Steve Almond joins Let’s Talk Memoir for a conversation about the ambivalence memoirists often experience when writing about others, the story underneath the story we are telling, disrupting the negative feedback loop of writer’s block, dialing the ego down, questions of inner life, his contribution to Dear Sugars podcast, generosity and mercy in our work, performing versus storytelling, how our failures are actually are teachers, and his new book on writing, Truth Is the Arrow, Mercy Is the Bow.

Also in this episode:

-the contract we make with the reader

-the surrender involved in writing

-holding other people in our stories

Books mentioned in this episode:

Wild by Cheryl Strayed

Memorial Drive by Natasha Tretheway

Easy Beauty by Chloe Cooper Jones

The Glass Castle by Jeannette Walls

Truth and Beauty by Anne Patchett

We Learn Nothing by Tim Kreider

Between the World and Me by Ta-Nehisi Coates

Notes of a Native Son by James Baldwin

A Long Way Home by Saroo Brierley

Duke of Deception by Geoffrey Wolff

Pieces of My Mother by Melissa Cistero

Work by Nora Ephron and Joan Didion

Steve Almond is the author of a dozen books, including the NYT Bestsellers “Candyfreak” and “Against Football.” His novel, “All the Secrets of the World” has been optioned for TV by 20th Century Fox. His new book, “Truth Is the Arrow, Mercy Is the Bow” and his stories and essays have appeared in venues ranging from the New York Times Magazine to Best American Short Stories, Best American Mysteries, and Best American Erotica. He teaches at the Nieman Foundation for Journalism and lives outside Boston with his family.

Connect with Steve:

Website: www.stevealmondjoy.org

Instagram: https://www.instagram.com/stevealmondjoy

Facebook: https://www.facebook.com/steve.almond.33

Steve’s Book: https://www.amazon.com/Truth-Arrow-Mercy-Bow-Construction/dp/1638931305

—

Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book.

More about Ronit: https://ronitplank.com

Subscribe to Ronit’s Substack: https://substack.com/@ronitplank

Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd

Follow Ronit:

https://www.instagram.com/ronitplank/

https://twitter.com/RonitPlank

https://www.facebook.com/RonitPlank

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers

Acclaimed memoirist and teacher Vivian Gornick joins Let’s Talk Memoir for a conversation about the origins of her approach to memoir, the crucial difference between situations and stories, why implicating ourselves in our work makes us trustworthy to our reader, clarifying our narratives, how she discovered what her story was truly about, why some writing questions are unanswerable, and her well-loved and oft-repeated advice: “In order for the drama to deepen we must see the loneliness of the monster and the cunning of the innocent.”

Also in this episode:

-Autofiction

-the importance of trusted readers and editors

-seeing ourselves clearly

Books mentioned in this episode:

-Autofiction by Annie Ernaux

-The Situation and the Story by Vivian Gornick

-Fierce Attachments by Vivian Gornick

-The Odd Woman and the City by Vivian Gornick

Vivian Gornick is a feminist critic, journalist, essayist, and memoirist who was born in the Bronx and grew up in a family of working-class immigrants. Meghan O’Rourke of The Yale Review describes her as having written some of the most remarkable journalism of our time. “Her career got its start in the heady days of second-wave feminism, which she wrote about for the alternative weekly The Village Voice. In her work, she cultivated a fierce and unapologetic intellectual voice that could also be intensely personal. Another way to put it: she made powerful, no-holds-barred arguments, but she was also a gifted storyteller.”

She is the recipient of a Ford Foundation grant and a Guggenheim Fellowship and her essays and articles have appeared in Bookforum, the Los Angeles Times, the Nation, the New York Times Book Review, the New Yorker, Threepenny Review, and the Women's Review of Books. She taught for many years in MFA programs all over the country, including those at the University of Houston, the University of Arizona, Sarah Lawrence College, and the New School in New York City, and in 2015 she served as the Bedell Distinguished Visiting Professor in the University of Iowa's Nonfiction Writing Program.

Some of her books include The Men In My Life, The End of the Novel of Love, Approaching Eye Level, Essays in Feminism, The Odd Woman and the City, Fierce Attachments, and The Situation and the Story.

—

Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book.

More about Ronit: https://ronitplank.com

Subscribe to Ronit’s Substack: https://substack.com/@ronitplank

Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd

Follow Ronit:

https://www.instagram.com/ronitplank/

https://twitter.com/RonitPlank

https://www.facebook.com/RonitPlank

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers