-
Remembrance of Things Past
- Swann's Way
- Narrado por: John Rowe
- Duración: 19 h y 44 m
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Resumen del Editor
Exclusively from Audible
Swann's Way is Marcel Proust's literary masterpiece and the first part of the multivolume audiobook Remembrance of Things Past.
In the opening volume, the narrator travels back in time to recall his childhood and to introduce the listener to Charles Swann, a wealthy friend of the family and celebrity in the Parisian social scene. He again travels back, this time to the youth of Charles Swann in the French town of Combray, to tell the story of the love affair that took place before his own birth. The jealous love that Swann feels for the courtesan Odette, is a foretelling of the narrator's own future relationships.
Proust paints an unforgettable, scathing and at times comic portrait of French society at the close of the 19th century and reveals a profound vision of obsessive love. The remarkable details from his memory are the fundamental triumph of the audiobook; details like his younger self's desperate need for a goodnight kiss from his mother.
In 1922, Virginia Woolf marvelled, 'Oh if I could write like that!'
Many adaptations have been made of Swann's Way including the 1984 English language film, Swann in Love, starring Jeremy Irons, and a graphic novel by French comic artist Stéphane Heuet that was first published in 1998.
Narrator Biography
Whilst training at the Birmingham School of Speech and Drama, John Rowe did his first radio plays for the BBC before spending several years acting in repertory theatre. He then joined the BBC's Radio Drama Company at Broadcasting House and after a three year stint on stage with the Prospect Company at The Old Vic he became a committed radio actor. He is well known for his role as Professor Jim Lloyd in The Archers. He has not only worked extensively in radio but also in television and film, as well as narrating many audiobooks, including Within a Budding Grove by Marcel Proust. His film appearances have included The Heart of Me (2002) and Lagaan: Once Upon a Time in India (2001). He has most recently appeared on onscreen in the Netflix series The Crown (2016) and the BBC TV series Broken (2017).
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- De: Sun Tzu
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- Duración: 1 h y 7 m
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The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.
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The actual book The Art of War, not a commentary
- De Fred271 en 12-31-19
De: Sun Tzu
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Fahrenheit 451
- De: Ray Bradbury
- Narrado por: Tim Robbins
- Duración: 5 h y 1 m
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- De Joel en 03-27-17
De: Ray Bradbury
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Slayers: A Buffyverse Story
- De: Christopher Golden, Amber Benson
- Narrado por: Amber Benson, Charisma Carpenter, James Charles Leary, y otros
- Duración: 8 h y 2 m
- Grabación Original
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
- De Anonymous User en 10-12-23
De: Christopher Golden, y otros
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Natural Selection
- A Short Story
- De: Elin Hilderbrand
- Narrado por: Erin Bennett
- Duración: 1 h y 54 m
- Versión completa
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After a string of bad dates and no prospects, Sophia Othonos has finally hit the jackpot: an actual nice guy. When he suggests a romantic getaway, she’s sure they’re about to take the next step toward their future. A rustic cruise to the Galápagos Islands isn’t exactly her idea of a vacation, but Sophia is ready for anything…until her boyfriend has to cancel. Now she’s all alone on a trip that was meant for two. Sophia finds herself at a crossroads about who she is, what she wants, and whether her relationship is really everything she thought.
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Great Story!!
- De escoocoo en 09-14-24
De: Elin Hilderbrand
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Frankenstein
- De: Mary Shelley
- Narrado por: Dan Stevens
- Duración: 8 h y 35 m
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- De Jim "The Impatient" en 01-28-16
De: Mary Shelley
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Starship Troopers
- De: Robert A. Heinlein
- Narrado por: R.C. Bray
- Duración: 8 h y 15 m
- Versión completa
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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One of the best RAH books ever just got better.
- De Jamie Robertson en 10-02-24
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He Who Fights with Monsters 2
- A LitRPG Adventure (He Who Fights with Monsters, Book 2)
- De: Shirtaloon, Travis Deverell
- Narrado por: Heath Miller
- Duración: 22 h y 1 m
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But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.
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Contrary to common reviews
- De Karen en 05-21-21
De: Shirtaloon, y otros
Las personas que vieron esto también vieron...
