Mostrando resultados por Editor "Tantor Audio" en Arte

The celebrated painter Camille Pissarro (1830-1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cezanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify.

In 1838, a young woman was given a diary on her wedding day. Collecting snippets of fabric from a range of garments—some her own, others donated by family and friends—she carefully annotated each one, creating a unique record of their lives. Her name was Mrs. Anne Sykes. Nearly two hundred years later, the diary fell into the hands of Kate Strasdin, a fashion historian and museum curator. Using her expertise, Strasdin spent the next six years unraveling the secrets contained within the album's pages, and the lives of the people within.

Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist?

On Christmas morning in the year 800, Pope Leo III placed the crown of imperial Rome on the brow of a Germanic king named Karl - a gesture that enabled the man later hailed as Charlemagne to claim his empire and forever shape the destiny of Europe. Becoming Charlemagne tells the story of the international power struggle that led to this world-changing event, illuminating an era that has long been overshadowed by myth.

From morpho butterflies in the rain forest to the blue jay flitting past your window, vanishingly few living things are blue. Yet this hard-to-spot accent color in our surroundings looms large in our affections. Science journalist Kai Kupferschmidt has been fascinated by blue since childhood. His quest to find and understand his favorite color and its hallowed place in our culture takes him to a gene-splicing laboratory in Japan, a volcanic lake in Oregon, and to Brandenburg, Germany - home of the last Spix's macaws.

A charged biography of a notorious Nazi art plunderer and his career in the postwar art world. Bruno Lohse (1911-2007) was one of the most notorious art plunderers in history. Appointed by Hermann Göring to Hitler's special art-looting agency, he went on to supervise the systematic theft and distribution of more than 22,000 artworks, largely from French Jews; helped Göring develop an enormous private art collection; and staged 20 private exhibitions of stolen art in Paris's Jeu de Paume museum during the war.

A great American artist, John Singer Sargent is an abiding enigma. He scandalized viewers with the frankness and sensuality of his work, while dressing like a businessman and crafting a highly respectable persona. In The Grand Affair, scholar Paul Fisher explores the enigmas of fin de siecle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s.

Since its debut in 1990, The Wheel of Time by Robert Jordan has captivated millions around the globe with its scope, originality, and compelling characters. In this series companion book, the listener will learn about the exotic beasts used by the Seanchan and hear of the rise and fall of Artur Hawking, and peruse the deeper story of the War of the Shadow. Here is the tale of the founding of the White Tower, and the creation of the Ajahs. The inner workings of the closed country, Shara, are revealed, as is the existence of a hitherto unknown continent, The Land of the Madmen.

Charlotte Mullins brings art to life through the stories of those who created it and, importantly, reframes who is included in the narrative to create a more diverse and exciting landscape of art. She shows how art can help us see the world differently and understand our place in it, how it helps us express ourselves, fuels our creativity, and contributes to our overall wellbeing and positive mental health.

Over more than 25 years of teaching and research, Christine Desdemaines-Hugon has become an unrivaled expert in the cave art and artists of the Dordogne region. In Stepping-Stones she combines her expertise in both art and archaeology to convey an intimate understanding of the "cave experience." Her keen insights communicate not only the incomparable artistic value of these works but also the near-spiritual impact of viewing them for oneself.

Meetings with Remarkable Manuscripts is a remarkable examination of 12 illuminated manuscripts from the medieval period. Noted authority Christopher de Hamel invites the listener into intimate conversations with these texts to explore what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. In so doing, de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, and collectors.

As riveting as a World War II thriller, The Forger's Spell is the true story of Johannes Vermeer and the small-time Dutch painter who dared to impersonate him centuries later. For seven years a no-account painter named Han van Meegeren managed to pass off his paintings as those of one of the most beloved and admired artists who ever lived. As Edward Dolnick reveals, his true genius lay in psychological manipulation, and he came within inches of fooling the world. Instead, he landed in an Amsterdam court on trial for his life.

Craig Childs bears witness to rock art of the Colorado Plateau—bighorn sheep pecked behind boulders, tiny spirals in stone, human figures with upraised arms shifting with the desert light, each one a portal to the open mouth of time. With a spirit of generosity, humility, and love of the arid, intricate landscapes of the desert Southwest, Childs sets these ancient communications in context, inviting listeners to look and listen deeply.

Modern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Philip Hook illuminates how this new art came to be—and how truly shocking it was. We witness movement upon movement that burst forth in dizzying succession: Fauvism, Expressionism, Primitivism, Symbolism, Cubism, Futurism, and Abstract. His vivid accounts breathe new life into the work and times of nearly two hundred artists, and whose collective genius was understood and appreciated by few at the time.

In 1520, Albrecht Dürer, the most celebrated artist in Northern Europe, sailed to Zeeland to see a whale. A central figure of the Renaissance, no one had painted or drawn the world like him. Dürer drew hares and rhinoceroses in the way he painted saints and madonnas. The wing of a bird or the wing of an angel; a spider crab or a bursting star like the augury of a black hole, in Dürer's art, they were part of a connected world. Everything had meaning.

Late one afternoon in the winter of 2003, art critic Richard Dorment answered a telephone call from a stranger. The caller was Joe Simon, an American film producer and art collector. He was ringing at the suggestion of David Hockney, his neighbor in Malibu. A committee of experts called the Andy Warhol Art Authentication Board had declared the two Warhols in his collection to be fake. He wanted to know why and thought Dorment could help.

Contemporary art has never been so popular - but the art world is changing. In a landscape of increasing globalization, there is growing interest in questions over the nature of contemporary art today and the identity of who is controlling its future. In the midst of this, contemporary art continues to be a realm of freedom where artists shock, break taboos, flout generally received ideas, and switch between confronting viewers with works of great emotional profundity and jaw-dropping triviality.

Kimberly Chrisman-Campbell's Skirts looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn—and the women who wore them. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves.

In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews-pillars of an embattled community-invested their fortunes in France's cultural artifacts, sacrificed their sons to the country's army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siecle.