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Writing & Other Blood Sports
- Narrated by: Fred Berman
- Length: 9 hrs and 21 mins
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Publisher's summary
Charles Willeford was a man of letters in all senses of the word. Poet, essayist, short story writer, novelist, and raconteur, his early paperback novels with their existential/immobilized heroes were the creations (to paraphrase Chandler) of a man not himself immobilized - a man who, instead, with his trademark black-humored prose, doggedly examined the mind-thrumming banalities of our materially sated but intellectually befuddled postwar world, crafting a body of work that is only now, 50-some years after his first appearance in print, beginning to be widely appreciated as a series of guidebooks on how to live in an absurd universe.
Writing & Other Blood Sports contains autobiographical essays, profiles of and opinions about fellow writers (“The Big White Smile” [1964] is the first critical article written on John D. MacDonald; in “Chester Himes and His Novels of Absurdity” he pays tribute to an immobilized and self-exiled writer’s dissections of humanity’s foibles; while “Jim Tully: Holistic Barbarian” makes the case for taking another look at the founder of the hard-boiled school - now forgotten because he didn’t write genre fiction), and commentaries on Willeford himself by both critics and friends. The collection culminates with the book-length study New Forms of Ugly: The Immobilized Hero in Modern Fiction, wherein Willeford follows the development of this “new hero” from Dostoyevsky’s Mole Man to Saul Bellow’s Moses Herzog.
Charles Willeford observed people and events without sentimentality but was always empathetic. He thought deeply about what we’re all doing (and not doing) here, and his insights and opinions are worth all our whiles to ponder.
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- By: Charles Willeford
- Narrated by: Dan McGowan
- Length: 9 hrs and 28 mins
- Unabridged
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This funny, rich, raunchy autobiography re-creates the adventures of a very young soldier in the US Army at the height of the Depression. Charles Willeford was 16 in 1935 when he signed up and was sent to the Philippines. And the Philippines of those days was like a place out of another century. Willeford’s job was to fuel aircraft whose pilots treated him and his buddies almost like slaves. At night, however, he was a lord, fully exploring a great, timeless, and sensual city with a multitude of women available - even on a private’s pay.
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A window into a writers past
- By Maracapozzi on 04-29-23
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Kiss Your Ass Goodbye
- By: Charles Willeford
- Narrated by: Dan Bittner
- Length: 4 hrs and 9 mins
- Unabridged
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In this classic Miami crime story and thriller, from the writer acclaimed for his Hoke Moseley novels, a man's life is threatened when he discovers his new lover is married.
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The Black Mass of Brother Springer
- By: Charles Willeford
- Narrated by: Kevin Free
- Length: 8 hrs and 7 mins
- Unabridged
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The Black Mass of Brother Springer tells the story of Sam Springer, a drifter novelist who meets Jack Dover, the retiring Abbot of the Church of God's Flock. Dover's final official act is to ordain Springer and send him off to serve as pastor of an all-Black church in Jacksonville, Florida. Springer soon becomes entangled in the city's growing civil rights movement...and with the church deacon's earthy young wife, Merita.
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The Shark-Infested Custard
- By: Charles Willeford
- Narrated by: Mike Carnes, Dan Bitner, Josh Goodman, and others
- Length: 8 hrs and 29 mins
- Unabridged
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Larry Dolman is a rather literal-minded ex-cop who now works private security. Eddie Miller is an airline pilot who's studying to get his real estate license. Don Luchessi is a silver salesman who's separated from his wife, but too Catholic to get a divorce. Hank Norton is a drug company rep who gets four times as many dames as any of the other guys. When a friendly bet goes horribly awry, they find themselves with two dead bodies on their hands and a homicidal husband in the wings - and acting more like hardened criminals than upstanding citizens.