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In Search of Lost Time (Dramatized)
- De: Marcel Proust
- Narrado por: James Wilby, Jonathan Firth, Harriet Walter, y otros
- Duración: 5 h y 39 m
- Grabación Original
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Featuring a fictional version of himself - 'Marcel' - and a host of friends, acquaintances, and lovers, In Search of Lost Time is Proust's search for the key to the mysteries of memory, time, and consciousness. As he recalls his childhood days, the sad affair of Charles Swann and Odette de Crecy, his transition to manhood, the tortures of love and the ravages of war, he realises that the simplest of discoveries can lead to astonishing possibilities.
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Proust Snapshot
- De Wendy en 05-06-14
De: Marcel Proust
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In Search of Lost Time
- A BBC Radio 4 Full-Cast Dramatisation
- De: Marcel Proust
- Narrado por: full cast, Derek Jacobi, Frances Barber, y otros
- Duración: 9 h y 11 m
- Grabación Original
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General
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Waking in the small hours, Marcel Proust embarks on a retrospective journey, endeavouring to capture the elusive moments that shaped his life. A sip of tea and the taste of a madeleine prompt further recollections, and the floodgates of memory open, pouring forth a torrent of vivid reminiscences.
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Before reading the longest novel every written
- De Fiat Lumen en 01-28-23
De: Marcel Proust
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Tess of the D'Urbervilles
- De: Thomas Hardy
- Narrado por: Peter Firth
- Duración: 14 h y 27 m
- Versión completa
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General
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When John Durbeyfield discovers a family connection to the ancient Norman family, the D'Urbervilles, the fate of daughter Tess is transformed. Sent by her ambitious parents to visit her wealthy D'Urberville cousins, Tess attracts the attention of the unscrupulous Alec. Seduced and discarded by him and alone in the world, she finds work as a milkmaid and the love of Angel Clare. Yet his love cannot accept the truth about Tess's past.
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Peter Firth gets this book
- De Claire en 04-11-10
De: Thomas Hardy
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The House of Mirth
- De: Edith Wharton
- Narrado por: Eleanor Bron
- Duración: 12 h y 35 m
- Versión completa
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Beautiful, sophisticated and endlessly ambitious Lily Bart endeavours to climb the social ladder of New York's elite by securing a good match and living beyond her means. Now nearing 30 years of age and having rejected several proposals, forever in the hope of finding someone better, her future prospects are threatened. A damning commentary of 20th-century social order, Edith Wharton's tale established her as one of the greatest British novelists of the 1900s.
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Like Henry James but more accessible
- De Merlin en 08-19-12
De: Edith Wharton
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Vanity Fair
- De: William Makepeace Thackeray
- Narrado por: John Castle
- Duración: 31 h y 1 m
- Versión completa
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General
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Set during the time of the Napoleonic Wars, this classic gives a satirical picture of a worldly society. The novel revolves around the exploits of the impoverished but beautiful and devious Becky Sharp who craves wealth and a position in society. Calculating and determined to succeed, she charms, deceives and manipulates everyone she meets. A novel of early 19th-century English society, it takes its title from the place designated as the centre of human corruption in John Bunyan's 17th-century allegory.
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The Best Narration, One of the Greats
- De James Abraham en 05-18-13
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Orlando
- De: Virginia Woolf
- Narrado por: Clare Higgins
- Duración: 8 h y 38 m
- Versión completa
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Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.
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Magical
- De Mayca en 05-31-05
De: Virginia Woolf
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In Search of Lost Time (Dramatized)
- De: Marcel Proust
- Narrado por: James Wilby, Jonathan Firth, Harriet Walter, y otros
- Duración: 5 h y 39 m
- Grabación Original
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General
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Narración:
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Historia
Featuring a fictional version of himself - 'Marcel' - and a host of friends, acquaintances, and lovers, In Search of Lost Time is Proust's search for the key to the mysteries of memory, time, and consciousness. As he recalls his childhood days, the sad affair of Charles Swann and Odette de Crecy, his transition to manhood, the tortures of love and the ravages of war, he realises that the simplest of discoveries can lead to astonishing possibilities.
