Writer and art critic, Rahel Aima, who grew up and currently lives in Dubai, talks to us about living in the Gulf, a region rapidly developing itself as the place to be for smart cities and high-tech living.

Rahel explores a concept she has been thinking about for some time, the Khaleeji Ideology, which meets at the intersection of technology, economy, the environment and nation building, as a way of understanding developments in the contemporary Gulf.

This episode also features comment from Michael Mason, Director of the LSE Middle East Centre and Professor of Environmental Geography at LSE, who explores the rise of “progressive” urban development projects in the Gulf, and whether technology can be the solution to pressing environmental challenges of our time.

Rahel Aima is a writer, critic, and editor from Dubai. She writes about art, technology and the Gulf. Her work has been published in Artforum, Artnews, ArtReview, The Atlantic, Bookforum, frieze, Mousse and Vogue Arabia, amongst others.

Read Rahel’s ‘The Khaleeji Ideology’ here: https://www.e-flux.com/architecture/horizons/498319/the-khaleeji-ideology/.

How can art complicate claims of progress, innovation and the use of rapidly developing emerging technologies in MENA? In this episode, Cima Chehab speaks to visual artist Nadim Choufi about how he incorporates technology into his artwork both as subject matter and as medium.

In the conversation, they discuss Nadim’s own artistic practice, his use of “lecture performances” and the question of whether life is truly enhanced by progress and technology, which is one of the main questions that underpins his work. Nadim also explores emerging art in the Middle East and how technology has transformed a new generation of artists – from digital illustrations to meme accounts.

Nadim is a visual artist living in Beirut. He primarily focuses on the material histories and futures of innovation and desire, their social and political driving forces, and the visual and literary practices that surround them. He is a 2024 resident at the Jan van Eyck Academy. Currently he is the curator of the film programme of the 2024 festival edition of transmediale and a researcher at Haven For Artists. Previously he was co-Programs Director at Beirut Art Center.

https://nadimchoufi.com/

Majd Al-Shihabi of 'Palestine Open Maps' and Sana Yazigi of the 'Creative Memory of the Syrian Revolution' talk to us about how they have centered their archiving processes around maps, and what digital archiving can do for Palestinian and Syrian community-building.

This episode also features comment from Dr Sara Salem and Dr Mai Taha of LSE, who explore the importance of creative archiving through their project 'Archive Stories'.

Note: this episode was recorded before October 7, 2023.

Majd Al-Shihabi is a technologist turned urban planner, turned technologisturbanplanner. Majd is co-founder of Palestine Open Maps, a platform for searching, navigating, downloading and digitizing historical maps of Palestine. Majd was the inaugural Bassel Khartabil Free Culture Fellow which enabled him to start Palestine Open Maps.

https://palopenmaps.org/en

Sana Yazigi is a graphic designer and cultural activist. She is the founder of Creative Memory of the Syrian Revolution, a project that documents all types of creative expressions produced since the Syrian Revolution in 2011 until the present day. She is also the founder of The Cultural Diary, Syria's first bilingual monthly cultural agenda (2007-2012).

https://creativememory.org/

https://archive-stories.com/