LIMITED TIME OFFER | Get 3 months for $0.99 a month

$14.95/mo thereafter-terms apply.

Publisher's summary

Broadcasting Ideas and Connecting Minds at the Intersection of Cybersecurity, Technology and Society. Founded by Sean Martin and Marco Ciappelli in 2015, ITSPmagazine is a multimedia platform exploring how technology, cybersecurity, and society shape our world. For over a decade, we've recognized this convergence as one of the most defining forces of our time—and it's more critical than ever. Our global community encourages intellectual exchange, challenging assumptions and diving deep into the questions that will define our digital future. From emerging cyber threats to societal implications of new technologies, we navigate the complex relationships that matter most. Join us where innovation meets security, and technology meets humanity.
© Copyright 2015-2025 ITSPmagazine, Inc. All Rights Reserved
Episodes
  • From Department of No to Department of Know: The CISO Evolution | A Brand Highlight Conversation with Ivan Milenkovic, Vice President, Cyber Risk Technology of Qualys

    From Department of No to Department of Know: The CISO Evolution | A Brand Highlight Conversation with Ivan Milenkovic, Vice President, Cyber Risk Technology of Qualys
    Jan 13 2026

    In this Brand Highlight, Ivan Milenkovic, Vice President, Cyber Risk Technology at Qualys, joins host Sean Martin to discuss how security leaders can break free from the whack-a-mole cycle of vulnerability management.

    With more than 48,000 vulnerabilities disclosed in 2025 alone and the average enterprise juggling 76 different security consoles, Milenkovic argues that the old methods of counting patches and chasing alerts are no longer sustainable. Instead, Qualys helps organizations prioritize threats based on business context through what the company calls TruRisk.

    Milenkovic describes a fundamental shift he sees taking place in boardroom conversations: moving from risk appetite to risk tolerance. Boards and executives now want to know what specific losses mean to the business rather than simply asking whether the organization is secure.

    For CISOs, this means evolving from the department of "No" to the department of "Know," where security leaders understand where problems exist, how to fix them, and what architecture supports business objectives. The key is demonstrating return on investment through resilience metrics rather than vulnerability counts.

    Qualys addresses this challenge through its Enterprise TruRisk Management platform, which facilitates what Milenkovic calls the Risk Operations Center. Unlike a traditional SOC that focuses on incidents that have already occurred, the ROC takes a proactive stance, helping organizations prevent threats and optimize security spending before damage occurs.

    This is a Brand Highlight. A Brand Highlight is a ~5 minute introductory conversation designed to put a spotlight on the guest and their company. Learn more: https://www.studioc60.com/creation#highlight

    GUEST

    Ivan Milenkovic, Vice President, Cyber Risk Technology, Qualys

    On LinkedIn | https://www.linkedin.com/in/ivanmilenkovic/

    RESOURCES

    Learn more about Qualys | https://www.qualys.com

    Are you interested in telling your story?
    ▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full
    ▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight
    ▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlight

    KEYWORDS

    Ivan Milenkovic, Qualys, Sean Martin, brand story, brand marketing, marketing podcast, brand highlight, Enterprise TruRisk Management, Risk Operations Center, ROC, vulnerability management, CISO, cyber risk, risk tolerance, security leadership, proactive security


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
    Show more Show less
    7 mins
  • Leopoldo's Secret Library | Written By Marco Ciappelli (English Version) | Stories Sotto Le Stelle Podcast | Short Stories For Children And Dreamers Of All Ages

