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The Glutton
- Narrado por: Graham Halstead
- Duración: 11 h y 16 m
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Resumen del Editor
From the prizewinning author of The Manningtree Witches, a subversive historical novel set during the French Revolution, inspired by a young peasant boy turned showman, said to have been tormented and driven to murder by an all-consuming appetite.
“Obscenely beautiful…Every sentence is gorgeous...Powerful and provocative.” —The New York Times Book Review
“There are few writers who can be truly likened to Hilary Mantel, but Blakemore is one.” —The Observer
1798, France. Nuns move along the dark corridors of a Versailles hospital where the young Sister Perpetué has been tasked with sitting with the patient who must always be watched. The man, gaunt, with his sallow skin and distended belly, is dying: they say he ate a golden fork, and that it’s killing him from the inside. But that’s not all—he is rumored to have done monstrous things in his attempts to sate an insatiable appetite…an appetite they say tortures him still.
Born in an impoverished village to a widowed young mother, Tarare was once overflowing with quiet affection: for the Baby Jesus and the many Saints, for his mother, for the plants and little creatures in the woods and fields around their house. He spends his days alone, observing the delicate charms of the countryside. But his world is not a gentle one—and soon, life as he knew it is violently upended. Tarare is pitched down a chaotic path through revolutionary France, left to the mercy of strangers, and increasingly, bottomlessly, ravenous.
This exhilarating, disquieting novel paints a richly imagined life for The Great Tarare, The Glutton of Lyon in 18th-century France: a world of desire, hunger and poverty; hope, chaos and survival. As in her cult hit The Manningtree Witches, Blakemore showcases her stunning lyricism and deep compassion for characters pushed to the edge of society in The Glutton, her most unputdownable work yet.
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- Narrado por: Julia Whelan, Alexis Bledel, Renée Elise Goldsberry, y otros
- Duración: 4 h y 11 m
- Grabación Original
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They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.
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Surprised
- De marcie en 05-25-24
De: Wendy Walker
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Her Second Husband
- De: Jane E. James
- Narrado por: Claire Rushbrook
- Duración: 10 h y 52 m
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Then: Linda has it all: a gorgeous home, a devoted husband, two loving daughters. But she throws it all away to chase an impossible dream. Now: Linda is alone and penniless, living in a shabby rented flat. With nothing to lose, she signs up to a dating app for the over 50s. But the one man who responds to her profile, a man calling himself Tony Fortin, is not who he says he is. Linda recognises him immediately. He’s Marcus, her second husband. But that’s impossible. Marcus died eight months ago. He drowned off the coast of Corfu.
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Tedious Read
- De Jazzyjane en 07-13-24
De: Jane E. James
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Tansy Bloom, Monster Hunter
- De: L. J. Weller
- Narrado por: Tanya Reynolds
- Duración: 10 h y 44 m
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Three months ago, Tansy Bloom quit monster hunting. Since then, she’s been trying to live a normal life (whatever that means), but ending up single, unemployed, and living on a boat outside her godfather’s pub definitely wasn’t part of the plan. So, when Tansy’s ex-husband – fellow monster hunter Rex Barclay – turns up like a bad penny and asks for her help with his latest investigation, Tansy reluctantly agrees. At first, the job appears to be a straightforward monster hunt – following a spate of large creature sightings, Rex believes a werewolf is on the loose in Norfolk.
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Romance Whiplash
- De Julie en 07-18-24
De: L. J. Weller
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Oregon
- De: Don Winslow
- Narrado por: Ed Harris
- Duración: 1 h y 6 m
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It was 1970 in a defeated Rhode Island fishing town. Vietnam and Nixon dominated the national news. Both the near and distant future looked bleak. But they were five inseparable high school friends with something incredible in common: an unwavering resolve to look after each other no matter what hell life threw at them. And they were on a mission. The plan was simple: Go off the grid before they turned 18 to avoid the draft. They’d sell some grass, stack some cash, then head west and start a commune. What could possibly go wrong?
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This really hit home.
- De Ray Beaulieu en 05-26-24
De: Don Winslow
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Sherlock Holmes: The Definitive Collection
- De: Arthur Conan Doyle, Stephen Fry - introductions
- Narrado por: Stephen Fry
- Duración: 71 h y 57 m
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Chapter Guide!
- De Katya Rice en 05-25-18
De: Arthur Conan Doyle, y otros
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Home Is Where the Bodies Are
- De: Jeneva Rose
- Narrado por: January LaVoy, Cassandra Campbell, Brittany Pressley, y otros
- Duración: 8 h y 27 m
- Versión completa
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After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.
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Perfect Audio.