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Proust Snapshot
- De Wendy en 05-06-14
De: Marcel Proust
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In Search of Lost Time
- A BBC Radio 4 Full-Cast Dramatisation
- De: Marcel Proust
- Narrado por: full cast, Derek Jacobi, Frances Barber, y otros
- Duración: 9 h y 11 m
- Grabación Original
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General
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Narración:
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Historia
Waking in the small hours, Marcel Proust embarks on a retrospective journey, endeavouring to capture the elusive moments that shaped his life. A sip of tea and the taste of a madeleine prompt further recollections, and the floodgates of memory open, pouring forth a torrent of vivid reminiscences.
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Before reading the longest novel every written
- De Fiat Lumen en 01-28-23
De: Marcel Proust
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Tess of the D'Urbervilles
- De: Thomas Hardy
- Narrado por: Peter Firth
- Duración: 14 h y 27 m
- Versión completa
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General
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Narración:
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Historia
When John Durbeyfield discovers a family connection to the ancient Norman family, the D'Urbervilles, the fate of daughter Tess is transformed. Sent by her ambitious parents to visit her wealthy D'Urberville cousins, Tess attracts the attention of the unscrupulous Alec. Seduced and discarded by him and alone in the world, she finds work as a milkmaid and the love of Angel Clare. Yet his love cannot accept the truth about Tess's past.
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Peter Firth gets this book
- De Claire en 04-11-10
De: Thomas Hardy
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The House of Mirth
- De: Edith Wharton
- Narrado por: Eleanor Bron
- Duración: 12 h y 35 m
- Versión completa
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General
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Narración:
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Historia
Beautiful, sophisticated and endlessly ambitious Lily Bart endeavours to climb the social ladder of New York's elite by securing a good match and living beyond her means. Now nearing 30 years of age and having rejected several proposals, forever in the hope of finding someone better, her future prospects are threatened. A damning commentary of 20th-century social order, Edith Wharton's tale established her as one of the greatest British novelists of the 1900s.
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Like Henry James but more accessible
- De Merlin en 08-19-12
De: Edith Wharton
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Vanity Fair
- De: William Makepeace Thackeray
- Narrado por: John Castle
- Duración: 31 h y 1 m
- Versión completa
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General
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Narración:
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Historia
Set during the time of the Napoleonic Wars, this classic gives a satirical picture of a worldly society. The novel revolves around the exploits of the impoverished but beautiful and devious Becky Sharp who craves wealth and a position in society. Calculating and determined to succeed, she charms, deceives and manipulates everyone she meets. A novel of early 19th-century English society, it takes its title from the place designated as the centre of human corruption in John Bunyan's 17th-century allegory.
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The Best Narration, One of the Greats
- De James Abraham en 05-18-13
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Orlando
- De: Virginia Woolf
- Narrado por: Clare Higgins
- Duración: 8 h y 38 m
- Versión completa
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General
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Narración:
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Historia
Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.
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Magical
- De Mayca en 05-31-05
De: Virginia Woolf
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The Mill on the Floss
- De: George Eliot
- Narrado por: Eileen Atkins
- Duración: 19 h y 2 m
- Versión completa
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'If life had no love in it, what else was there for Maggie?' The Mill on the Floss, first published in 1860, is considered one of George Eliot's most autobiographical works. Having formed a complex bond with her own family, George Eliot, now known to the public as Mary Ann Evans, depicts the loving yet volatile relationship between the Tulliver siblings and their doting father. Spanning over a period of 10 years, The Mill on the Floss follows the coming of age of the beautiful and idealistic Maggie.
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Magnificent reading
- De In DC en 02-15-10
De: George Eliot
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Fathers and Sons
- De: Ivan Turgenev
- Narrado por: David Horovitch
- Duración: 9 h y 16 m
- Versión completa
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When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticising the landowning way of life and by his outspoken determination to sweep away the traditional values of contemporary Russian society.
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The greatest novel I'll ever read
- De Dan Harlow en 07-07-13
De: Ivan Turgenev
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Madame Bovary
- De: Gustave Flaubert, Gerard Hopkins - translator
- Narrado por: Ronald Pickup
- Duración: 15 h y 22 m
- Versión completa
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Before marrying, Emma Bovary believed she would enter a life of luxury and passion like the sentimental stories she'd read in her novels and magazines. Now married to an ordinary country doctor her life is not the romantic ideal she imagined and seeks an escape through having extra-marital affairs. This devastating spiral into deceit and despair leads to catastrophic consequences. Emma Bovary continues to be enjoyed to this day because of its profound humanity, still as fresh today as when it was first written.
