Stick around or don't move, but Reb Brown is gonna give you the laughs.

"Robowar" (1988) is a cinematic masterpiece of unintentional hilarity. This unapologetic rip-off of "Predator" is an absolute must-watch for fans of 'so bad it's good' cinema. From the moment Reb Brown graces the screen with his over-the-top action antics and unintentionally comedic acting, you'll be hooked. Brown's performance is a perfect blend of earnestness and absurdity, making every scene he's in a joy to watch.

The plot, if you can call it that, is a shameless copy of "Predator." However, instead of being an edge-of-your-seat thriller, "Robowar" delivers non-stop laughs. The antagonist, "The Hunter," is a laughably awful attempt at creating a menacing villain. With a costume that looks like it was thrown together from spare parts and a performance that can only be described as cartoonish, "The Hunter" is more likely to make you chuckle than cower in fear.

Let's not forget the music. Oh, the music! It's so fantastically bad that it deserves its own standing ovation. The soundtrack seems to be perpetually stuck in the 80s, complete with synth-heavy tracks that feel out of place and add an extra layer of comedy to the film's already ridiculous scenes.

Every moment of "Robowar" is filled with something that will make you laugh out loud, whether it's the wooden dialogue, the nonsensical plot twists, or the sheer audacity of its "Predator" mimicry. This is a movie that fully embraces its B-movie status and offers a viewing experience that's as entertaining as it is unintentionally funny.

If you're in the mood for a film that's so bad it's good, "Robowar" is the perfect choice. Grab some popcorn, gather your friends, and get ready for a night of side-splitting laughter at this gloriously awful gem.

Just because it doesn't have a story or characters or any basis in reality doesn't mean its bad, right?

"Twisters" (2024) is a whirlwind of nostalgic fun that takes you back to the golden era of 90's blockbusters. While it may lack a compelling story, character depth, and a meaningful journey, it's a film that embraces its cheesy charm with gusto. From the first gust of wind to the last dramatic tornado scene, "Twisters" is an exhilarating ride that doesn't take itself too seriously.

The visual effects are stunning, with the twisters themselves serving as the true stars of the show. Each tornado scene is more breathtaking than the last, making you feel like you're right in the middle of the storm. The action sequences are over-the-top in the best possible way, providing plenty of edge-of-your-seat moments that are perfect for popcorn munching.

The film's cast does a commendable job with what they're given, adding to the overall campy appeal. Their performances, coupled with the tongue-in-cheek dialogue, keep the film light and entertaining. It's clear that "Twisters" is meant to be enjoyed for its sheer spectacle and fun factor rather than for any deep, thought-provoking narrative.

In a world where many blockbusters strive for gritty realism and complex plots, "Twisters" is a refreshing throwback to simpler times. It's a love letter to the disaster movies of the 90's, delivering pure cinematic escapism that fans of the genre will adore. If you're looking for a film that's all about high-octane action and nostalgic thrills, "Twisters" is the perfect storm.

"High Concept" apparently means "really stupid and poorly thought out".

Junior (1994) is a film that desperately tries to blend comedy, science fiction, and social commentary but ends up being a tedious and unenjoyable mess. Despite the star power of Arnold Schwarzenegger, Danny DeVito, and Emma Thompson, this movie falls flat in nearly every aspect, leaving the audience bored and disappointed.

First and foremost, Junior is painfully boring. The premise of a man becoming pregnant, while initially intriguing, quickly loses its novelty. The plot drags on without any real momentum or excitement. Scenes that are meant to be humorous or touching instead feel forced and uninspired. The pacing is sluggish, and the film fails to maintain any level of engagement, making it a chore to sit through.

Moreover, Junior manages to be offensively tone-deaf to the concept of motherhood. The film's portrayal of pregnancy and childbirth is shallow and insensitive, reducing these profound experiences to mere comedic fodder. The idea of a man experiencing pregnancy could have been an opportunity to explore gender roles and the challenges of motherhood with depth and respect. Instead, the film resorts to cheap jokes and superficial scenarios, trivializing the real struggles and emotions associated with pregnancy.

The supposed comedy in Junior is another significant letdown. The humor is stale and predictable, relying heavily on tired stereotypes and physical gags. Schwarzenegger's attempts at delivering comedic lines are awkward and unconvincing, and even the usually reliable Danny DeVito seems to be going through the motions. Emma Thompson's character, while charming, cannot salvage the weak script and poorly executed jokes. The film fails to elicit genuine laughter, leaving viewers cringing rather than amused.

In conclusion, Junior is a misguided attempt at comedy that misses the mark on multiple levels. It is boring, offensive to the concept of motherhood, and ultimately unfunny. Despite the talented cast, the film's lackluster execution and poor writing make it a forgettable and regrettable viewing experience. Save yourself the time and disappointment and give this movie a pass.