Currency
Friends, Trends, and Dividends
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Inequality. Influence. Fraud. Sabotage. These are the themes of great fiction and our modern economy. In this collection of short stories by some of today’s most scintillating writers, the rich get poorer and the poor get richer. Yeah, right! From the heartbreaking to the hilarious, here are eight instantly classic battles over currency, class, privilege - and social distance.
SIMPLEXITY by Kiley Reid, read by Arden Cho
A twenty-eight-year-old entry-level worker at a design firm navigates the microaggressive corporate landscape in a quick and delicious satire by Kiley Reid, the New York Times bestselling author of Such a Fun Age.
I WOULD BE DOING THIS ANYWAY by Jia Tolentino, read by Kelly Marie Tran
A razor-sharp short story about anonymity, mutual deception, and the perils of overexposure—debut fiction by Jia Tolentino, the New York Times bestselling author of Trick Mirror.
REWARDS by Emma Cline, read by Helen Hunt
Two women reflect on the value of their lives in a wry short story of male privilege and undeserved rewards by Emma Cline, the New York Times bestselling author of The Girls.
CREWELWORK by Justin Torres, read by Wilson Cruz
Poised between his lush introversion and the brutal realm of his every day, a young artist considers the price of precarity in this powerful short story by Justin Torres, the author of We the Animals.
THE TOMORROW BOX by Curtis Sittenfeld, read by Eric Dane
An unnervingly funny and sharply observant story about the privilege, class division, and purposeful lives of old friends by Curtis Sittenfeld, the New York Times bestselling author of Rodham.
IF YOU ARE LONELY AND YOU KNOW IT by Yiyun Li, read by Malcolm Hillgartner
He tends to his garden and bees. He keeps quiet. He avoids drama. Until one transgression causes an emotional adventure in this heartfelt short story by Yiyun Li, a PEN/Hemingway Award-winning author.
ME AND CARLOS by Tom Perrotta, read by Jackson White
A darkly comic short story about American class divides and coming-of-age regrets by Tom Perrotta, the New York Times bestselling author of Election and The Leftovers.
THE SUMMER HOUSE BY Cristina Henríquez, read by Thom Rivera
Accustomed to being used, a jack-of-all-odd-jobs is torn between desire and duty in a short story about loneliness and wounded love by Cristina Henríquez, the author of The Book of Unknown Americans.
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Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.
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I've never hated a character harder
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My Year of Rest and Relaxation
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Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?
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I love it...
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American women—American wives—have been mostly minor characters in the literature of the Vietnam War, but in Absolution they take center stage. Tricia is a shy newlywed, married to a rising attorney on loan to navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. In Saigon in 1963, the two women form a wary alliance as they balance the era’s mandate to be “helpmeets” to their ambitious husbands with their own, inchoate impulse to “do good” for the people of Vietnam.
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Hung in there for 2 1/2 hours but had to return it
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You Could Make This Place Beautiful
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In her memoir You Could Make This Place Beautiful, poet Maggie Smith explores the disintegration of her marriage and her renewed commitment to herself in lyrical vignettes that shine, hard and clear as jewels. The book begins with one woman’s personal, particular heartbreak, but its circles widen into a reckoning with contemporary womanhood, traditional gender roles, and the power dynamics that persist even in many progressive homes.
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Beautiful, relatable, profound
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De: Maggie Smith