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The Double and The Gambler
- Narrado por: Michael Page
- Duración: 12 h y 52 m
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Resumen del Editor
The Double, written in Dostoevsky's youth, was a sharp turn away from the realism of his first novel, Poor Folk. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger - a man who has his name and his face and who gradually and relentlessly begins to displace him with his friends and colleagues. In the dilemma of this increasingly paranoid hero, Dostoevsky makes vividly concrete the inner disintegration of consciousness that would become a major theme of his work.
The Gambler was written 20 years later, under the pressure of crushing debt. It is a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky - who once gambled away his young wife's wedding ring - knew intimately from his own experience. In the disastrous love affairs and gambling adventures of his character, Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.
The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Dostoevsky.
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Notes from a Dead House
- De: Fyodor Dostoevsky
- Narrado por: Stefan Rudnicki
- Duración: 13 h y 33 m
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From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.
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FYODORange is the New Black
- De Darwin8u en 07-13-15
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The Idiot
- De: Fyodor Dostoevsky
- Narrado por: Jefferson Mays
- Duración: 27 h y 56 m
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In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.
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Avoid Constance Garnett
- De Anthony en 04-09-17
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Notes from Underground and The Gambler
- Notes from the Underground and The Gambler
- De: Constance Garnett - translator, Fyodor Dostoevsky
- Narrado por: Nicholas Boulton
- Duración: 10 h y 26 m
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Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.
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The Russian psyche
- De Amazon Customer en 03-27-22
De: Constance Garnett - translator, y otros
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Amerika
- The Missing Person: A New Translation by Mark Harman Based on the Restored Text
- De: Franz Kafka
- Narrado por: George Guidall
- Duración: 9 h y 37 m
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A Brilliant new translation of the great writer's least Kafkaesque novel, based on a German-language text that was produced by a team of international scholars and that is more faithful to Kafka's original manuscript than anything we have had before. With the same expert balance of precision and nuance that marked his translation of Kafka's The Castle, the award-winning translator Mark Harman now restores the humor and particularity of language to Amerika.
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ha ha ha this is terrific
- De tom en 01-29-14
De: Franz Kafka
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The Double
- De: Fyodor Dostoevsky
- Narrado por: Nick Sullivan
- Duración: 6 h y 40 m
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First published in 1846, Fyodor Dostoyevsky's novella The Double is a classic doppelganger story and the second major work published by the author. It is the story of Yakov Petrovich Golyadkin, a government clerk who believes that a fellow clerk has taken over his identity and is determined to bring about his ruin. Considered the most Gogolesque of Dostoyevsky's works, the novella brilliantly depicts Golyadkin's descent into madness in a way that is hauntingly poetic. The Double illustrates Dostoyevsky's uncanny ability at capturing the complexity of human emotion.
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Wish I could have read it in the original Russian
- De Darwin8u en 01-07-13
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The First Man
- De: Albert Camus
- Narrado por: Jefferson Mays
- Duración: 8 h y 9 m
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In The First Man, Albert Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds, and textures of a childhood circumscribed by poverty and a father's death yet redeemed by the austere beauty of Algeria and the boy's attachment to his nearly deaf-mute mother. The result is a moving journey through the lost landscape of youth that also discloses the wellsprings of Camus's aesthetic powers and moral vision.
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Great Narration by Jefferson Mays
- De Sean Patrick Stevens en 07-31-21
De: Albert Camus
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The Gambler
- De: Fyodor Dostoevsky
- Narrado por: Alastair Cameron
- Duración: 5 h y 58 m
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Alexei Ivanovich is a Russian tutor working in Germany. His employer, the General, is waiting for his wealthy grandmother to die to pay off his debts so that he can marry Mademoiselle Blanche, while Alexei is in love with the General's beautiful but not so kind stepdaughter, Polina, who is scornful of his devotion to her. Alexei dramatically offers to kill himself for Polina, but she asks him instead to place a bet for her at the roulette table of the local casino. Alexei does, and he wins, but still he cannot sway her.