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Fantastic Narrator
- De A. Laprade-velasco en 07-18-10
De: Gustave Flaubert, y otros
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The Well of Loneliness
- De: Radclyffe Hall
- Narrado por: Ell Potter
- Duración: 18 h y 56 m
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After publication in 1928, it was banned for obscenity before going on to become an international best seller. It tells the story of Stephen Gordon, an Englishwoman from an upper-class family who is ostracised for falling in love with another woman, Mary Llewellyn. Groundbreaking in its day, Radclyffe Hall’s novel ultimately makes a very clear plea in regards to homosexuality: 'Give us also the right to our existence'.
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More Ell Potter as narrator!
- De Dawn en 09-09-20
De: Radclyffe Hall
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The Pickwick Papers
- The Audible Dickens Collection
- De: Charles Dickens, Neil Gaiman
- Narrado por: Rory Kinnear, Neil Gaiman
- Duración: 32 h y 27 m
- Versión completa
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When Samuel Pickwick decides to establish and preside over a travelling society, he unknowingly brings together three of the oddest men in all of London: Tracy Tupman, the loveless self-professed ladies’ man, Augustus Snodgrass, the poet who’s never put pen to paper, and Nathaniel Winkle, the endlessly clumsy sportsman. The ‘Pickwickians’ set off in search of new adventures outside of the confines of the city. Along with a host of other colourful Dickensian characters such as Mr Pickwick’s love-struck landlady, Mrs Bardell, and his trusty sidekick, Sam Weller.
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Done with gusto
- De Tad Davis en 12-26-19
De: Charles Dickens, y otros
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Little Dorrit
- The Audible Dickens Collection
- De: Charles Dickens
- Narrado por: Juliet Stevenson
- Duración: 40 h y 22 m
- Versión completa
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This Audible Exclusive production revisits Charles Dickens’ tragi-comic novel Little Dorrit. Written during the Crimean War, it a story of fortunes won and lost and a masterly portrayal of the failings of Victorian Society, with the ever-present spectre of law enforcement and imprisonment looming over a fearful population. Divided into two parts, Book One: Poverty and Book Two: Riches, Little Dorrit satirises the debtors prisons and the detrimental effect of enforcing a British class system.
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Brilliant
- De Bunky en 09-19-19
De: Charles Dickens
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Lady Audley's Secret
- De: Mary Elizabeth Braddon
- Narrado por: Olivia Poulet
- Duración: 13 h y 11 m
- Versión completa
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From the author of The Christmas Hirelings comes this Audible Exclusive production of Mary Elizabeth Braddon’s classic sensation novel Lady Audley’s Secret. English actress Olivia Poulet gives an assured and captivating narration; a cornerstone of the genre and a scandal at the time of its publication, Lady Audley’s Secret is an entertaining and shocking tale of high drama and shifting perceptions.
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Classic 19th Century “sensation novel”
- De Susan en 08-20-19
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The Way We Live Now
- De: Anthony Trollope
- Narrado por: Timothy West
- Duración: 32 h y 25 m
- Versión completa
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In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.
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Finally!
- De Laurene en 06-05-10
De: Anthony Trollope
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Wives and Daughters
- De: Elizabeth Gaskell
- Narrado por: Prunella Scales
- Duración: 25 h y 21 m
- Versión completa
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Molly Gibson, the only daughter of a widowed doctor in the small provincial town of Hollingford, lost her mother when she was a child. Her father remarries wanting to give Molly the woman's presence he feels she lacks. To Molly, any stepmother would have been a shock, but the new Mrs. Gibson is a self-absorbed, petty widow, and Molly's unhappiness is compounded by the realisation that her father has come to regret his second marriage.
