Ellen Adair and Eric Gilde discuss the movie "Fever Pitch," the 2005 Jimmy Fallon and Drew Barrymore romantic comedy, set against the backdrop of the Red Sox 2004 season. They introduce the film (1:24), with an overview of the story, cast, and director. After a description of the 20-80 baseball scouting grades for rating the film (3:26), they begin with Amount of Baseball (5:10). How do baseball clips, not scenes, rate? What is the minimum requirement for a baseball scene? Plus, date movie deception, and a player comp. Baseball Accuracy (9:50) considers the fictional Red Sox regular season 9th inning rally versus the Yankees, the legitimacy of Lindsey (Barrymore) running across the field in the ALCS, and binoculars that can see into the future or past. Editing around Lindsey getting hit with a foul ball creates some discrepancies for Mike Myers and Miguel Tejada. Our hosts delve into some historical moments: Dwight Evans's two-homer game in 1980, Pesky's Pole, Johnny Pesky, Thomas Yawkey, Ted Williams, the Polo Grounds, and Curse of the Bambino examples, ie. Roger Moret, Tony Conigliaro, Ed Armbrister and Carlton Fisk, Bucky Dent, Bill Buckner, Grady Little and Pedro Martinez, and other missing curse elements. They also discuss the possibility of a Cubs-based story, Bart Giamatti, spring at Fenway accuracy, Johnny Damon's ass, and offseason fandom. Storytelling (34:00) has much love for the dozen Pete Roses e-card, but much confusion about the timeline of the courtship, made problematic by Boston weather accuracy and things Lindsey should really be able to infer about Ben (Fallon) from context clues. Tonal inconsistency dominates. Is Ben sweet or creepy? Is he insecure or confident? Examination of the first date includes the difficulty of genuine vomiting sounds in television and film. Bonus subsections from Ellen: "Extracurricular Activity Accuracy" and "I Empathize." They discuss Ben's baseball elegies, luck in baseball, portrayals of fandom as addiction, cell phone gags (with a realization), and Lowell Ganz, Babaloo Mandel and "A League of Their Own." Rating the Score (1:05:11) examines The Standell's "Dirty Water," Neil Diamond's "Sweet Caroline," the Dropkick Murphy's "Tessie," with deep-dives on the history of these songs by Eric. Nick Drake's "Northern Sky" and "The Yastrzemski Song." Acting (1:15:16) sees a debate on Jimmy Fallon's performance, discussing the pull of sketch, spontaneity, ad-libbing, and Jim Carrey in "The Truman Show." Drew Barrymore's believability in this film also discussed. Delightfulness of Catcher (1:22:56) presents a conundrum, but the pair reminisce about meeting Jason Varitek and Ellen reads a short poem. Delightfulness of Announcer (1:25:40) is also a challenge, with such excellent examples present as Joe Castiglione, Peter Gammons, Bob Lobel, Harold Reynolds and Dave O'Brien. Lack of Misogyny (1:27:41) examines the depiction of Lindsey's friend Robin versus the women in the film on the whole, and the "not like the other girls" conundrum. No spoilers on the following segments: Yes or No (1:33:30), Six Degrees of Baseball (1:38:14), Favorite Moment (1:39:20) Least Favorite Moment (1:41:02), Scene We Would Have Liked to See (1:45:48), Dreamiest Player (1:47:50), Favorite Performance (1:48:34) Next Time (1:49:44) and Review Thank You (1:50:32).

