science called chaos. Alongside relativity and quantum mechanics, it is being hailed as the 20th century's third revolution.

James Gleick, the author of the best sellers Chaos and Genius, now brings us a work just as astonishing and masterly: A revelatory chronicle and meditation that shows how information has become the modern era’s defining quality - the blood, the fuel, the vital principle of our world. The story of information begins in a time profoundly unlike our own, when every thought and utterance vanishes as soon as it is born.

James Gleick's story begins at the turn of the 20th century, with the young H. G. Wells writing and rewriting the fantastic tale that became his first book, an international sensation: The Time Machine. A host of forces were converging to transmute the human understanding of time, some philosophical and some technological - the electric telegraph, the steam railroad, the discovery of buried civilizations, and the perfection of clocks.

No Bull Music Theory for Guitarists is the groundbreaking guitar theory book for guitar players. Now, guitarists of all levels can understand most of the music theory they'll ever need, without the confusion. Easy-to-understand language, explanations, and practical examples mean you can understand in hours music theory concepts that can confuse guitar players for years. No music reading or theory knowledge required!

In war-torn Syria, the lone survivor of a massacre is pulled from beneath a pile of bodies. She is given one instruction: “Find Jed Walker.” Ex-CIA, Walker is a man who thought he was long out of the game. Discovering a terror outfit is smuggling people from the Middle East into the United States, he is drawn back in. At first Walker thinks these human traffickers are driven purely by profit and greed, but soon learns their motives are much worse—and they have ties to the highest levels of power.

Bestselling author James Kaplan redefines Frank Sinatra in a triumphant new biography that includes many rarely seen photographs. Frank Sinatra was the best-known entertainer of the twenti­eth century—infinitely charismatic, lionized and notori­ous in equal measure.

It’s 2005, New Orleans, pre-Katrina, and Jed Walker has just started at the CIA. He’s sent on a mission by Harold Richter, CIA field operations legend and trainer of agents provocateur. The task is a one-way ticket—survive and succeed at all costs—and Walker is an off-the-grid, solo, deniable asset. As Katrina comes to town to forever change a city and a country, it’s clear to Walker that his life as a spy has the potential to shape global events.

Jed Walker, ex-CIA, is an outsider back in the game. He’s been chasing down a sinister group code-named Zodiac that the big guns—MI5, CIA, the Pentagon—have failed to eradicate. But as Walker follows the trail of bodies, uncovering secrets and making connections he’s not supposed to make, he finds the answers are closer to home than he ever imagined. Revenge is the obvious motive—but nothing is ever that simple in love and war. Can Walker find who’s responsible before the body count grows? Can he stop another terror attack before more innocents suffer?

Francine Rivers is one of America's favorite romance writers and a bestselling inspirational author. Her many heartfelt novels have won awards and the adoration of fans accross the country. In Redeeming Love, she retells the Biblical story of Hosea, setting it in the 1850s, amidst California's gold country.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

The world is under cyber attack. The secretive terror outfit known as Zodiac is preparing to unleash chaos. The options for the hackers are endless. From massive data breaches, takedowns of critical infrastructure, and commandeering military hardware, nothing networked is safe. Knowing where they will strike is half the battle. The only thing certain is their intent to create a devastating global catastrophe. The US president has the power to enact the Internet Freedom Act—the “Kill Switch”—and turn off the Net, which will stop the attacks. But it’s not that simple.

A sinister group—code-named Zodiac—has launched a series of devastating global attacks. Twelve targets across the world, twelve code-named missions. Operating distinct sleeper cells, they are the ultimate terrorist organization, watching and waiting for a precise moment to activate the next group. It’s a frightening and deadly efficient way to stay one step ahead … and cause the most chaos. For ex–CIA operative Jed Walker, chaos is his profession. Burned by his former agency, he is determined to clear his name. Stopping Zodiac is the only way.

For his 42 years on this Earth, John Wesley Hardin’s name was synonymous with outlaw. A killer at 15, in the next few years he became skilled enough with his pistols to back down Wild Bill Hickok in the street. By the time the law caught up with Hardin when he was 25, he had killed as many as 40 men and been shot so many times that, it was said, he carried a pound of lead in his flesh. In jail he became a scholar, studying law books until he won himself freedom, and afterward he tried to lead an upright life. It was not to be.