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Following a devastating nuclear war, the Moral Reclamation government took over the world and forced its citizens to live by strictly puritanical rules - no premarital sex, drunkenness, or displaying of neon signs - all of which are reinforced through a constant barrage of public messages. The chief purveyor of these messages is Alan Purcell, next in line to become head of the propaganda bureau. But there is just one problem: a statue of the government’s founder has been vandalized.

When catastrophic overpopulation threatens Earth, one company offers to teleport citizens to Whale’s Mouth, an allegedly pristine new home for happy and industrious émigrés. But there is one problem: the teleportation machine works in only one direction. When Rachmael ben Applebaum discovers that some of the footage of happy settlers may have been faked, he sets out on an 18-year journey to see if anyone wants to come back.

If you happen to find a map in a dead buccaneer's sea trunk, you can't very well ignore it, not if you are Jim Hawkins and his friends Dr. Livesey, Captain Smollett, and Squire Trelawney! But even with a map, buried treasures are not easy things to come by.

Between his work on the 2014 Audible Audiobook of the Year, Hamlet, Prince of Denmark: A Novel, and his performance of Classic Love Poems, narrator Richard Armitage ( The Hobbit, Hannibal) has quickly become a listener favorite. Now, in this defining performance of Charles Dickens' classic David Copperfield, Armitage lends his unique voice and interpretation, truly inhabiting each character and bringing real energy to the life of one of Dickens' most famous characters.

Orson Welles' 1938 radio adaptation of The War of the Worlds has done much to obscure the real brilliance of the original work. Written at a time when "science-fiction" did not exist as a genre, The War of the Worlds was a new departure in literature. Author H.G. Wells, deeply committed to social improvement in turn-of-the-century Britain, used extra-terrestrial invasion to predict the results of a not-entirely-impossible violent upheaval in contemporary society: for "Martians" read "bolsheviks."

On a freezing February day, a stranger emerges from out of the gray to request a room at a local provincial inn. Who is this out-of-season traveler? More confounding is the thick mask of bandages obscuring his face. Why does he disguise himself in this manner and keep himself hidden away in his room? Aroused by trepidation and curiosity, the local villagers bring it upon themselves to find the answers.

A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth - from Buckingham Palace to the tiniest of sheds - collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot.

After escaping from the dark and dismal workhouse where he was born, Oliver finds himself on the mean streets of Victorian-era London and is unwittingly recruited into a scabrous gang of scheming urchins. In this band of petty thieves, Oliver encounters the extraordinary and vibrant characters who have captured audiences' imaginations for more than 150 years.

Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

A natural storyteller and raconteur in his own right - just listen to Paddle Your Own Canoe and Gumption - actor, comedian, carpenter, and all-around manly man Nick Offerman (Parks and Recreation) brings his distinctive baritone and a fine-tuned comic versatility to Twain's writing. In a knockout performance, he doesn't so much as read Twain's words as he does rejoice in them, delighting in the hijinks of Tom - whom he lovingly refers to as a "great scam artist" and "true American hero".

A sixteenth-century cryptogram spurs modern geologist Otto Liedenbrock to embark on the most remarkable human quest ever taken. With his nephew and guide, he leads the descent from a dormant Icelandic volcano into the unexplored realm beneath their feet. There, a vast subterranean ocean, prehistoric creatures, and natural phenomena are but a few of the wonders hidden from all but the boldest eyes.

Comic-Con, 2036. The world is rocked by the bizarre and inexplicable materialization of Cateklysm Catholicon - a colorfully clad whack job decreeing that humanity's only hope lies in the lessons found in superhero comic books. "Cateklysm's Challenge" is born, enticing even the most skeptical with a prize that promises "the power to change the world".

When level-headed Francie arrives in Roswell, New Mexico, for her college roommate’s UFO-themed wedding—complete with a true-believer bridegroom—she can’t help but roll her eyes at all the wide-eyed talk of aliens, which obviously don’t exist. Imagine her surprise, then, when she is abducted by one. Odder still, her abductor is far from what the popular media have led her to expect, with a body like a tumbleweed and a mass of lightning-fast tentacles. Nor is Francie the only victim of the alien’s abduction spree.

John William Drake was born an explorer; just like many, many Drakes before him. His adventure really began with the discovery of a book hidden in the ceiling, followed by the mysterious disappearance of his father. He lived every day in misery until his 12th birthday. A new friend gave him an invitation he could not turn down: follow me and change your destiny. He never imagined being captured by bandits and taken to a ship riddled with river rats was part of his fate. Not just any bandits - the Bandits of Basswood.

The Sky Riders—the last force for good—are dying. Two gifted runaways must rise and become heroes. The dragon ruler of the frozen north is amassing an invincible dragon army to overtake the world.

The Fellowship of the Ring, the first volume in the trilogy, tells of the fateful power of the One Ring. It begins a magnificent tale of adventure that will plunge the members of the Fellowship of the Ring into a perilous quest and set the stage for the ultimate clash between the powers of good and evil.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of 13 dwarves arrive on his doorstep one day, to whisk him away on a journey "there and back again". They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

The second Dune installment explores new developments on the planet Arrakis, with its intricate social order and strange, threatening environment. Dune Messiah picks up the story of the man known as Muad'Dib, heir to a power unimaginable, bringing to fruition an ambition of unparalleled scale: the centuries-old scheme to create a superbeing who reigns not in the heavens but among men. But the question is: DO all paths of glory lead to the grave?