Aujourd’hui on se penche sur "Hitch-Hike" de Marvin Gaye et sur les débuts de l'un des artistes phares de la Motown.

PLAYLIST Marvin Gaye

The Marquees, "Wyatt Earp"

Billy Stewart, "Billy's Heartache"

Bo Diddley, "Diddley Daddy"

Chuck Berry, "Back in the USA"

Harvey and the Moonglows, "Mama Loochie"

Harvey and the Moonglows, "Twelve Months of the Year"

Etta James, "All I Could Do Was Cry"

Marvin Gaye, "Let Your Conscience Be Your Guide"

The Marvelettes, "Please Mr. Postman"

Little Stevie Wonder, "I Call It Pretty Music, But the Old People Call it the Blues".

The Spinners, "That's What Girls are Made For"

The Marvelettes, "Beechwood 4-5789"

Marvin Gaye, "Stubborn Kind of Fellow"

Marvin Gaye, "What Kind of Fool Am I ?"

Marvin Gaye, "Hitch-Hike"

Martha and the Vandellas, "Hitch-Hike"

L'épisode d’aujourd’hui est consacré à "I Can't Help Myself" des Four Tops, et constitue la deuxième partie d'une série de trois épisodes consacrés à la Motown de 1965.

PLAYLIST FOUR TOPS

The Four Tops, "I Can't Help Myself"

The Four Aims, "She Gave Me Love"

The Four Tops, "Kiss Me Baby"

Ray Charles, "Kissa Me Baby"

The Classics, "If Only the Sky Was a Mirror"

The Four Tops, "This Can't be Love"

The Supremes, "Run Run Run"

Martha and the Vandellas, "My Baby Loves Me"

The Four Tops, "Baby I Need Your Loving"

The Four Tops, "I Can't Help Myself"

The Supremes, "Where Did Our Love Go ?"

The Four Tops, "I Can't Help Myself"

The Four Tops, "I Can't Help Myself"

The Four Tops, "It's the Same Old Song"

The Four Tops, "Loving You is Sweeter Than Ever"

The Supremes, "You Keep Me Hanging On"

Vanilla Fudge, "You Keep Me Hanging On"

The Four Tops, "Reach Out I'll Be There"

The Four Tops, "Reach Out I'll Be There"

The Temptations, "Ain't Too Proud to Beg"

The Four Tops, "Bernadette"

The Four Tops, "Walk Away Renee"

The Four Tops, "If I Were a Carpenter"

The Four Tops, "When She Was My Girl"

The Four Tops, "Loco in Acapulco"

Aujourd’hui gros dossier : "Papa's Got a Brand New Bag" de James Brown, et sur la façon dont Brown est passé du statut d'artiste doo-wop mineur à celui de pionnier du funk.

INTRO APPOLO

James Brown, "Night Train" (version Live at the Apollo).

The Ravens, "Rock Me All Night Long"

The Fabulous Flames, "Do You Remember ?"

Nat Kendrick and the Swans, "(Do the)" Mashed Potatoes".

James Brown, "Hold It"

James Brown and the Famous Flames, "Think !"

Les "5" Royales, "Think"

James Brown and the Famous Flames, "Think"

Sugar Pie DeSanto, "Soulful Dress"

James Brown et Bea Ford, "You Got the Power"

Joe Tex, "You Keep Her"

Yvonne Fair, "I Found You"

James Brown, "Night Flying"

The Valentinos, "Lookin' For a Love"

Yvonne Fair, "You Can Make it if You Try"

Freddie King, "I'm on My Way to Atlanta"

Solomon Burke, "Cry to Me"

James Brown and the Famous Flames, "Night Train" (version Live at the Apollo)

James Brown & his orchestra, "Out of Sight"

James Brown et son orchestre, "Caldonia"

James Brown, "Out of Sight (TAMI show live)"

The Barbarians, "Are You a Boy or Are You a Girl ?"