Ellen Adair and Eric Gilde discuss the "The Stratton Story," the 1949 biopic about Monty Stratton starring Jimmy Stewart. rating it on the 20-80 scouting scale. They introduce the film (3:09), with an overview of the story, cast, and director. After a description of the 20-80 scouting grades for those who are unfamiliar (9:46), they begin with Amount of Baseball (11:10), slightly hungover from "The Fan," but touch on baseball-related montages. No spoilers on the player comp! Baseball Accuracy (13:04) considers Stratton's praise for the film's accuracy, the existence of Barney (Frank Morgan), and Stratton's real career vs. its portrayal, including his first career game, All-Star season, and WHIP in 1936 vs. 2020. His post-accident life is also addressed: his spirits, his artificial leg, and references to Roy Campanella and "It's Good to Be Alive." The All-Star game at the end leads to questions about his pinch runner and bunting on Stratton, and the accuracy of this game. Discussion about the trajectory of the ball in the opening game, Stratton's career batting statistics, Jimmy Dykes, Barney's player knowledge, Bob Feller, and reference to the 2020 Phillies and Mets. Ellen questions the depiction of Stratton's control and has a small breakdown on Stratton's K/9. But Storytelling (31:58) examines the way inaccuracies bolster the storytelling, with fine seeds planted with all of Stratton's nimble running, and excellent misdirection about the dancing lessons. They compare the film's structure to Sam Wood's other baseball film, "Pride of the Yankees." Contrasting his injury as depicted with real life leads brings up Yoenis Cespedes and dangerous pitcher hobbies. Ma Stratton, Baby Stratton, and paternity leave in sports are considered. Discussion of the weirdness of the scene where Barney is made coach, he believability of Monty and Ethel's first date, haircut speculation, "The Brothers K," and the Astros and Mattress Mack. They rate the Score (1:01:27) and Acting (1:02:20) praises Jimmy Stewart, June Allyson, Agnes Moorehead's simplicity, and Frank Morgan's choices. Ellen uplifts three specific Jimmy Stewart acting moments. Delightfulness of Catcher (1:02:19) lauds Barney's catcher virtues, Ethel as catcher, Eddie's flameless glove, dreamboat Bill Dickey and his improved acting, and Milliken. Delightfulness of Announcer (1:05:58) and Lack of Misogyny (1:11:09) follow, the latter considering the character development of the female leads, and Ma's moment with the radio. No spoilers on the following segments: Yes or No (1:18:33), Six Degrees of Baseball (1:23:11), Favorite Moment (1:25:16) Least Favorite Moment (1:26:38), Scene We Would Have Liked to See (1:28:54), Dreamiest Player (1:31:11), Favorite Performance (1:32:03). Stick with us to the end for some bonus Classics jokes.

Ellen Adair and Eric Gilde discuss the truly baffling 1996 thriller “The Fan,” rating the film on the 20-80 scouting scale. They introduce the film (2:20), with an overview of the story, cast, and director Tony Scott’s style. After a description of the 20-80 scouting grades for those who are unfamiliar (6:33), they begin with Amount of Baseball (7:57), pondering whether the finale counts as a baseball scene. They also consider how the average shot length impacts the amount of baseball received and include a 2020 player comp. Baseball Accuracy (11:28) opens with a consideration of how Barry Bonds being mentioned in this film tears at reality’s very fabric. The two talk Carl Hubbell, Willie Mays, Willie McCovey, question Primo’s actual position, and wonder how Bobby Rayburn (Wesley Snipes) can return to a game after leaving it. The character that John Kruk plays has a truly superhuman hitting feat, and heads explode as they ponder a game in which it appears the Giants play multiple teams. The category wraps up with a brief history of baseball players murdered in the midst of their careers. Storytelling (39:42) examines Roy and Gil’s relative likeability, issues with Gil’s career as a knife salesman, and the strangeness of the bathroom and sauna scenes. Meanwhile, what is up with their drink orders?! Plus, an idea for a drinking game if you would like to get trashed while watching this movie. There are 10,000 questions raised by the wild and confusing finale. Score (1:18:48) feels some Gladiator vibes with this Hans Zimmer composition, and raises the question of how to consider a score that’s better than its movie when separated from it. Some consideration of the Rolling Stones subplot. Acting (1:23:45) praises not just Robert DeNiro and Wesley Snipes, but Benicio del Toro, John Leguizamo, Ellen Barkin, Kurt Fuller, Patti D’Arbanville, Chris Mulkey, and the young actors Andrew J. Ferchland and Brandon Hammond. Also, props to Snipes’ stunt double. The Delightfulness of Catcher (1:28:37) reveals truths about Gil’s friend Coop before a quick look at the Delightfulness of Announcer (1:30:39). Lack of Misogyny (1:31:47) considers Ellen Barkin’s character, as well as her excellent bar scene with Wesley Snipes. No spoilers on the following segments: Yes or No (1:36:36), Six Degrees of Baseball (1:43:38), Favorite Moment (1:46:23) Least Favorite Moment (1:47:58), Scene We Would Have Liked to See (1:49:49), Dreamiest Player (1:55:40), Favorite Performance (1:56:27), Next Time (1:58:38), and Review Thank You (1:57:55).