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Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

Desde que se publicó en 1928, Orlando ha sido una de las novelas más populares de Virginia Woolf por su originalidad y espíritu transgresor. Cuenta las peripecias de un joven aristócrata inglés, apuesto, rico, seductor y amante de la literatura—figura inspirada en la vida y la personalidad de la escritora Vita Sackville-West, gran amiga de la autora—que cabalga la Historia con mayúsculas desde el siglo XVI hasta el siglo XX y que, durante el reinado de Carlos II, se convierte en mujer.

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.

Orlando: A Biography is a groundbreaking English novel by Virginia Woolf that explores English history, gender roles, and sexual politics in a way few books have before or since. Inspired by the life of Woolf's friend and lover Vita Sackville-West—herself an accomplished poet and novelist—the story follows the life of an aristocratic nobleman who changes from man to woman and goes on to live for centuries, meeting all of the most influential and powerful figures in English history.

Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.

Virginia Woolf's semi-biographical novel, inspired by her life changing love affair with Vita Sackville-West, takes us on an exhilarating, fantastical roller coaster, tracing 400 years of English history, in the company of her shape-shifting, gender-bending, time-travelling hero Orlando, whose inner conflicts and triumphs challenge our preconceptions of the nature of love, the battle of the sexes, posing socal and metaphysical questions including what we now call climate change.

At the beginning of Virginia Woolf's fantastical and satirical 1928 novel, Orlando is a young nobleman in Elizabethan, England. At the age of 30, Orlando awakens to have found he's now a woman. Moving through the following centuries, the novel stretches over 300 years, during which time Orlando meets several key figures of English literary history.

In a work of prodigious scholarship and enormous breadth, which draws on the tribal, ancient, premodern, and modern worlds, Orlando Patterson discusses the internal dynamics of slavery in sixty-six societies over time. Slavery is shown to be a parasitic relationship between master and slave, invariably entailing the violent domination of a natally alienated, or socially dead, person.

Orlando Whitfield and Inigo Philbrick met in 2006 at London’s Goldsmiths University where they became best friends. By 2007 they had started I&O Fine Art. Orlando would eventually set up his own gallery and watch as Inigo quickly immersed himself in a world of private jets and multimillion-dollar deals for major clients. Inigo seemed brilliant, but underneath the extravagant façade, his complicated financial schemes were unraveling. With debt, lawsuits, and court summonses piling up, Inigo went into a tailspin of lies and subterfuge.

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An emissary from the Dark Council has just materialized in the office of the Montague & Strong Detective Agency, and makes Simon Strong an offer he can't refuse. Charon is missing. The legendary ferryman responsible for transporting sorcerer souls across the river Styx hasn't been seen in days. And with each passing hour, those unable to cross the river are left to walk among the living, tilting the world further out of balance. Meet Simon Strong, an immortal, who is also the best private detective in New York City. Together with his surly partner Tristan Montague they must find the Ferryman.

Opening with a panorama of Russian society, from the cloistered world of the Tsar to the brutal life of the peasants, A People’s Tragedy follows workers, soldiers, intellectuals and villagers as their world is consumed by revolution and then degenerates into violence and dictatorship. Drawing on vast original research, Figes conveys above all the shocking experience of the revolution for those who lived it, while providing the clearest and most cogent account of how and why it unfolded.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Orlando is one of the most unforgettable creations of twentieth-century literature. He emerges as a young man at the court of Queen Elizabeth I and progresses, with breathtaking ease, through three centuries until, by now a woman, she arrives in the bustle and diversion of the 1920's.

The Story of Russia is about how the Russians defined themselves―and repeatedly reinvented such definitions along the way. Moving from Russia’s agrarian beginnings in the first millennium to subsequent periods of monarchy, totalitarianism, and perestroika, all the way up to Vladimir Putin and his use of myths of Russian history to bolster his regime, celebrated historian Orlando Figes examines the ideas that have guided the country’s actions.

"Quando il ragazzo, poiché, ahimè, era certo un ragazzo - nessuna donna sui pattini sarebbe mai stata così veloce e potente - gli sfrecciò accanto quasi sulle punte, a momenti Orlando si strappò i capelli per la rabbia che quella persona fosse del suo stesso sesso e quindi ogni abbraccio fosse fuori discussione". Orlando è la biografia scherzosa di un giovane nobile dai lineamenti androgini, che si reincarna rocambolescamente in varie forme attraverso quattro secoli della storia inglese, dall'epoca Elisabettiana fino al '900.

The terrible conflict that dominated the mid-19th century, the Crimean War, killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land.

Pubblicato nel 1928, è ispirato alla storia familiare della sua amica intima Vita Sackville-West. È, a ragione, l’opera più popolare della Woolf: una storia dell'Inghilterra dell'arco di trecento anni, vista attraverso il filtro dei sentimenti, usi e abitudini di un uomo, che poi diventa donna a metà del romanzo. Non di poca importanza la passione che spinge il protagonista ad attraversare ogni avventura: la scrittura, la poesia, e che permette alla Woolf di scrivere nel suo modo ironico e geniale di poesia e di letteratura ella stessa.