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Superb! Story and Narration A++
- De Jo en 05-24-10
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Typhoon
- De: Joseph Conrad
- Narrado por: Roger Allam
- Duración: 3 h y 12 m
- Versión completa
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Typhoon is the story of a steamship and her crew beset by a tempest and of the captain whose dogged courage is tested to the limit. Captain MacWhirr was an ordinary man. However, when his steamer Nan-Shan blunders into a hurricane, he and his crew must pull together to survive. The steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate becomes a partnership vital to human survival as they are challenged from without by the elements, and from within by human doubts and fears.
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A great classic, very well narrated
- De Dennis en 11-19-12
De: Joseph Conrad
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The Portrait of a Lady
- De: Henry James
- Narrado por: John Wood
- Duración: 23 h y 55 m
- Versión completa
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When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors, declaring that she will never marry. It is only when she finds herself irresistibly drawn to the cultivated but worthless Gilbert Osmond that she discovers that wealth is a two-edged sword.
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Highly recommended
- De David en 06-26-10
De: Henry James
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Agnes Grey
- De: Anne Brontë
- Narrado por: Emilia Fox
- Duración: 6 h y 27 m
- Versión completa
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Having lost the family savings on risky investments, Richard Grey removes himself from family life and suffers a bout of depression. Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family. Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose.
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Loved it
- De Kerry en 05-22-10
De: Anne Brontë
Lo que los oyentes dicen sobre Remembrance of Things Past
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- k chu
- 12-23-21
Very french
.Memories bring out his writing genius. His language energizes each scene he depicts. His critical and cultural views were suitable for his time and place.
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- Anonymous User
- 11-20-22
Gold
It's a classic, lengthy in the middle but more than worth the time. Don't be disquaraged if you are bored by the beginning. The narrator provides an exquisite performance.
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- Rawan
- 08-23-24
I felt transported to another world
Felt transported to another world but did get lost a little between the shifting timelines. Maybe reading it would have been better
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- Teadrinker
- 01-09-11
This is only Part 1!
The wording on this is unclear. This is Part 1, which, when you download it, has Part 1 and Part 2. However, there is a Part 2, which also has Part 1 and Part 2 (and costs more money). I bought the first and was surprised when the book seemed to end in mid-sentence (as if you could tell with Proust). I see now there there is another version including the whole book for half the price. I don't know whether this one is better, but the narrator is good, so perhaps it is.
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esto le resultó útil a 24 personas
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- Jennifer90046
- 05-30-20
Wonderful narrator and story!
I have always heard how ‘difficult’ a read this book can be, but the narrator was spectacular. Once you get used to the way Proust writes, the book becomes more and more beautiful. —And now I’m at the end of Part I...bit of a cliffhanger!...and I’m so relieved to have Part 2 ahead, read again by narrator John Rowe.
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esto le resultó útil a 1 persona
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- Ruth
- 08-08-21
Wretched excess
Parts of the story are extremely intriguing. However Troost beats to death first the tail of his obsession for his mother and then Swan’s tale of his obsession for a doubt. Also I read a very high level and some of the descriptions were incomprehensible.
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- Peter Ryers
- 03-02-22
Magnificent
John Rowe’s reading makes Proust’s magnificent language singular and classic. If you missed Proust in college now is your chance
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- Alexander Aker
- 02-07-14
THIS IS ONLY THE FIRST HALF OF THE FIRST BOOK
I thought the 'part 1' in the title referred to this being the first book of À la recherche du temps perdu, It's not - Swann's Way is split into two parts. That being said, I thought the performance by John Rowe was amazing. As for the book - well, no wonder it's considered one of the greatest pieces of literature. I'm listening to this while at work, and even though I sometimes drop out and aren't paying attention every now and then, the writing is so amazing just listening to the words and sentences is a reward in itself.
I will definitively come back to this book.
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esto le resultó útil a 5 personas
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- Chungsoo Lee
- 03-05-16
An Enjoyable Memory Lane to the 19 Century France
What made the experience of listening to Remembrance of Things Past the most enjoyable?