Jan & Dean, "Here They Come From All Over The World"

Chuck Berry & Gerry and the Pacemakers : "Maybellene"

James Brown, "Out of Sight" (TAMI Show)

The Rolling Stones, "Around and Around"

Jimmy Wilson, "Tin Pan Alley"

Monte Easter, "Blues in the Evening"

Jimmy Nolen, "After Hours"

Jimmy Nolen, "Jimmy's Jive"

Johnny Otis, "Casting My Spell"

Johnny Otis, "Willie and the Hand Jive"

Bobby Gentry, "Ode to Billie Joe"

James Brown, "Papa's Got a Brand New Bag"

James Brown "Papa's Got a Brand New Bag (parts 1, 2, and 3)"

James Brown, "Papa's Got a Brand New Bag"

1965 est directement sous l’influence de l’intersection de trois mouvements musicaux différents, chacun d'entre eux étant important - l'influence des Beatles et, dans une moindre mesure, des autres groupes de Merseybeat, l'influence de Bob Dylan et du mouvement folk et protestataire, et les groupes de guitares R&B britanniques qui commence à ramener aux États-Unis leur interprétation du son de Chess Records qu’on appellera le british blues boom.

Mais bien sûr, alors que ces groupes à guitares influençaient tout le monde, ils étaient également influencés par l'essor de la soul, et en particulier par la Motown, et les groupes de la Motown ont été parmi les rares groupes américains qui ont réussi à continuer à avoir des succès pendant la British Invasion.

En effet, 1965 a été un pic créatif et commercial pour le label, tout comme pour les groupes à guitare blancs.

Aujourd'hui, nous allons donc nous pencher sur les Supremes, sur la carrière du seul groupe noir à avoir sérieusement défié les Beatles pour dominer les hit-parades dans les années 60 et sur le début des rivalités entre groupes qui ont fini par les faire tomber. Nous allons examiner "I Hear a Symphony" des Supremes

The Supremes, “I Hear a Symphony”

Nella Dodds, “Come See About Me”

The Supremes, “Stop! In the Name of Love”

The Supremes, “Stop! In the Name of Love”

Dusty Springfield et Martha Reeves, "Wishin' and Hopin'"

The Supremes, "Nothing But Heartaches"

The Toys, "A Lover's Concerto"

The Supremes, "Stop ! In the Name of Love !"

Junior Walker and the All-Stars, "(I'm a) Road Runner"

The Supremes, "I Hear a Symphony"

The Beach Boys, "Don't Hurt My Little Sister"

The Supremes, "Things Are Changing For The Better"

The Supremes, "Rock-A-Bye Your Baby With a Dixie Melody"

The Supremes, "You're Nobody 'Til Somebody Loves You"

Aujourd'hui, nous allons nous pencher sur le premier grand succès du groupe qui allait devenir le groupe vocal féminin le plus populaire des années 60, le groupe qui allait devenir le groupe le plus important de la Motown, et qui allait avoir plus de succès en termes de hit-parade que quiconque dans les années 60, à l'exception bien sûr des Beatles et d'Elvis.

PLAYLIST

The Supremes, “Where Did Our Love Go?”

The Distants, “Come On”

Ray Charles, “Night Time is the Right Time”

Wilson Pickett, “Let Me Be Your Boy”

Eddie Floyd, “I am Her Yo-Yo Man”

The Primettes, “Tears of Sorrow”

The Primettes, “Pretty Baby”

The Supremes, “I Want a Guy”

The Olympics, “Hully Gully”

The Marathons, “Peanut Butter”

The Supremes, “Buttered Popcorn”

Duane Eddy, “Dance With the Guitar Man”

The Supremes, “The Man with the Rock and Roll Banjo Band”

Marvin Gaye, “Can I Get a Witness”

The Supremes, “When the Lovelight Starts Shining Through His Eyes”

The Marvelettes, “Too Many Fish in the Sea”

The Supremes, “Where Did Our Love Go?”

The Supremes, “Baby Love”

Mary Wilson The Supremes, “ Son of a preacher man”

Il y a quelques épisodes, nous nous sommes penchés sur l'une des premières protest song classiques du genre soul. Aujourd'hui, nous allons voir comment le bâton de Sam Cooke a été transmis à une autre génération d'auteurs-compositeurs-interprètes soul, et nous nous intéresserons à l'un des plus grands auteurs-compositeurs de cette génération. Nous allons nous pencher sur le début de la carrière de Curtis Mayfield, et sur "People Get Ready" des Impressions .

