Scholars Thomas Morcom and Helen Gittos reflect on their experiences with researching and writing their article, "The Cerne Giant in its Early Medieval Context," which appears in Speculum 99:1.

The Cerne Abbas giant is a well-known figure cut into the chalk of a hillside in Dorset. Recent archaeological investigation has concluded that it had been cut in the early middle ages. Morcom and Gittos argue that he was originally carved as an image of the classical hero Hercules and that this apparently surprising date makes good historical sense. The landscape context of the giant indicates that he is best explained as marking a muster station for the West Saxon army. Although it is widely believed that the earliest written evidence for the giant dates to the seventeenth century, this study makes the case that he was referred to, albeit implicitly, in the liturgy for St Eadwold, whose relics were at Cerne. By the mid eleventh century, the monks of Cerne were re-interpreting the giant as an image of their saint. This is one of the many ways in which the saint has been re- imagined which helps explain why he has been looked after for so long.

This episode is an installment in a special partnership with Speculum: A Journal of Medieval Studies. Each episode is designed to bring you behind the scenes of an article published in an upcoming Speculum issue. This episode is hosted by Katherine L. Jansen and Will Beattie. For more about Thomas, Helen, the Cerne Abbas giant, and this conversation, check out our website at www.multiculturalmiddleages.com.