Mostrando títulos en Literatura Medieval, Clásica y Antigua

Initially banned in France by King Louis, Molière's celebrated social satire Tartuffe exposes false piety and hypocrisy in the Catholic Church. When a pious fraud worms his way into a wealthy family and manipulates the patriarch into giving up his fortune, it’s up to his family to expose the truth before they end up in the poorhouse!

Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy.

The Metamorphoses by Publius Ovidius Naso (43 B.C. - A.D. 17) has, over the centuries, been the most popular and influential work from our classical tradition. This extraordinary collection of some 250 Greek and Roman myths and folk tales has always been a popular favorite, and has decisively shaped western art and literature from the moment it was completed in A.D. 8. The stories are particularly vivid when read by David Horovitch, in this new lively verse translation by Ian Johnston.

The extant letters of Pliny, written between AD 97 and 112, give us a unique insight into Imperial Rome under the early Antonine emperors. Organised into 10 books, the letters reflect a wide range of topics, mirroring Pliny’s own public and private interests. Among many other subjects, the letters also include an eye-witness account of the eruption of Vesuvius in AD 79, with the final book containing the exchange of letters between the writer (whose career culminated as Governor of Bithynia) and the emperor Trajan.

In all of Roman history there was never a more turbulent year than A.D. 69, the ill-omened "Year of the Three Emperors". By some miracle, the greatest historian of the age, Tacitus, was able to chronicle those momentous events in a work he called The History. In its pages are some of the most memorable events of Roman history described in some of the most intensely passionate prose ever devised.

"My fame is written in the heavens, and my fate too..." So speaks Odysseus as he starts to recount his struggles to sail home to Ithaca, in one of the greatest pieces of storytelling in Western literature. The Odyssey is his incredible traveller's tale, and also the story of his faithful wife Penelope who waits for him, besieged by suitors, and their son Telemachus who has a quest of his own.

The story of Cyrano, his famous nose, and his undying love for the beautiful Roxanne evokes the spirit and panache of 17th century France.

In words remarkable for their richness of rhythm and imagery, Milton tells the story of man's creation, fall, and redemption, "to justify the ways of God to men". Here, unabridged, and told with exceptional sensitivity and power by Anton Lesser, is the plight of Adam and Eve, the ambition and vengefulness of Satan and his cohorts.

Christopher Marlowe's play about a man who sells his soul to the devil is not only one of the first of many works to explore this theme but also one of the most startling. Eschewing the usual division of the drama into acts, it presents the story of Faustus' fall in a series of apparently disconnected scenes. However, the integrity of the drama is maintained by the remorseless unraveling of Faustus' fortunes as he approaches his inevitable damnation.

Rumi's Spiritual Verses is the greatest mystical poem in Islamic culture - and of all time. Rumi examines our human separation from reality, love, and truth. He shows how love - neither erotic nor sentimental but divine, by which the universe is held together - enlightens ignorance and dissolves suffering. The first book of the Masnavi is the key to the whole work: It takes off from simple, amusing tales into realms unimaginable, but wholly familiar to the human heart.

The Confessions of St. Augustine is one of the most moving diaries ever recorded of a man's journey to the fountain of God's grace. Writing as a sinner, not a saint, Augustine shares his innermost thoughts and conversion experiences, and wrestles with the spiritual questions that have stirred the hearts of the thoughtful since time began.

Profoundly poetic yet gloriously accessible, this is the best way to experience a work that has remained a centerpiece of Western civilization for 2,000 years. Fitzgerald's rendering speaks directly to the modern listener, inviting us to share the excitement, adventure, and human tears as Aeneas, the warrior hero, escapes from the burning city of Troy, embarks on a long and perilous journey, and eventually, triumphantly establishes a new nation: Rome.

Parzival is a romantic poem written by Wolfram von Eschenbach in Middle High German. Regarded as one of the masterpieces of the Middle Ages, the romance was the most popular vernacular verse narrative in medieval Germany. Dated to the first quarter of the 13th century, the poem tells the story of the Arthurian hero Parzival and his quest for the Holy Grail. The most notable elements of the work are an emphasis on the importance of humility, compassion, and sympathy. Richard Wagner based his famous opera Parsifal on Parzival.

Li Po (AD 701-762) lived in T'ang Dynasty China, but his influence has spanned the centuries: the pure lyricism of his poems has awed readers in China and Japan for over a millennium, and through Ezra Pound’s translations, Li Po became central to the modernist revolution in the West. However ethereal in spirit, his poems remain grounded in the everyday experience we all share. He wrote 1,200 years ago, half a world away, but in his poems we see our world transformed.

Ryokan (1758–1831) is, along with Dogen and Hakuin, one of the three giants of Zen in Japan. But unlike his two renowned colleagues, Ryokan was a societal dropout, living mostly as a hermit and a beggar. He was never head of a monastery or temple. He liked playing with children. He had no dharma heir. Even so, people recognized the depth of his realization, and he was sought out by people of all walks of life for the teaching to be experienced in just being around him.

The Meditations are a series of private reflections written in Greek by a Roman emperor immersed in the administration of an empire beset by wars on its frontiers and natural disasters in its interior. It is the work of a great man seeking philosophical and spiritual solace in the midst of human chaos and uncertainty. This beautiful piece of ancient literature has been the companion of many leaders over the centuries who turned to inner reflection in times of unrest. Its Stoic philosophy has been much admired and emulated.

Libidinous, licentious, salacious and very, very funny, The Satyricon is one of the most remarkable documents from ancient Rome. It tells the ribald story of Encolpius, a man of active and varied appetites (powered notably by his passion for his favourite lover, the handsome Giton), who plunges without inhibition into the life of Roman pleasures: orgies of food, feasting, abundant sex and escapades. The kind of hedonism found occasionally in Roman mosaics is here brought to life.

Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea.

Poet and essayist Robert Pinsky's translation captures the intensity and passion of the literary masterpiece, and world-renowned actor John Cleese contributes a profound and electrifying performance.

In Richard III, Shakespeare invites us on a moral holiday. The play draws us to identify with Richard and his fantasy of total control of self and domination of others. Not yet king at the start of the play, Richard presents himself as an enterprising villain as he successfully plans to dispose of his brother, Clarence. Richard achieves similar success in conquering the woman he chooses to marry. He carves a way to the throne through assassination and executions.