Universe of Art

You can read a transcript for this episode here.

Think back to your favorite childhood TV show—was it “Blue’s Clues”? “Little Bear”? “Winnie the Pooh”? Animated TV shows are important for kids because they can teach them to read, draw, spell, and talk. Plus, the ways these shows tell stories and create colorful, fictitious worlds can broaden children’s knowledge and capacity to imagine.

But children’s shows aren’t accessible to all deaf children, which means they could miss out on a common learning experience. Among other things, that can set kids back in learning both American Sign Language (ASL) and English language skills during their formative early childhood years.

Melissa Malzkuhn is third-generation Deaf and the founder and director of the Motion Light Lab at Gallaudet University in Washington, D.C. Her lab is creating ASL-focused children’s media that is made by and for the Deaf community, using motion capture technology, avatars, animation, and signing storytellers. She talks with Science Friday guest host Arielle Duhaime-Ross about ASL access in childhood, the science of learning, and how she’s creating “Here Comes Mavo!”—the first animated TV series with signing characters.

Many thanks to Jennifer Vold for interpreting and to Jenna Beacom for consulting on this segment.

Editor’s note: Regarding capitalization for “Deaf” and “deaf,” we believe this is an unsettled issue. For about 30 years, it was common to use capitalization to denote cultural deafness. In recent years, some national deaf organizations, like the National Deaf Center, have decided to use lowercase in their messaging to be more inclusive. Some individuals, however, prefer the capitalized version. We ask our guests to self-describe and capitalize at their request, and use “deaf” for non-self-describing communities.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. The original segment was produced by Rasha Aridi. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to universe@sciencefriday.com.

NASA is preparing to send humans to Mars. Although the launch date has been pushed back over the years, the agency says it wants to get there in the 2030s. And it has a lot on its to-do list. NASA needs to build new rockets, new habitable living spaces, new spacesuits, and new radiation shielding, just to name a few items.

But what if the one of the biggest challenges of these missions is not the engineering, but the mental health of the astronauts? Can all of the crew members get along with each other and stay alive over the course of three years in tight quarters and unforgiving environments? How will they cope with being separated from their families and friends for so long? And what lessons can they learn from astronauts who’ve lived on the International Space Station—and from our collective experience of isolation during the pandemic?

A new documentary, out March 8, explores all these questions and more. It’s called “The Longest Goodbye,” and it dives into NASA’s Human Factors program, which includes a group of psychologists who are trying to figure out the best way to preserve astronauts’ mental health on a long and demanding mission.

Host D. Peterschmidt spoke to the film’s director, Ido Mizrahy, and one of its featured astronauts, Dr. Cady Coleman, about how NASA is thinking about tackling loneliness in space and what we can learn from astronauts who’ve already lived on the space station.

Plus, a listener shares his experience about performing a drumroll for the solar eclipse.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to universe@sciencefriday.com.

Last month, Netflix released its adaptation of the Hugo Award-winning sci-fi book The 3 Body Problem by Cixin Liu. It follows the journey of several scientists, from the Chinese Cultural Revolution to the present day, as they seek to understand why their fellow researchers are dying and why their scientific results no longer make sense. Along the way, they discover an ultra-advanced VR game and a dark secret that suggests we might not be alone in the universe.

Guest host Arielle Duhaime-Ross sits down with the show’s science advisor, Dr. Matt Kenzie, an associate professor of physics at the University of Cambridge, to talk about what exactly the three body problem is, why he gave the actors physics lessons, and what he hopes audiences take away from a show focused on scientists.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to universe@sciencefriday.com.