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Interesting story, incredible performances
- By Anonymous User on 07-15-23
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The Machine in Ward Eleven
- By: Charles Willeford
- Narrated by: Johnny Heller
- Length: 3 hrs and 50 mins
- Unabridged
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This reissue of Willeford's 1963 pulp classic is a timely reminder that madness is truly the dark heart of politics. Written at a time when people still had faith in their elected leaders, Willeford's book laid bare the American dream. There is an almost Chekhovian wistfulness in the treatment of his stories, which belies their considerable - and still relevant - impact.
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Deliver Me from Dallas
- By: Charles Willeford
- Narrated by: Eric Michael Summerer, Roger Wayne, A.T Chandler, and others
- Length: 5 hrs and 43 mins
- Unabridged
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Lash by bloody lash, the she-devil from Dallas would get her revenge.
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Miami Blues
- Hoke Moseley, Book 1
- By: Charles Willeford
- Narrated by: Stephen Bowlby
- Length: 6 hrs and 23 mins
- Unabridged
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After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious Eldorado Hotel and nurses a glass of brandy. With his guard down, he doesn't think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over 10 years of cases, wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures.
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Proof it can be done!
- By LadySpeaker on 10-07-15
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Dead Calm
- By: Charles Williams
- Narrated by: Peter Berkrot
- Length: 6 hrs and 58 mins
- Unabridged
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Rae and Ingram are 19 days out of the Panama Canal, sailing slowly across the wide, flat Pacific on the Saracen, when they find Hughie Warriner in his dinghy. He was on a pleasure cruise on his yacht, the Orpheus, he says, when food poisoning killed his passengers and his ship began to sink. After an alleged 10 days of desperately fighting to stay afloat, he spied the Saracen and rowed to his salvation.
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I found the movie so much better.
- By Debra on 10-01-21
By: Charles Williams
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The Difference
- By: Charles Willeford
- Narrated by: Charlie Kevin
- Length: 5 hrs and 2 mins
- Unabridged
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Set against the sweeping panorama of Arizona circa 1880, this work has many of the surface trappings of a standard western. However, from the first shocking realization that the line between good and evil is being overstepped, the author then begins to dismantle the American cowboy myth.
What listeners say about Writing & Other Blood Sports
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Rich S.
- 07-05-21
Loved The Immobilized Hero
Charles Willeford writes: "The pattern of the immobilized hero was established in NOTES FROM THE UNDERGROUND and it has remained that way with variations ever since. For on and on the immobilized man writes; writing whether he has anything interesting or valid to say or not; writing because he’s compelled to write because he’s an artist. Paradoxes and ambiguities these are the artifacts with which the immobilized man worries his pages and befuddles the general reader. The general theme that the immobilized man shares in common is clear enough; the frenetic and impossible attempt to escape from self, from personality, into a freedom that simply does not exist. As Kafka puts it the immobilized man is looking for a way out and almost anything imaginable is suggested as a way to escape the locked-in inescapable self ..."
"... the immobilized hero lives alone, usually in a single room in a private home or a depersonalized hotel room. The immobilized man is usually a bachelor or a man who had been unable to adjust with any degree of success to a conjugal arrangement. So he lives alone by choice. The American immobilized man because of our affluence usually has better living conditions than his European counterpart although he shares the same desire for austerity. The immobilized man cannot, for any one of a dozen reasons, abide living with his immediate family or distant relatives ... the immobilized hero has a sense of self-satisfaction bordering on smugness in his isolation from relatives and friends. Although he is in a static condition, he is free to the extent that he’s the only person who knows the true nature of reality. Whether he is a successful artist or a failure as an artist when this is his vocation, avocation, or desired role, the fact that he fancies himself as an artist of some kind, sets him above and apart from his fellow men ..." from New Forms of Ugly: The Immobilized Hero in Modern Fiction (1964) by Charles Willeford
Listening to this in the Audible version of Willeford’s WRITING & OTHER BLOOD SPORTS, I loved the concept of the Immobilized Man in literature. This Audible version (a print or Kindle version seems to be unavailable) is a master class in writing.
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