Greatest Hits Audiobook By Harlan Ellison, J. Michael Straczynski - editor cover art

Greatest Hits

Herald Classics

Preview
Get this deal Try for $0.00
Offer ends January 21, 2026 11:59pm PT
Prime logo Prime members: New to Audible? Get 2 free audiobooks during trial.
Just $0.99/mo for your first 3 months of Audible Premium Plus.
1 audiobook per month of your choice from our unparalleled catalog.
Listen all you want to thousands of included audiobooks, podcasts, and Originals.
Auto-renews at $14.95/mo after 3 months. Cancel anytime.
Pick 1 audiobook a month from our unmatched collection.
Listen all you want to thousands of included audiobooks, Originals, and podcasts.
Access exclusive sales and deals.
Premium Plus auto-renews for $14.95/mo after 30 days. Cancel anytime.

Greatest Hits

By: Harlan Ellison, J. Michael Straczynski - editor
Narrated by: Harlan Ellison, Grover Gardner, Hillary Huber, Tim Lounibos, Scott Brick, Steven Jay Cohen, Robert Fass, Neil Hellegers, Dion Graham, Edoardo Ballerini, Stefan Rudnicki, Angelo Di Loreto, Luis Moreno
Get this deal Try for $0.00

$14.95/mo after 3 months. Cancel anytime. Offer ends January 21, 2026 11:59pm PT.

$14.95/month after 30 days. Cancel anytime.

Buy for $20.97

Buy for $20.97

LIMITED TIME OFFER | Get 3 months for $0.99 a month

$14.95/mo thereafter-terms apply.

A collection of award-winning short stories by Harlan Ellison, an eight-time Hugo Award winner, five-time Bram Stoker Award winner, and four-time Nebula Award winner

Harlan Ellison’s work shaped the science-fiction, fantasy, and horror genres in the twentieth century, and this collection of his best-known and most-acclaimed stories is a perfect treasury for old Ellison fans as well as listeners discovering this zany, polyphonic writer for the first time.

Featuring these stories and many more:

“‘Repent Harlequin!’ Said the Ticktockman”—Hugo Award winner

“Jeffty Is Five”—British Fantasy Award winner

“The Whimper of Whipped Dogs”—Edgar Allan Poe Award winner

Includes two bonus stories:

“The Prowler in the City at the Edge of the World”

“Shattered Like a Glass Goblin”

©2024 The Harlan and Susan Ellison Foundation (P)2024 Blackstone Publishing
Anthologies & Short Stories Horror Science Fiction Short Stories Scary Fiction
All stars
Most relevant
Ellison's stories are often brutal. there are some good stories and I hope someone rewrites them with modern sensibilities. Ellison deserves a place in sci-fi history, but I don't think most of his stores count as 'good' now

for historians and writers

Something went wrong. Please try again in a few minutes.

Most of the narrators were screeching during the stories. One or 2 understood how to read them. Spoiled the book so much :(

Narrators Mostly Miss the Mark

Something went wrong. Please try again in a few minutes.

From a great Harlan Ellison Fan:
People. C'mon.
J. Michael Straczynski, the editor of the book, is a discerning film-maker, isn't he? He's also the curator of Harlan's work, from what he says (or what Grover Gardner says) in the intro? Harlan's audio work deserves better treatment. (Where's audio producers Yuri Rasovsky (RIP) or Stefan Rudnicki, who is very much still with us, for that matter?) As the editor actually says in the intro, Harlan was meticulous in curating his audio work. As an audiobook, this obviously had no captain at the helm (no producer or director credits at the end?) And although there was a big disclaimer at the top about offending anyone with outdated politically incorrect attitudes and words from the past, there is absolutely NO explanation as to what the heck we're listening to. The listener is absolutely lost as to what the heck is going on. There are live clips of Harlan reading his own material; then out of the blue we get contemporary narrators, most of whom have no grasp whatsoever on the mercurial quality of Harlan's work. Who cast this? Every one of the new readers sound like they're in a different studio and no attempt to fix the sound quality of the current narrators. Even otherwise great narrators like Gardner and Ballerini and Graham are completely at sea with this type of writing; they seem more interested in sounding pretty than biting into Harlan's writing. Of course, Rudnicki and Fass get it on the mark, but all others fall painfully short. (BTW, where was Scott Brick? He's listed but never introduced.) Some narrators introduce themselves, others don't. No years given on each work to help us navigate (they are listed in the book.) Everyone knows Neil Gaiman narrates, so why didn't someone push and get him to narrate his foreword? Why didn't Straczynski narrate his intro? Why didn't Cassandra Khaw read hers (she's all over Youtube and has a very distinctive accent which the lady reader couldn't copy.) This is the day and age of super-curated audiobooks, and this one gets such casual treatment? I can't give it a lower star rating than a four because of Harlan's writing and Rudnicki and Fass' performances, but the production is not a tribute to the amazing writer that was Harlan Ellison. It saddens me as a fan.

Huge fan of the writing but NOT of this production

Something went wrong. Please try again in a few minutes.

The stories are so good. I liked the ones narrated by Harlan Ellison himself and especially the insights into his life throughout the book.

Loved every minute

Something went wrong. Please try again in a few minutes.

J. Michael Straczynski's introduction has some very unfortunate wording. "You’re thinking, How is it possible that I, a bon vivant revered by presidents and popes and politicos, invited to all the best parties (including the ones no one is supposed to know about) (especially those) where the arts are favored above all things, ..." Nope. This doesn't fly in the days of Diddy and Epstein. Ellison was a jerk and his toxic waste isn't worth your credit.

Nope. Intro Super Inappropriate.

Something went wrong. Please try again in a few minutes.

See more reviews