Sink or Swim
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Narrated by:
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Greg Boudreaux
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Joel Leslie
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By:
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Annabeth Albert
A meet-cute leads to more than they expected in this military-hero romance from award-winning author Annabeth Albert
Navy chief Calder Euler loves to win big. His latest score? A remote mountain cabin. Checking it out is supposed to be a quick trip, but Calder’s luck abruptly turns when a freak injury and a freakier snowstorm leave him stranded.
Oh, and the cabin isn’t empty. A silver fox caring for two young girls claims that the property is his, but Calder’s paperwork says otherwise.
Felix Sigurd is on a losing streak, and his ex-husband risking the cabin in a reckless bet is only the latest in a series of misfortunes. He’ll tolerate the handsome stranger for a couple nights--even care for his injuries—but that’s it.
Calder doesn’t know a damn thing about kids, but making pancakes for Felix’s girls is a surprising delight. Trapped in the cabin, the four of them slip easily into the rhythms of a family. But when the ice melts, they’ll have to decide if a future together is in the cards.
Carina Adores is home to romantic love stories where LGBTQ+ characters find their happily-ever-afters.
Shore Leave
Book 1: Sailor Proof
Book 2: Sink or Swim
Also by Annabeth Albert:
Out of Uniform
Book 1: Off Base
Book 2: At Attention
Book 3: On Point
Book 4: Wheels Up
Book 5: Squared Away
Book 6: Tight Quarters
Book 7: Rough Terrain
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Enjoyable
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Joel Leslie’s and Greg Boudreaux’s performances were, as always, stellar and brought the story and the characters to life beautifully.
Loved it!
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The narration was a problem for me. Greg Boudreaux is always the consummate narrator. He is great with women’s and children’s voices. This book is an example of why this tiresome need for duet narration needs to go away, unless each narrator owns specific voices throughout for consistency. Joel Leslie is so hit or miss for me. I think about how stressful he was to listen to in Alexis Hall’s Arden St. Ives series. He reads like a narrator playing a narrator - overly breathy and forced. Sometimes it works, or as in this case, it did not. He narrated Felix as if he was plucked from a 1930’s Katherine Hepburn film. His odd use of the trans Atlantic speech pattern was so jarring I wasn’t sure I could make it through. He has one woman’s voice in his repertoire - which in this case seemed to fit the character of Gabrielle fine, but Boudreaux’s interpretation of her was still better. I have opted to score up for Greg’s fabulous performance, rather than score down for Joel’s odd choices.
The slow burn is probably my favorite trope, and this book delivers that all day long. The guys are sweet together, especially Calder learning that not only does he like children, but he learns he’s good with children. His sweet determination is perfect for a slow burn, and his growth over the course of the story is what make this a four star read. Yes, it’s borderline Hallmark schmaltz at times, but he’s so earnest about it that it works.
Then there’s Felix. He is great in the beginning - aside from the voice - and as their relationship grows, how he intuitively connects with Calder physically and emotionally is amazing. He isn’t a ripped god, he’s a 40 something guy who’s been burned, but is still alive. Then we hit the mid point and Albert doesn’t throw any outside traps at the guys. Instead, Felix goes deeeeep into his own head. This could have worked, but as written it’s feels flimsy and childish. The inner voices Felix has in his head need to be evicted ASAP. It is very melodramatic with lots of hand wringing, reminiscent of one of the old movies Joel used channeled to his voice. I wanted to slap him and say “get over yourself!”
But let that go and instead enjoy Calder’s explorative journey. If you worry less about Felix, I think you will really enjoy this book, I know I did. Highly recommended.
Equal parts sweet, refreshing, and off.
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Enjoyed this book a lot.
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I listened to audio version. The use of two narrators makes for an unique experience.
I'm Staying
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