    Leopoldo's Secret Library | Written By Marco Ciappelli (English Version) | Stories Sotto Le Stelle Podcast | Short Stories For Children And Dreamers Of All Ages
    Jan 12 2026
    LEOPOLDO'S SECRET LIBRARYSome people are strange — they like to spend their evenings reading books.Others are even stranger — they believe in the magic found between pages, in fantastical adventures, in stories of impossible love, in ghosts that walk among the living, and they think that everything that doesn't exist — maybe does after all.In short, this story is for those who are a little strange, like you and me — you know, for those who.So… listen.If you take the road up the hill from the center of town, you'll find an old and noble villa, one that has been there for a very long time. It must be about 350 years now that it has stood there in silence, watching and breathing softly beneath the Tuscan sky.Enormous rooms filled with history, endless corridors, and windows as large as dreams — but now, instead of porcelain plates and figurines, it gives us stories on paper for those who wish to read them.Yes, now it's the town library — a bit out of the way, but so beautiful. Well, you can't have everything.Now, on a summer night, wrapped in a blanket of stars and the soft glow of delicate lanterns, the villa had filled with voices, music, smiles, and so many stories told and heard, spoken aloud or whispered, intertwining in the embrace of the celebration.A special evening already, no doubt, but pay attention, because something even more unusual was about to happen.Yes, because Elisa was there too. Eyes as wide as the sky, hair as dark as the night, and a book in her hand — as always.Despite everything happening around her, Elisa preferred to read.She was there, in the main corridor: between the garden and the inner courtyard, halfway between the certain and the perhaps, sitting in an armchair a little too big for her, lost in a mysterious and captivating story — in a world all her own.She turns a page, then another, adjusts her yellow glasses, and turns another page…When slowly, the echo of piano music reached her ears.She didn't pay much attention. Thinking it came from the courtyard, she turned another page — and then another.But before long she realized that the notes she heard were not coming from the villa's courtyard but from one of its corridors — carried by a gentle breeze, from faraway places outside of time.Without thinking too much, Elisa rose silently, tucked her book under her arm, and followed the music.She crossed ancient corridors and rooms with shelves full of volumes of every size and color imaginable — rainbows of thoughts and words lined up one by one that seemed to never end.As the music grew stronger, the light faded, the rooms she passed through began to appear forgotten, the stone stairs she climbed and descended worn by time, the side corridors were now dark passages lit only by torches on the walls, appearing and disappearing in the darkness like breaths.A staircase, a wooden door left ajar, another passage, another staircase, and still more rooms and shelves and books without end.Then, suddenly, a mist covered the floor like a gentle tide, and there, before her, a heavy curtain — half open.A little light showed through, and a few small wooden steps.She climbed them, those little stairs, and the music wrapped around her like an embrace.On the stage, candles floated in the air like fireflies on a timeless night. And there, at the center, seated before a tiny piano, was a mouse.But not just any mouse.Leopoldo wore a dark green tweed jacket, brown trousers pressed with care, and on his little snout, golden spectacles that gleamed with ancient and gentle wisdom.His fingers danced on the keys as if they were telling a secret."Welcome, Elisa," he said, without stopping his playing. "I've been waiting for you."Elisa blinked, enchanted. "How do you know my name?""Ah," Leopoldo smiled, letting the last note fade softly into the air, "those who love stories always recognize those who seek them."He stood, adjusted his jacket with an elegant gesture, and looked at her with eyes full of stars."Do you know where you are?""In the town library," Elisa answered, but her voice trembled a little, as if she knew the answer was something else."That one everyone knows," said Leopoldo, stepping down slowly from the stage. "Every town has one that everyone knows. But every town also has another — one that almost no one finds."He paused, his eyes gleaming."You have found the second."Leopoldo led her toward a large wooden door that Elisa could have sworn wasn't there a moment before. It opened slowly, without a sound, like a sigh held too long.And what she saw took her breath away.Endless shelves climbed upward, descended downward, stretched in every direction like spirals of galaxies made of paper and dreams. Candles floated everywhere, illuminating books that seemed to breathe, to pulse softly, like sleeping hearts."What is this place?" Elisa whispered."This," said Leopoldo, walking among the shelves, "is the library of books never written."Elisa followed, confused. "...
    Show more Show less
    13 mins
  • Dave Tourjé on Art, Music, Skateboarding, Los Angeles and Never Selling Out | Stories, Storytelling & Storytellers | Audio Signals Podcast With Marco Ciappelli

    Dave Tourjé on Art, Music, Skateboarding, Los Angeles and Never Selling Out | Stories, Storytelling & Storytellers | Audio Signals Podcast With Marco Ciappelli
    Jan 11 2026

    Dave Tourjé: You Have to Destroy What You Create to Become Free

    When Dave Tourjé was two years old, he had a box of wooden blocks. Every day he'd dump them on the floor, stack them into towers of color, admire what he built—then destroy it and start over.

    That ritual never stopped.

    Tourjé is a painter, a punk rock musician, a skateboarder, and a founding member of the California Locos—a collective of LA artists who represent the city's raw, multicultural energy. When he sat down with me for Audio Signals Podcast, we talked about survival, rebellion, and what it really takes to stay free as an artist.

    "You have to learn to destroy what you're creating to really become free," Tourjé told me. "Otherwise you're gonna be trapped by your own creation."

    He calls himself a lucky survivor of the eighties. Born in 1960, raised in Los Angeles, he hit the punk rock scene at 19, got his first skateboard at 7, and was riding swimming pools by the time urethane wheels made it possible. He studied art on scholarship but quit when they asked him to do papier-mâché in college. "That was third grade for me," he said. "I just said, fuck this. I'm outta here."

    He's the only practicing artist from that program.

    When galleries started selling his concrete and steel furniture around the world, Tourjé thought they'd embrace his paintings too. Instead, they told him to stick with what was selling. When collectors wanted commissioned work in different colors, he walked away. "I was not built to do it," he said. "So I bowed out."

    Instead of finding a patron, he built one. A construction company that runs without him—a machine that pays him without requiring him to owe anything to anyone. "It's going to be my patron," he explained. "It's a similar model, but without all the social implications."

    That freedom let him focus on the California Locos, a collective he assembled around 2011 with friends who were all leaders in their own corners of LA culture—surf, skate, street art, tattoo, photography. "We are basically Los Angeles," he said. "A very honest reflection."

    Their book, Renaissance and Rebellion, tells the story from the sixties to now. It's published by Drago in Rome and distributed internationally. They're currently showing at the California Surf Museum in Oceanside, with museum shows lined up for 2027 and Spain on the horizon.

    But the moment that stuck with me came at the end of our conversation. We talked about how musicians destroy as they create—every live performance disappears the moment it's played. "It's like painting a painting that as soon as you put it down and you go to get the next paint, the paint is gone."

    And when someone looks at his paintings and sees something he never intended? He doesn't correct them. "The story is the painting," he said. "As soon as the artist says what it's about, everybody has to abide by the rules."

    He refuses to impose meaning. Once he's done, he becomes an observer. The work is no longer his—it's an object from the past. He's already onto the next thing.

    That's what freedom looks like after a lifetime of rebellion.

    Stay tuned. Subscribe. And remember—we are all made of stories.

    -- Marco
    _______________________________________________________________________________________

    Audio Signals Podcast 🌐 https://www.audiosignalspodcast.com

    Dave Tourjé 🌐 https://davetourje.com/

    Marco Ciappelli 🌐 https://www.marcociappelli.com


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
    Show more Show less
    49 mins
No reviews yet