Emmanuel Levinas called Proust "a psychologist of the infinitesimal." The concrete images Proust crafts with infinite details and patience in his novel are not so much based on the visual experience as they are on the marvel of imagination rooted in the memory. Proust presents an incontrovertible case of imagination and memory for philosophers to examine. The fact that his descriptions are fictional matters not, because the novel stems from the experience he remembers and imagines. However, he is not interested in reproducing his experiences in modified and refined depictions. He is after something else. He is after the truth of the lost time which his mind cannot resurrect in "the storehouse of memory" (as Augustine puts it), as if the mind is in control of resurrecting and suppressing it, but which arises by itself on its own by a chance encounter with an object or memory that summons up the whole past or the whole bygone city. It is not I but something other than I that calls up the past in memory. It is something external to the I that calls up the past. The past belongs to something exterior to the mind, something beyond the domain of my intellectual power. He says: "It is a waste of effort for us to try to summon it [the past], all the exertions of intelligence are useless. The past is hidden outside the realm of our intelligence and beyond its reach, in some material object (in the sensation that this material object would give us) which we do not suspect. It depends on chance whether we encounter this object before we die, or do not encounter it" (46).
As a case in point, Proust offers the following description of a cup of tea his mother offered in one cold winter day with "one of those squat, plump cakes called petites madeleines" (47). He continues: "But at the very instant when the mouthful of tea mixed with cake crumbs touched my palate, I quivered, attentive to the extraordinary thing that was happening in me. A delicious pleasure had invaded me... by filling me with a precious essence: or rather this essence was not in me, it was me" (47). He continues: "Where could it have come to me from - this powerful joy? I sensed that it was connected to the taste of the tea and the cake, but that it went infinitely far beyond it, could not be of the same nature. Where did it come from? What did it mean? How could I grasp it? [...] It is clear that the truth I am seeking is not in the drink, but in me" (47). But is it up to me to recall the past, as if the past is entirely in my command? Do I re-create the past by my sheer will of imagination? No so, according to Proust. For he says: "It is up to my mind to find the truth. But how? What grave uncertainty, whenever the mind feels overtaken by itself; when it, the seeker, is also the obscure country where it must seek and where all its baggage will be nothing to it. Not only that: create. It is face to face with something that does not yet exist and that only it can accomplish, then bring into its light" (48).
The past that confronts him, occasioned by the taste of the tea mixed with petites madeleines, is quite strange, is something he must create as if it is totally new to him. It is the other. The past comes to him as the other, occasioned by the chance encounter with a cup of tea his mother offered with petites madeleines. His mother's madeleines brings forth another one he had in the past, dipped in the "infusion of tea or lime-blossom," offered by Aunt Leonie in one Sunday morning before the Mass at Combray (49).
The entire bygone past emerges out of the cup of tea as in the Japanese game of colored pieces of papers dipped in a bowl of water transforming themselves into different shapes of imagination: "As soon as I had recognized the taste of the piece of madeleine dipped in lime-blossom tea that my aunt used to give me..., immediately the old grey house on the street, where her bedroom was, came like a stage-set to attach itself to the little wing opening on to the garden that had been built for my parents behind it...; and with the house the town, from morning to night and in all weathers, the Square, where they sent me before lunch, the streets where I went to do errands, the paths we took if the weather was fine. And as in the game in which the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little pieces of paper until then indistinct, which, the moment they are immersed in it, stretch and shape themselves, colour and differentiate, become flowers, houses, human figures, firm and recognizable, so now all the flowers in our garden and in M. Swann's park, and the water-lilies on the Vivonne, and the good people of the village and their little dwellings and the church and all of Combray and its surroundings, all of this which is assuming form and substance, emerged, town and gardens alike, from my cup of tea" (50).
The medeleines with tea his mother offered brings to his mind or to his memory the same he tasted when Aunt Leonie offered with tea in Combray, but this happens not as a result of an active work of association that his memory or mind makes. The mind does not create the link. It is the thing itself (felt in sensation) that creates the link beyond the power of the mind. For the link is created only when the mind is purged of all its baggage and its will power, only when the mind "create[s] an empty space" (48).
Only then, the lost past returns like "the murmur of the distance traversed" (48): "I go back in my thoughts to the moment when I took the first spoonful of tea. I find the same state, without any new clarity. I ask my mind to make another effort, to bring back once more the sensation that is slipping away. And, so that nothing may break the thrust with which it will try to grasp it again. I remove every obstacle, every foreign idea, I protect my ears and my attention from the noises in the next room. But feeling my mind grow tired without succeeding, I now force it to accept the very distraction I was denying it, to think of something else, to recuperate before a supreme attempt. Then for a second time I create an empty space before it, I confront it again with the still recent taste of that first mouthful and I feel something quiver in me, shift, try to rise, something that seems to have been unanchored at a great depth; I do not know what it is, but it comes up slowly; I feel the resistance and I hear the murmur of the distances traversed" (48).
