Mostrando resultados por autor "Susan Hill" en Todas las categorías

Eel Marsh house stands alone, surveying the windswept salt marshes beyond Nine Lives Causeway. Mrs Alice Drablow lived here as a recluse. Now Arthur Kipps, a junior solicitor with a London firm, is summoned to attend her funeral, unaware of the tragic and terrible secrets which lie behind the house's shuttered windows.

Francis Croft, the greatest poet of his age, was mad. Harvey Lawson watched and protected him until his final suicide. From his solitary old age Harvey writes this brief account of their 20 years together and then burns all the papers to shut out an inquisitive world. The tautness and control that characterize Susan Hill's work are abundantly evident in The Bird of Night as she magnificently handles the heights and depths, the splendours and miseries of madness and friendship.

Misty Copeland made history as the first African-American principal ballerina at the American Ballet Theatre. Her talent, passion, and perseverance enabled her to make strides no one had accomplished before. But as she will tell you, achievement never happens in a void. Behind her, supporting her rise was her mentor Raven Wilkinson. Raven had been virtually alone in her quest to breach the all-white ballet world when she fought to be taken seriously as a Black ballerina in the 1950s and 60s.

When a bunch of neo-fascist thugs named The Bulldogs attack a Gay pride march in the sleepy country town of Lafferton, detective Simon Serrailler moves quickly to find the assailants. He’s already got his hands full making security arrangements for a memorial service to honour soldiers returning from Afghanistan. When anonymous threats come in, Serrailler wonders if the Bulldogs are behind these too - and worries that they know the Prince of Wales will be in attendance.

A kidnapper is at large; a schoolboy has disappeared. There are no leads, and no closure. The police have failed, and morale at Lafferton Station has collapsed. Then DCI Simon Serrailler receives a call: a child has been snatched in Yorkshire. Has the abductor struck again? The Risk of Darkness picks up where The Pure in Heart left off. It is set in a world in which a widowed husband's crazy grief turns to obsession and violence, and women - both old and young - feel threatened.

Now recuperated after the violent incident that cost him his arm - and nearly his life - DCS Serrailler has returned to work, though he prefers to spend his spare time sketching the medieval angels being restored on the cathedral roof. With crime rates down, Lafferton has been quiet, until one night when two men open their front door to a distressing scene. Serrailler makes a serious error of judgment when handling the incident, and the stress of this, combined with the ongoing trauma of losing his arm, takes its toll.

A woman vanishes in the fog up on "the Hill", an area locally known for its tranquility and peace. The police are not alarmed; people usually disappear for their own reasons. But when a young girl, an old man, and even a dog disappear, no one can deny that something untoward is happening in this quiet town. Young policewoman Freya Graffham is assigned to the case; she's new to the job, compassionate, inquisitive, and dedicated to the task of unraveling the mystery behind this gruesome sequence of events.

The cathedral town of Lafferton seems idyllic, but in many ways it is just like any other place. As part of the same rapidly changing world, it shares the same hopes and fears, and the same kinds of crime, as any number of towns up and down the land.When one day DC Simon Serrailler is called in by Lafferton's new Chief Constable, Kieron Bright, he is met by four plainclothes officers. He is asked to take the lead role in a complex, potentially dangerous undercover operation and must leave town immediately.

A particularly unpleasant murder - that of a very old woman in a housing project - rocks the town of Lafferton. The murderer has left a distinctive "sign" on the body and at the scene of crime. A couple of weeks later, a similar murder occurs, and a month or so later, so does another. Initial investigations discover that the mysterious "sign" left on the body was the calling card of a suspect who was charged with several murders in the northwest of the country, tried but acquitted on the grounds of insufficient evidence.

Recovering on a remote Scottish island, his peace doesn’t last long. He is pulled in to a murder inquiry by the overstretched local police. A newcomer, popular with the islanders, has died in perplexing circumstances. The community's reactions are complicated and fragile. It’s good to be back on the job. And when Simon returns to Lafferton, an arsonist is on the rampage and a woman whose daughter disappeared some years before is haunting the police station seeking closure. She will not let it rest, and Simon is called in to do a cold-case review.

Detective Chief Inspector Simon Serrailler, first introduced in The Various Haunts of Men, is on a painting holiday in Venice when he is summoned home by a telephone call. He has family problems to face, and the stress and grind of running a busy police station. When a little boy is snatched as he stands with his satchel at the gate of his home, waiting for his lift to school, an ordinary community realises that terror and evil are in their very midst.

The enigmatic and brooding Detective Chief Police Inspector Simon Serrailler has long regarded drugs operations in Lafferton as a waste of time. The small-time dealers picked up outside the local high school can’t - or won’t - turn in any valuable names, so they are merely given a fine and the trail runs cold. But when the body of a 22-year-old drug addict is found in neighboring Starley, the case pulls Serrailler into the underbelly of an elaborate drug running operation that pushes narcotics out from the cities, into the suburbs, and right down to villages.

Simon Serrailler has just wrapped up a difficult case for SIFT--Special Incident Flying Taskforce--and is on a sabbatical on a far-flung Scottish island when he is called back to Lafferton. Two local prostitutes have gone missing and are subsequently found strangled. By the time he gets back, another girl has disappeared. Is this a vendetta against prostitutes by someone with a warped mind? Or a series of killings by an angry punter?

Simon Serrailler is faced with that most complicated of investigations - a cold case. Freak weather and flash floods have hit southern England. The small cathedral town of Lafferton is underwater, and a landslip on the moor has closed the roads. As the rain slowly drains away, a shallow grave - and a skeleton - is exposed; 20 years have passed, and the remains of missing teenager Joanne Lowther have finally been uncovered. Joanne, an only child, had been on her way home from a friend's house that night.

A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty....

A look at Urban Legends from California, Colorado, and Connecticut. Some of these legends may be well known, but many of them are only known by locals. Inside are eyewitness accounts, directions to some of the locations and legends that are terrifying, shocking and unbelievable.

Late one summer evening, antiquarian bookseller Adam Snow is returning from a client visit when he takes a wrong turn. He stumbles across a derelict Edwardian house, and compelled by curiosity, approaches the door. Standing before the entrance, he feels the unmistakable sensation of a small cold hand creeping into his own, ‘as if a child had taken hold of it’. At first he is merely puzzled by the odd incident but then begins to suffer attacks of fear and panic, and is visited by nightmares.

Early one autumn afternoon in pursuit of an elusive book on her shelves, Susan Hill encountered dozens of others that she had never read, or forgotten she owned, or wanted to read for a second time. The discovery inspired her to embark on a year-long voyage through her books, forsaking new purchases in order to get to know her own collection again. A book which is left on a shelf for a decade is a dead thing, but it is also a chrysalis, packed with the potential to burst into new life.