Mostrando títulos en Estudios de Bibliotecología y de Museos

Coming face to face with an important illuminated manuscript in the original is rather like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature. The idea for this book, which is entirely new, is to invite the listener into an intimate conversation with a selection of the most famous manuscripts in existence and to let each of those manuscripts illuminate the Middle Ages and sometimes the modern world too.

In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

Dewey's Nine Lives offers nine funny, inspiring, and heartwarming stories about cats - all told from the perspective of "Dewey's Mom", librarian Vicki Myron. The amazing felines in this audiobook include Dewey, of course, whose further never-before-told adventures are shared, and several others Vicki found out about when their owners reached out to her.

At the same time Adolf Hitler was attempting to take over the Western world, his armies were seeking and hoarding the finest art treasures in Europe. He had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised. A special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

Art today is defined by its relationship to money as never before. Prices of living artists' works have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists now think ever more strategically about how to advance their careers. Artists no longer simply make art, but package, sell, and brand it. Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed.

Py-Lieberman reflects on the profound connections between even outwardly dissimilar objects and offers insight and stories from Smithsonian experts. The book explores artworks, scientific specimens, historical artifacts, airplanes, spacecraft, plants, and so much more, contemplating how each item represents different facets of humanity and resonates with cultural meaning in surprising ways. Whimsical, affecting, and insightful, The Object at Hand offers an intimate and exclusive tour of the Smithsonian collections.

Libraries are much more than mere collections of volumes. The best are magical, fabled places whose fame has become part of the cultural wealth they are designed to preserve. The Library is a celebration of books as objects, a celebration of the anthropology and physicality of books and bookish space, and an account of the human side of these hallowed spaces by a leading and passionate bibliophile.

If you buy a book at the bookstore, you own it. You can take it home, scribble in the margins, put it on the shelf, lend it to a friend, or sell it at a garage sale. But is the same thing true for the eBooks or other digital goods you buy? Retailers and copyright holders argue that you don't own those purchases, you merely license them. That means your eBook vendor can delete the book from your device without warning or explanation - as Amazon deleted Orwell's 1984 from the Kindles of surprised readers.

Librarians spend their lives weeding - not weeds, but books - books that have reached the end of their shelf life both literally and figuratively. They remove books that patrons no longer check out, and they put back books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties - everywhere. In Dear Fahrenheit 451, she addresses those books directly.

What does the transformation to a visitor-centered approach do for a museum? How are museums made relevant to a broad range of visitors of varying ages, identities, and social classes? Does appealing to a larger audience force museums to “dumb down” their work? What internal changes are required? Based on a multi-year, Kress Foundation-sponsored study of ten innovative American and European collections based museums recognized by their peers to be visitor centered, Peter Samis and Mimi Michaelson answer these key questions for the field.

¿Qué define una biblioteca? ¿Hay algo que podamos decir que "es" una biblioteca? ¿Un mueble? ¿Una cantidad de libros determinada? Con este libro nos vamos a dar cuenta de que no hay una definición única. Están quienes fusionan sus bibliotecas al casarse y quienes, al irse a convivir con otra persona, prefieren mantenerlas separadas. También hay bibliotecas "inmateriales": libros leídos pero no acumulados, desperdigados por el universo. Y por qué no, bibliotecas separadas: una en Buenos Aires y otra en Rosario.

When "metadata" became breaking news, appearing in stories about surveillance by the National Security Agency, many members of the public encountered this once-obscure term from information science for the first time. Should people be reassured that the NSA was "only" collecting metadata about phone calls - information about the caller, the recipient, the time, the duration, the location - and not recordings of the conversations themselves? Or does phone call metadata reveal more than it seems?

Today, nearly one million books are published each year. But is the era of the book as we know it - a codex of bound pages - coming to an end? And if it is, should we celebrate its demise and the creation of a democratic digital future, or mourn an irreplaceable loss?

In June 2015 Alberto Manguel prepared to leave his centuries-old village home in France's Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan's Upper West Side. Packing up his enormous, 35,000 volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading.

People who love art, are fascinated by archaeology, or are history buffs may have considered the idea of working in a museum. But experience as a museum visitor reveals only the public-facing side of the museum, and not its complex, dynamic internal structure. So You Want to Work in A Museum? helps to demystify museums as institutions and to prepare prospective museum staff to explore the field further.

Charles Parsons is one of St. Louis' and the nation's most influential yet little-known figures. He was instrumental to the Union cause as a Civil War quartermaster and advisor to generals, politicians, and presidents alike. As a world-traveling art connoisseur, he helped found the first art museum west of the Mississippi, to which he donated his remarkable collection of American, European, and Asian art. To this day, his philanthropic work and dedication to education live on in some of the country's grandest institutions.

In December 2008, twentysomething Jill Grunenwald graduated with her master’s degree in library science, ready to start living her dream of becoming a librarian. But the economy had a different idea. As the Great Recession reared its ugly head, jobs were scarce. After some searching, however, Jill was lucky enough to snag one of the few librarian gigs left in her home state of Ohio. The catch? The job was behind bars as the prison librarian at a men’s minimum-security prison. Talk about baptism by fire.

The dream of capturing and organizing knowledge is as old as history. From the archives of ancient Sumeria and the Library of Alexandria to the Library of Congress and Wikipedia, humanity has wrestled with the problem of harnessing its intellectual output. The timeless quest for wisdom has been as much about information storage and retrieval as creative genius. In Cataloging the World, Alex Wright introduces us to a figure who stands out in the long line of thinkers and idealists who devoted themselves to the task.

>Luminous and revealing, a daughter's memoir of the art world and a larger-than-life father. Gabrielle Selz grew up in a home full of the most celebrated artists of the 1960s and 1970s: Rothko, de Kooning, Tinguely, Giacometti, and Christo. Her father, Peter Selz, was the chief curator of painting and sculpture at the Museum of Modern Art in the heyday of Abstract Expressionism. Selz's father was vibrant and freewheeling, but his enthusiasm for both women and art took its toll on their family life.

At the height of the Syrian Civil War, deep beneath the shattered streets of rebel-held Darayya was a secret library. This basement room filled with thousands of books, rescued under constant sniper fire from gutted buildings, was an oasis of normality in a country at war with itself. Here, despite a devastating four-year siege, people risked their lives to read. Over a period of more than a year, Mike Thomson heard their extraordinary stories via tenuous Skype calls, emails, social media messages, and audio diaries recorded on their mobile phones.