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On a freezing night in January 2013, an assailant hurled acid in the face of the artistic director of the Bolshoi Ballet, Sergei Filin. The crime, organised by a lead soloist, dragged one of Russia's most illustrious institutions into scandal. Under Vladimir Putin, the Bolshoi Theatre has been called on to preserve Russia's lengthy artistic legacy and to mirror its neo-imperial ambitions.

From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.

An inspiring memoir from one of Australia’s ballet greats on finding himself, onstage and off. From the backblocks of Perth to international stardom, this is a story of courage to fight against the odds for your passion and succeed. David McAllister has always belonged onstage. As the middle child in a Catholic family who knew nothing about dance, he watched himself twirl in the reflective glass of the TV and dreamed about becoming the next Rudolf Nureyev. As a little boy taking ballet lessons, he was mercilessly bullied.

Invisible Visibility discusses the key barriers that marginalize disabled artists from taking center stage and looks at examples of good practice through three key case studies. This audiobook puts forward an agenda for change, inclusion, and, ultimately, visibility within the sector and beyond for disabled dancers from culturally diverse backgrounds.

Often called the Picasso, Stravinsky, or Frank Lloyd Wright of the dance world, Martha Graham revolutionized ballet stages across the globe. Using newly discovered archival sources, award-winning choreographer and dance historian Mark Franko reframes Graham's most famous creations, those from the World War II era, by restoring their rich historical and personal context.

Some difficult times through his childhood in South Africa did nothing to diminish Johannes Radebe's shine. Radebe has now penned his first memoir, Jojo: Finally Home, which documents some of the difficulties he faced growing up and how he got through it. We'll be talking to him about the support and care he got from the women in his life, the way homophobia has affected him, and his passion for dance and the solace it has provided. And of course, we’ll be talking about Strictly.

Are you a dancer, dance teacher, dance enthusiast, or related to one? Then, this book is for you and them! You can journal your thoughts, events, and wishes for three months as you listen to inspirations from dancers, great and small. Listening to a different quote a day will get you up and ready to dance with yourself, with life, and or with a partner, if you have one!

The Big Secret Book is an invaluable guide on the subject of creativity, no matter the preferred artistic discipline. Written by Denise Clarke, director of One Yellow Rabbit Summer Lab Intensive, the book outlines methods and methodologies of the Lab that have inspired writers, dancers, musicians, as well as performance theatre artists.

This book is a fresh trumpet call to reclaiming your original creative nature, releasing worn-out constrictions laid out by cultural conventions and your own beliefs and patterns. Creative awakenings often start with an internal revolt...a calling out, a reclaiming.

Harlem 1969; it's the height of the Civil Rights era and the community is still reeling from the assassination of Martin Luther King. Arthur Mitchell, the first Black principal dancer at the New York City Ballet, takes his protest to the stage and establishes the Dance Theatre of Harlem. Here begins the story of the five extraordinary women at the heart of this book. This is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be.

Precisely because the dance floor stands apart from the everyday world, allowing dancers to play, experiment, and take on new roles, it also serves as a stage for human behavior. Antoinette Benevento, a former national ballroom dancing champion and co-owner of Fred Astaire Dance Studios, has been a student of that stage for 25 years. She has discovered that getting out on the dance floor is a powerful and empowering metaphor for living fully in all realms of life.

About The Author Sarah McCormick received her BA in World Arts & Culture from UCLA and her MFA from SUNY Brockport. She is currently Assistant Professor of Dance in the Department of Visual & Theatre Arts at The University of Tennessee at Martin (2008-present). As Director of UT at Martin's Dance Ensemble she has brought her philosophy of dance as education into action. Dance Ensemble student members have taught and performed at Huntingdon Primary, Dyersburg High School, Martin Primary, and Martin Elementary. Her choreography embodies a World-dance approach, as she combines her intensive ...

Christine Dadey's family uprooted their lives and moved to Houston for her to attend the prestigious Rousseau Academy of Dance. Now, two years later, Christine struggles to compete among the Academy's finest dancers, her parents are on the brink of divorce, and she's told no one about her debilitating performance anxiety and what she's willing to do to cope with it. Erik was a ballet prodigy, a savant, destined to be a star on the world's stage, but a suspicious fire left Erik's face horribly disfigured.

Learn how to lead and follow every step following the three laws of balance, connection, and direction. This is the only unambiguous method of communicating in social dancing. This is the safest, easiest, and most natural way to dance with a partner. You learn to dance without the use of force. You improve your balance. You learn to dance as light as a feather.

The third instalment in Craig Revel Horwood's frank and funny autobiography takes the listener through the highs and lows of the Strictly Come Dancing star's 'fab-u-lous' life. Join Craig and a host of Strictly stars - including Ore Oduba, Judy Murray and the unforgettable Ed Balls - on the show and live tours and get the real stories from behind the scenes. The Aussie-born judge shares his famously forthright views on the changes in the show's lineup, from Bruce Forsyth and Len Goodman's departures to the arrival of Claudia Winkleman and Shirley Ballas, as well as the dancers and stars.

Para algunas personas, el tango es simplemente una actividad social. No posee un significado más profundo, ni constituye un camino. Solo se trata de unos cuantos pasos, mezclados y reciclados. Este libro no es para aquellas personas.

When middle-aged couple Reggie and Abbie Bartlett moved to a new town, they found themselves in need of exercise and a little excitement. Intrigued by a classified ad for square dance lessons, they sign up. As they progress from beginners to "official" square dancers, they get much more than they bargained for.

Dancing Cheats, Hacks, Hints, Tips, And Tricks That Every Dancer Should Know is the ultimate guide to help you become a better dancer. Whether you're a beginner or a seasoned pro, this book has something for everyone. Inside, you'll find a collection of cheats, hacks, hints, tips, and tricks to improve your dancing skills, from basic techniques to advanced moves.

We walk through the steps of acquiring training, reaching outside of your comfort zone, preparing for an audition, and booking a job. When listening to this audiobook, remember that there are no sure paths to success. It will take hard work, and many trials and errors. Everyone's journey to achievement is unique, but these general guidelines will give you a rough outline on how to reach your dreams.

Breadth of Bodies seeks to investigate and dismantle the language and stereotypes often used to describe professional dancers with disabilities. Spearheaded by dancer/writer Emmaly Wiederholt and dance educator Silva Laukkanen, the team collected interviews with 35 professional dance artists with disabilities from 15 countries, asking about training, access, and press, as well as looking at the state of the field.