The Impressions, “People Get Ready”

The Soul Stirrers, “Jesus Gave Me Water”

Muddy Waters, “Rollin’ and Tumblin'”

The Medallionaires, “Magic Moonlight”

Big Maceo Merriweather, “Worried Life Blues”

The Gospel Clefs, “Open Our Eyes”

The Spaniels, “Goodnite, Sweetheart, Goodnite”

Jerry Butler and the Impressions, “For Your Precious Love”

Jerry Butler and the Impressions, “Come Back My Love”

Jimmy Reed, “Baby What You Want Me to Do”

Major Lance, “I Got a Girl”

Jerry Butler, “He Will Break Your Heart”

The Impressions, “Gypsy Woman”

Walter Jackson, “It’s All Over”

Gene Chandler, “Gonna Be Good Times”

Billy Butler and the Enchanters, “Gotta Get Away”

Major Lance, “The Monkey Time”

Major Lance, “Um Um Um Um Um Um (Curious Mind)”

The Impressions, “It’s All Right”

Jimmy Cliff, “Ska All Over the World”

The Impressions, “Keep on Pushing”

Sister Rosetta Tharpe, “This Train (live)”

The Impressions, “People Get Ready”

The Wailers, “One Love (1965 version)”

L'épisode d’aujourd’hui parle de "Heat Wave" de Martha and the Vandellas, et des débuts du trio de songwriters producteurs Holland-Dozier-Holland.

PLAYLIST

Martha and the Vandellas, "Heatwave"

The Fascinations, "Girls Are Out To Get You"

The Del-Phis, "I'll Let You Know"

Mike Hanks, "When True Love Comes to Be"

Della Reese, "Don't You Know ?"

Saundra Mallett and the Vandellas, "Camel Walk"

Marvin Gaye, "Stubborn Kind of Fellow"

The Vells, "You'll Never Cherish A Love So True ('Til You Lose It)"

Martha and the Vandellas, "I'll Have to Let Him Go"

Eddie Holland, "You"

Briant Holland, "(Where's the Joy) in Nature Boy ?"

Les Marvelettes, "Please Mr. Postman"

Eddie Holland, "Jamie"

Aretha Franklin, "There Is a Fountain Filled With Blood"

The Romeos, "Gone Gone Get Away"

The Voice Masters, "Hope and Pray"

Lamont Anthony, "Popeye the Sailor Man"

Lamont Anthony, "Benny the Skinny Man"

The Marvelettes, "Forever"

Little Stevie Wonder, "Contract on Love"

The Marvelettes, "Locking Up My Heart"

Martha and the Vandellas, "Come and Get These Memories"

Martha and the Vandellas, "Heat Wave"

Martha Reeves and the Vandellas, "Dancing in the Street"

Martha Reeves and the Vandellas, "Nowhere to Run"

Aujourd'hui, nous allons parler du disque qui, plus que tout autre, a assuré la place de Phil Spector dans l'histoire de la musique populaire - un disque qui a changé la vie de plusieurs personnes qui l'ont écouté pour le meilleur, qui a changé la vie de sa chanteuse pour le pire, et qui possède l'intro de batterie la plus imitée de tous les temps. Nous allons nous pencher sur un chef d’oeuvre intemporel, sur une intro de batterie reconnaissable entre mille : "Be My Baby" des Ronettes

The Ronettes, "Be My Baby"

Frankie Lymon and the Teenagers, "Why Do Fools Fall In Love ?"

Ronnie and the Relatives, "I Want a Boy"

Ronnie and the Relatives, "I'm Gonna Quit While I'm Ahead"

Joey Dee and the Starliters, "The Peppermint Twist"

Bob B. Soxx and the Blue Jeans, "Zip-a-Dee-Doo-Dah".

Connie Francis, "Second-Hand Love"

Veronica, "Why Don't They Let Us Fall In Love ?"

The Crystals, "The Twist"The Crystals, "

The Wah-Watusi "Jeff Barry, "It's Called Rock and Roll"

Sam Cooke, "Teenage Sonata"

Ray Peterson, "Tell Laura I Love Her"

Ellie Gaye, "Silly, Isn't It ?"

Jay and the Americans, "This is It"

Darlene Love, "(Today I Met) The Boy I'm Gonna Marry"

Bob B. Soxx and the Blue Jeans, "Why Do Lovers Break Each Others' Hearts ?"

Ellie Greenwich "Doo Wah Diddy Diddy (demo)"

The Ronettes, "Be My Baby""

The Ronettes" (The Wrecking Crew), Tedesco and Pitman".

The Ronettes, "Baby I Love You"

The Ronettes Featuring Veronica, "Walking in the Rain"

The Ronettes, "I Can Hear Music"

Ronnie Spector, "Try Some, Buy Some"

Southside Johnny and the Asbury Dukes, "You Mean So Much To Me"

Ronnie Spector et le E-Street Band, "Say Goodbye to Hollywood"

Eddie Money, "Take Me Home Tonight"