- De Black Women Read Too en 05-19-24
De: Jeneva Rose
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A Murder to Remember
- De: Brynn Kelly
- Narrado por: Brittany Pressley, Max Roll
- Duración: 10 h y 3 m
- Grabación Original
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Jane Austen fan Amelia Bennett sneaks away from a dull tour of an English country manor, only to run into a man more dashing than Mr. Darcy himself. About to lose his ancestral home to family debts, charming aristocrat Tom Calder invites his American guest to join him in drinking his way through the estate’s priceless wine collection. But when they wake in his bed the next morning, they’re convinced that in their drunken haze they witnessed a murder. Problem is, the body has vanished and no one believes them.
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Fun rom-com mystery
- De C. Wright en 03-01-24
De: Brynn Kelly
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Eat Pray Love meets American Psycho in a seductive and sinister debut literary thriller. Food critic Dorothy Daniels indulges in her homicidal urges by murdering her lovers and devouring their organs in this intense, visceral, and lushly told tale of food, sex, power, and the pursuit of a very particular taste set between New York and Italy. Please Note: A Certain Hunger contains adult language and depictions of violence. Discretion is advised.
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The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.
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Lo que los oyentes dicen sobre The Glutton
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- Moe
- 05-25-24
A marvelous Baroque tale
Disgustingly brilliant! Perfectly and written and narrated. A.K. Blakemore does a perfect job balancing out the beautiful and the grotesque.
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- AuntGert
- 11-09-23
The Glutton Fails
This highly anticipated novel was touted by several online book reviewers as a work of both literary and historical fiction, genres to which I am drawn. I pre-ordered it using my next to last credit for the year. I wish I could get that credit back, but I suppose it wouldn’t be a fair demand—I listened to the entire book while loathing it, so it’s on me.
Perhaps my negative reaction is unfair as I’m judging the written work (I’ll address the poor narration later) as literary fiction as a consequence of the online book promoters’ opinions. Author A. K. Blakemore may not have ever made such a claim. While it’s true that the novel is character-driven and introspective, that’s about all it has in terms of its literary qualities as it lacks an over-arching theme (say philosophical or political) there is no character development as the protagonist is as ignorant of why his life is as it is or why life in general is as it from beginning to end. This lack of personal character development results in a lack of reflection of the human condition which to me is an essential requirement for a novel to be considered literary.
As to its place in historical fiction—just because a narrative is set in the late 18th C in the midst of the French Revolution and a myriad of historical people are mentioned and even turn up conveniently for the completely ignorant protagonist to run into (no less that Napoleon even), doesn’t make it a historical novel. What the protagonist learns about or reflects upon in this historical environment is virtually nothing and therefore, the reader gleans nothing.
As to the protagonist—the titular Glutton—his name is Tarare and he is suddenly and inexplicably
cursed with an insatiable appetite that causes him to eat and eat and eat anything organic and at times inorganic just to fill his empty stomach. If we’re to view Tarare’s empty stomach as symbolic of his empty life, soul, existence—ok, I get it, but so what? His eating frenzies only occur when they are used for a pivotal plot point. In other words, if Tarare is truly always starving and unsatisfied why are there long periods in the novel wherein he’s not about the business of gluttonous eating? The frenzies are gimmicks, deliberately described in the most grotesque manner—seemingly just for shock value—to what end? Take away the sideshow freakiness and pare down Tarare’s sad life and how he ends up where he does, and you would have the basis of a reflective character-driven novel that would allow this young man to develop an understanding of himself, but that never happens. He has no idea what the Revolution means and when he’s given a few clues, he simply does not absorb them meaningfully. Why not use the French Revolution to give him an understanding of the meaning of one’s life (try “A Tale of Two Cities” by Charles Dickens for example). Also, in what ends up as yet another meaningless storyline is the fact that Tarare is sexually attracted to men. His homosexuality is just there and, cynically I got the impression that it could help put a hashtag of LGBQT for sales purposes.
The narration of this novel also made me frustrated as the reader (Graham Halstead) never alters his delivery of any character other than to slightly lightened the voice of a woman. While the novel is set in France, he never offers the slightest French flavor. This should have been read by a French reader who is fluent in English. Every character interacting with Tarare sounds as though he (with a few she(s)) is a wise-guy hanging out with the boys in a generically contemporary place in America—say Omaha, Nebraska. This narrator should only be hired to read first-person narratives or non-fiction. He was awful. Sorry, Mr Halstead this was not a good fit for your skills.
For a while, I kept blaming the narrator for my negative reaction to the book as I was often confused as to who was speaking (truly great narrators are never guilty of that), but the more the novel moved to its conclusion, and I just couldn’t wait for it to end, the more I realized that because the novel itself was merely a series of shocking events that meant absolutely nothing, the clearer it became that no universal aspect of the human condition would be explored or exposed, therefore, rendering the work an overall failure.
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