Mostrando títulos en Estudios de Bibliotecología y de Museos

An interview recorded with Dr. Christopher Brown, director of the Ashmolean Museum in Oxford, in which he describes the major renovation and expansion of Britain's oldest museum, adding 39 galleries to house its collection of Egyptian, Persian, Japanese, Saxon, and Indian artefacts.

Librarians spend their lives weeding - not weeds, but books - books that have reached the end of their shelf life both literally and figuratively. They remove books that patrons no longer check out, and they put back books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties - everywhere. In Dear Fahrenheit 451, she addresses those books directly.

Dr. Stephen Deuchar, director of the Art Fund, gives an interview to Cv/VAR, first published in Curators and Collections Volume Three 2010. He describes the history of the Art Fund, its foundation, aims and initiatives, and work as a major benefactor, enabling museums and galleries to preserve and develop their collections, including recently discovered treasure troves, and individual works saved for the future.

Pamela Roberts, curator of the Royal Photographic Society, Bath, gives an interview to Cv/VAR in 1994, which charts the development of photography from its primary innovation in the 1840s by Hill & Adamson, Fox Talbot, through Roger Fenton in the Crimea War, leading to Royal Patronage of Prince Albert and development of the society into the 20th century.

The Art of Relevance is your guide to mattering more to more people. You'll find inspiring examples, rags-to-relevance case studies, research-based frameworks, and practical advice on how your work can be more vital to your community. Whether you work in museums or libraries, parks or theaters, churches or afterschool programs, relevance can work for you. Break through shallow connection. Unlock meaning for yourself and others. Find true relevance and shine.

Every city usually has at least one library, so some people take libraries for granted. Instead of taking libraries for granted, we ought to praise them to high heaven for all their noble contributions to humanity.

Per prima cosa sfatiamo un mito. Non è assolutamente vero che l'Italia è il paese detentore del 50% dei beni culturali mondiali. Non abbiamo nemmeno idea di quanti siano in totale, per cui questa leggenda che spesso viene diffusa sui giornali e in tv è quanto meno approssimativa. È vero invece che il nostro paese ha molti beni culturali diffusi sul suo territorio e in certi casi si tratta di veri e propri tesori poco conosciuti.

Competition for jobs is at an all-time high, with rivalry for positions coming from across the globe. The recent recession has put a demand on all job opportunities with an average of over 300 applicants applying for each advertised vacancy. Experienced applicants are missing out on job offers for positions they have been working in for years because they don't know the new rules of job interviews.

This book considers the work of the celebrated 17th century court painter Diego Velázquez (1599-1660) presented in a comprehensive exhibition at The National Gallery London from October to January 2006-2007. It follows the phases of development charted from rooms one to four in the Getty Wing, ranging from the initial scenes of workers in bars and domestic scenes to the paintings made at the Court of King Philip IV in Madrid.

If you buy a book at the bookstore, you own it. You can take it home, scribble in the margins, put it on the shelf, lend it to a friend, or sell it at a garage sale. But is the same thing true for the eBooks or other digital goods you buy? Retailers and copyright holders argue that you don't own those purchases, you merely license them. That means your eBook vendor can delete the book from your device without warning or explanation - as Amazon deleted Orwell's 1984 from the Kindles of surprised readers.

This book contains an interview by Sarah Batiste recorded in 1989 with Jill Dunkerton, senior conservator of Italian Painting at the National Gallery London. In it she considers works by Duccio, Jacopo Di Cione and other early Trecento painters from 1270 to 1370 exhibited in Art in the Making at The National Gallery 1989-90.

Each of us has an ever-growing collection of personal digital data: documents, photographs, PowerPoint presentations, videos, music, emails, and texts sent and received. To access any of this, we have to find it. The ease (or difficulty) of finding something depends on how we organize our digital stuff.

In Long Road to Hard Truth: The 100 Year Mission to Create the National Museum of African American History and Culture, Robert L. Wilkins tells the story of how his curiosity about why there wasn't a national museum dedicated to African American history and culture became an obsession - eventually leading him to quit his job as an attorney when his wife was seven months pregnant with their second child, and make it his mission to help the museum become a reality.

Information is power. It drives commerce, protects nations, and forms the backbone of systems that range from health care to high finance. Yet despite the avalanche of data available in today's information age, neither institutions nor individuals get the information they truly need to make well-informed decisions. Faulty information and sub-optimal decision-making create an imbalance of power that is exaggerated as governments and corporations amass enormous databases on each of us.

Horace Everett Hooper - a volatile, self-assured, impulsive, and optimistic American, an autodidact and natural-born salesman - got into the book business at age 16, moved to the Western frontier and on to Chicago, and became hugely successful. With a brilliant adman named Henry Haxton as his partner, he went about buying publishing rights to the Encyclopedia Britannica, a work incredibly distinguished by entries from Charles Darwin, Thomas Malthus, Sir Walter Scott, and more.

In the 1980s, a young adventurer and collector for a government library, Abdel Kader Haidara, journeyed across the Sahara Desert and along the Niger River, tracking down and salvaging tens of thousands of ancient Islamic and secular manuscripts that had fallen into obscurity. The Bad-Ass Librarians of Timbuktu tells the incredible story of how Haidara, a mild-mannered archivist and historian from the legendary city of Timbuktu, later became one of the world's greatest and most brazen smugglers.

When "metadata" became breaking news, appearing in stories about surveillance by the National Security Agency, many members of the public encountered this once-obscure term from information science for the first time. Should people be reassured that the NSA was "only" collecting metadata about phone calls - information about the caller, the recipient, the time, the duration, the location - and not recordings of the conversations themselves? Or does phone call metadata reveal more than it seems?

Libraries today are more important than ever. More than just book repositories, libraries can become bulwarks against some of the most crucial challenges of our age: unequal access to education, jobs, and information.

The fault in modernity lies in the ever -ncreasing feeling of security. This has been brought about by various technological advancements which, albeit having made life much easier, have consequently resulted in lenience. A lax mindset is a precursor for accidents and incurs greater losses during disasters due to insufficiently managed risk. Disasters are sudden catastrophic events, either natural or human-instigated, that result in a grave disruption of normal day-to-day life.

The dream of capturing and organizing knowledge is as old as history. From the archives of ancient Sumeria and the Library of Alexandria to the Library of Congress and Wikipedia, humanity has wrestled with the problem of harnessing its intellectual output. The timeless quest for wisdom has been as much about information storage and retrieval as creative genius. In Cataloging the World, Alex Wright introduces us to a figure who stands out in the long line of thinkers and idealists who devoted themselves to the task.