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Story of intrigue and gambling addiction
- De Cat_Named_Middle_C en 10-08-17
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The Trial
- De: Franz Kafka
- Narrado por: George Guidall
- Duración: 8 h y 53 m
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If Max Brod had obeyed Franz Kafka's dying request, Kafka's unpublished manuscripts would have been burned, unread. Fortunately, Brod ignored his friend's wishes and published The Trial, which became the author's most famous work. Now Kafka's enigmatic novel regains its humor and stylistic elegance in a new translation based on the restored original manuscript.
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We are all the straw that breaks a camel's back
- De Dan Harlow en 10-14-13
De: Franz Kafka
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Poor Folk
- De: Fyodor Dostoyevsky, C. J. Hogarth - translator
- Narrado por: Jonathan Keeble, Julie Teal
- Duración: 5 h y 52 m
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Upon its first publication in 1846, "Poor Folk" was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.
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it was kind of depressing yet oddly relatable.
- De Eli en 08-07-24
De: Fyodor Dostoyevsky, y otros
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Notes from Underground
- De: Fyodor Dostoevsky
- Narrado por: Stefan Rudnicki
- Duración: 4 h y 35 m
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"I am a sick man.... I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.
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Unbelievable
- De jennifer van fleet en 10-01-22
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The Fall
- De: Albert Camus
- Narrado por: Edoardo Ballerini
- Duración: 3 h y 5 m
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Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.
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Wow Wow Wow
- De Lauren C en 07-14-21
De: Albert Camus
Lo que los oyentes dicen sobre The Double and The Gambler
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Kenneth Meier
- 05-06-23
Excellent.
Truly sister stories of delusion and slavery of spirit. The audible divergences in voice per character is a tour de force in voice acting. Well done
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- S. P. Holman
- 01-21-20
The Gambler is Brilliant
Dostoevsky’s dry sense of humor and biting sarcasm are showcased in The Gambler. Narrator Michael Page gives a spectacular performance bringing the story to life. Definitely worth the price of admission.
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- Tad Davis
- 02-25-19
Exciting
Michael Page does a wonderful job with these paired novels by Dostoevsky: the dialogue is especially well done, ranging from the supercilious tones of the winners in life to the increasing desperation of its losers.
In The Double, the petty bureaucrat Goliadkin finds himself in an unusual situation: someone who looks exactly like him, and who is also named Goliadkin, has been hired by the same office. Goliadkin at first befriends the newcomer, but soon finds him to be a serious rival. Trying to compete with this rival — in fact, even just trying to understand who or what he is — leads to a long descent into madness.
Or was he mad all along? Like many of Dostoevsky’s heroes, he is morbidly self-conscious, torturing himself (and sometimes the reader) by second-guessing his every move, including his own second-guessing. Some people find Dostoevsky’s characters enlighteningly existential; I find them clinical and claustrophobic.
But there is no denying the power of Dostoevsky's prose. His description of Goliadkin’s thinking overflows all boundaries, giving a totally convincing impression of madness without ever really becoming incoherent. The frantic hysteria in Page’s voice matches this flood of impressions beautifully.
The audiobook leaves Goliadkin behind and plunges immediately into the next novella, The Gambler. (In fact “plunging” is an appropriate description: there is no transition between one story and the next. It goes something like this: “....he [Goliadkin] had long foreseen it, The Gambler, a novel, from a young man’s notes....” This is a common problem. I do wish audiobook producers would take the trouble to build in longer pauses between stories: 3 or 4 seconds at a minimum. Otherwise the impact of closing words is drained by the sudden shift into a new narrative.)
But the bungled transition is over in seconds, and rest of the novel is a masterpiece. The term “totally convincing” applies here as well: in this case, it involves a painful and closely observed portrait of gambling addiction. Apparently it was based on Dostoevsky’s own bitter experience. The narrator tells his own story, and like most of Dostoevsky's main characters, he's a lost man. It just takes him most of the novel to realize it.
Dostoevsky wrote the story in an apartment in Florence. I had the opportunity once to stand in front of the building, which is on a quiet street and marked with a plaque. When I think about it now, I'll be thinking about it with Michael Page’s passionate reading echoing through my head.
LATER UPDATE: memory plays tricks sometimes. The novel Dostoevsky was writing while he was living in Florence was not The Gambler; it was The Idiot. The plaque on the house in Italy leaves no question about this: here Dostoevsky “compí il romanzo L’Idiota,” it says. The Idiot is a good novel too, but it’s not this one.
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