The past resurfaces like a stranger in the memory. This appearance is not a result of the Socratic mimesis, where what is recalled is familiar to the mind that recollects it; or a result of the memory retained in the present moment of consciousness, as in Husserl; or a result of the memory that lacks existence before its existence is regained in "the storehouse of memory," as in Augustine. The past that appears again in "the immense edifice of memory" is quite strange to me who encounters it. It is like a dead soul returning to an objection of my possession, as in the Celtic belief Proust cites (46): "But, when nothing subsists of an old past, after the death of people, after the destruction of things, alone, frailer but more enduring, more immaterial, more persistent, more faithful, smell and taste still remain for a long time, like souls, remembering, waiting, hoping, on the ruin of all the rest, bearing without giving way, on their almost impalpable droplet, the immense edifice of memory" (49). What arises in "the immense edifice of memory" is quite other worldly like a cadaver of the departed, as is brilliantly described in Blonchot's The Space of Literature in drastic contrast to the death affirmed in dasein's resolute march towards it, as in Heidegger.
The past thus re-emerged is not a living past, like a tradition held fast by daily practice or like a well trodden pathway maintained by travelers. It is the past that has been lost forever, something that no recollection can bring back to life. Proust's memorializes the bygone past like we do with the dead. The past is forever gone. We remember in the sadness of knowing that it could never return and come alive again.
Memory, for Proust, is not a "storehouse" from which the mind pulls what it wills. The "immense edifice of memory" in Proust in contrast is like a strange landscape in which the mind enters without the familiarity of associations and habits. It is strange because it is bygone, dead. Levinas notes this strange otherness in the memories Proust recalls: "The result is something unique in Proust, something unprecedented in literature. His analysis... merely translate that strangeness between self and self which is the spout of the soul" (Proper Name, 102). As in memory in Proust, the soul or psyche in Levinas is the otherness within the self, the self that responds to that which is beyond, to the other.
The following depiction of the glory of Mme Swann in stark contrast of the modern women's style of clothes illustrates this melancholy of having lost the bygone past forever, like death of the Gods: "The idea of perfection which at that time I had carried inside me I had conferred upon the height of a victoria, upon the slenderness of those horses, as furious and light as wasps, their eyes bloodshot like the cruel steed of Diomedes, which now, filled as I was with a desire to see again what I had once loved, as ardent as the desire that had driven me down these same paths many years before, I wanted to see before my eyes again at the moment when Mme Swann's enormous coachman, watched over by a little groom as fat as a fist and as childlike as Saint George, tried to control hose wings of steel as they thrashed about quivering with fear. Alas, now there were only automobiles driven by mustached mechanics with tall footmen by their sides. I wanted to hold in front of the eyes of my body, so as to know if they were as charming as they appeared in the eyes of my memory, women's little hats so low they seemed to be simple crowns. All the hats were now immense, covered with fruits and flowers and varieties of birds. In place of the lovely dresses in which Mme Swann looked like a queen, I now saw Greco-Saxon tunics with Tanagra folds, and sometimes in the style of the Directoire, made of liberty-silk chiffons sprinkled with flowers like wallpaper.... [....] But when a belief disappears, there survives it - more and more vigorously so as to mask the absence of the power we have lost to give reality to new things - a fetishistic attachment to the old things which our belief once animated, as if it were in them and not in us that the divine resided and as if our present lack of belief had a contingent cause, the death of the Gods" (427). The past is no longer alive in the memory. It is recalled as a memory of the dead not in the liturgy of worship and veneration but in the desolation of the death of God.
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- 04-03-20
A Classic. Bring back John Rowe!
A classic book - one of the greats from the 20th century. The masterful reading of John Rowe only adds to the enjoyment of Prout's work. However, the primary purpose of this review is to plead with Audible to bring back Rowe to record the remaining volumes. As far I know, he has only recorded volumes one and two.
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