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From NPR correspondent and New York Times bestselling author, Kwame Alexander, comes a powerful and provocative collection of poems that cut to the heart of the entrenched racism and oppression in America and eloquently explores ongoing events.

Кобзар — збірка поетичних творів геніального українського митця Тараса Григоровича Шевченка, що увібрала в собі найбільш видатні його вірші та поеми. Твори, що увійшли до складу «Кобзаря», писалися на тернистих шляхах життя Шевченка, в неволі, у мандрах та вигнанні. Книга складалася поступово, її формувала сама доля великого українського кріпака. Надзвичайно милозвучною мовою автор розповідає про велич та красу українського народу, малює картину його історії та побуту, його трагедій та негараздів, натхнень та прагнень.

What I Learned from the Trees delves into the intricate relationship between humans and nature, and how these often overlooked, everyday interactions affect us as individuals, families, and communities. With a backbone rooted in primordial imagery and allegory, and a focus on how the growing disconnect with our own wants, needs, and fears creates deeper divides in our relationships, this collection is notably relevant to today’s society and the struggles we face with the ever-expanding detachment between humans and the natural world.

Cada letra, palabra, oración y párrafos conforman un sentimiento nacido desde mi alma hasta mis letras, conjugando sentimientos reales. Expandan la mente más allá de solo leer, lleven la imaginación a un momento de mi vida, a un momento de la suya, creando más que una lectura, creando un sentimiento en letras, que transporta la mente a diferentes épocas o momentos de nuestras vidas.

Before he became an award-winning writer and poet, Brian Sonia-Wallace set up a typewriter on the street with a sign that said “Poetry Store” and discovered something surprising: All over America, people want poems. An amateur busker at first, Brian asked countless strangers, “What do you need a poem about?” To his surprise, passersby opened up to share their deepest yearnings, loves, and heartbreaks. Hundreds of them. Then thousands. Around the nation, Brian’s poetry crusade drew countless converts from all walks of life.

woke up no light is a Black girl’s saunter turned to a woman’s defiant strut. These are the hymns of a new generation of poetry. Young, alive, yearning. A mouth swung open and ready to devour. A quest for home in a world that knows only wasteland and wanting.

In the cold seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.

From Malawian storyteller Upile Chisala comes a collection of poetry and prose exploring the self, joy, Blackness, gender, matters of the heart, spirituality, the experience of Diaspora, and above all, how we survive. Told in five parts, soft magic is a shared healing journey.

Gabrielle Bates's electric debut collection Judas Goat plumbs the depths of intimate relationships. The book's eponymous animal is used to lead sheep to slaughter, while its own life is spared, and its harrowing existence echoes through this spellbinding collection of forty poems, which wrestle with betrayal and forced obedience, violence and young womanhood, and the "forbidden felt language" of sexual and sacred love.

Whether we're tumbling with Katz in a field of yellow flowers with a group of long-haired young people what seems only a moment (but is really four decades) ago or doing yoga right now, looking out a sliver of window at moving clouds, this collection evokes the exact scenes and buzz of perception that command our daily thoughts, that usher in grace and beauty, with their quietly urgent moral qualities, which, Katz suggests, can shape our days if we allow them to.

In her striking collection of poems, Zoë Hitzig investigates how we seek certitude, power, and domination over the natural world and one another. Hitzig brings a scientific rigor to her poetry, as well as a raucous energy and willingness to allow her work to exist in states of uncertainty and precariousness. The result is an original voice that is incisive and unsparing, but also passionate and tender. Her poems probe the authority of language, exploring the surprising and powerful resonances that can be found among words and ideas.

Campos de Castilla, publicado en 1912, es, probablemente, el libro más influyente de la poesía en español del siglo XX. Su impacto en sucesivas generaciones de poetas, comenzando por la Generación del 98, a la que Machado pertenece, o por la Generación del 27, aún se siente y es reconocible en las voces a ambos lados del Atlántico, en España e Hispanoamérica.

Anne Waldman takes the opportunity with this 20th-anniversary expanded edition to add 20 poems to this collection that brings into focus her lifelong engagement with “chant” as central to contemporary performative poetry.

Balancing direct language with a suggestive “aslantness,” Nye probes the fragile connection between language and meaning. She never shies from the challenge of trying to name the mysterious logic of childhood or speak truth to power in the face of the horrors of war.

Touching on themes from perceptions of beauty to the betrayals of the body, from what it means to give consent to how we grapple with demons internal and external, Woman, Eat Me Whole is an entirely fresh and powerful look at womanhood and personhood in a shifting world. Moving between Ghana and the United States, Diaka probes those countries’ ever-changing cultural expectations and norms while investigating the dislocation and fragmentation of a body—and a mind—so often restless or ill at ease.

The Maasai people of East Africa comprise one of the most intriguing and resourceful cultures on earth. In Ewaso Village, Duncan tells the story of a small community of Maasai and Samburu people in Laikipia County, Kenya. Using a combination of poetry and prose, Ewaso Village touches on universal themes, including rites of passage, creation myths, death rituals, and childbirth while posing significant questions about climate change, conservation, women’s rights, and the survival of indigenous cultures.

A world-bending, lyrically rich poetry collection that reimagines the U.S.-Mexico border as both a real place and a living simulation—and tells the story of a pair of siblings trapped between the two.

The poems in this collection are a testament to Csaba's resilience, humor, and a deep sense of empathy. The author's reflections on life's joys and challenges are both personal and universal, touching on themes such as love, loss, hope, and the beauty of the natural world. The poems are written in a variety of styles, from free verse to haiku, and are infused with Csaba's unique perspective on the world.

The magnificence and tragedy of the Old West is here, as told by the brilliant epic poet John G. Neihardt: the courage of the settlers in the American West, the valiant resistance by the Native peoples who called it home. The legendary warriors Crazy horse, Red Cloud, and sitting Bull ride forth again, the ghost dance is performed once more; The 7th cavalry is annihilated at the Little Bighorn only to rise again and participate in a horrific massacre at Wounded Knee.

Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality.