Showing titles in History & Criticism

A pattern is a repeated design that is found everywhere in our world and even in outer space. All around you are both simple patterns and complicated patterns. The spiral of a seashell is very complex. But, there are patterns more complicated than a seashell. When did humans discover or invent patterns? There are cave paintings that are around 10,000 years old. They show hands in a pattern with 5 fingers.

Best-selling, award-winning writer Simon Garfield returns with an enthralling investigation of humans’ peculiar fascination with small things - and what small things tell us about our larger world.

When the celebrated critic and cultural historian Alexandra Harris returned to her childhood home of West Sussex, she realised that she barely knew the place at all. As she probed beneath the surface, excavating layers of archival records and everyday objects, bringing a lifetime's reading to bear on the place where she started, hundreds of unexpected stories and hypnotic voices emerged from the area's past. Who has stood here, she asks; what did they see?

"Know thyself" - this fundamental imperative appeared for the first time in ancient Greece. For the Greeks, self-knowledge and identity were the basics of their civilization and their sources were to be found in where one was born and into which social group. These determined who you were and what your duties were. In this book the independent scholar Ingrid Rossellini surveys the major ideas that, from Greek and Roman antiquity through the Christian medieval era up to the dawn of modernity in the Renaissance, have guided the Western project of self-knowledge.

Modern art is best described as a psychological disease, the goal of which is nothing less than the total destruction of art—which it has more or less successfully done. Modern art is not a natural evolution of art, but a kind of manufactured break from tradition, borne from a hubris and bias towards historical values.

Ramie Targoff's Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist's best friend - the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy - but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d'Este, among others.

Uncovering the mystery of her mother’s disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story. In the autumn of 1929, a small child was kidnapped from a Lincolnshire beach. Five agonising days went by before she was found in a nearby village. The child remembered nothing of these events and nobody ever spoke of them at home. It was another 50 years before she even learned of the kidnap.

A su más puro estilo, Will Gompertz nos lleva a la mente de los artistas, desde estrellas contemporáneas hasta viejos maestros, desde los más famosos hasta algunos menos conocidos, a lo largo y ancho del mundo, para mostrarnos cómo mirar y experimentar el mundo con mayor conciencia.

The untold story of Hitler’s war on “degenerate” artists and the mentally ill that served as a model for the “Final Solution”.

Thirty thousand years ago our prehistoric ancestors painted perfect images of animals on walls of tortuous caves, most often without any light. How was this possible? Scholars and archaeologists have for centuries pored over these works of art, speculating and hoping to come away with the key to the mystery. David and Lefrre give us a new understanding of an art lost in time, revealing what had until recently remained unexplainable - the oldest enigma in humanity has been solved.

More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war why it was fought, what was won, what was lost not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gallagher guides listeners through the stories told in recent film and art, showing how they have both reflected and influenced the political, social, and racial currents of their times.

What do we do with the art of monstrous men? Can we love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? Should we love it? Does genius deserve special dispensation? Is history an excuse? What makes women artists monstrous? And what should we do with beauty, and with our unruly feelings about it? Claire Dederer explores these questions and our relationships with the artists whose behaviour disrupts our ability to apprehend the work on its own terms.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Hans Memling, a painter from Flanders, is the holder of an unfortunate record. He painted a triptych, The Last Judgment, commissioned by Medici banker Angelo Tani. The paintings were intended for a new chapel in Fiesole in Tuscany, near the city of Florence. However, in April 1472, the ship on which they were being transported from Bruges to Florence was intercepted by Polish privateer and Danzig Town Council leader Paul Beneke.

Following her critically acclaimed narration of Jane Austen's Pride and Prejudice with Songs from Regency England, Emma, Persuasion & Poems and Northanger Abbey & The History of England, award-winning narrator Alison Larkin is back, bringing depth and a light comedic touch in this Earphones award-winning recording of Austen's first published novel.

Es fácil idealizar a los artistas, pero poca gente sabe hasta qué punto pueden incluirse, en general, entre las personas más prácticas, despiertas, juerguistas y realizadas. Este libro, ingenioso e inspirador, identifica diez lecciones básicas que podemos extraer de las vidas de los más grandes artistas de la historia.

Van Gogh is a vivid portrait of the great Impressionist painter that traces his life from the Netherlands, where he was born into a family of art dealers, through his years in England, the Hague, and Paris, to his final home in Arles, where he discovered the luminous style of his late paintings before his suicide at the age of thirty-seven.

Most art history books just go over dates and major style changes, without letting the artists speak for themselves. In For Artists by Artists, you will learn directly from the top 40 of some of the most famous artists in the world. You will see how they thought about art, nature, truth, beauty, work, other artists, and God. You will journey through the last 750 years of art history in chronological order, seeing the evolution of how painters taught and thought over time.

Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.

Creativity is in our bones. It is found in our very DNA, something not known to Leonardo da Vinci or anyone else who lived in his day and time. All he did was to uncover the hidden genius which lay within himself, and he used that inner genius to the very best of his abilities. Leonardo da Vinci is best known for some of the world's most masterful paintings, but he was so much more than merely another artist with paints and brushes. Born to a peasant woman in 1452, Leonardo would go on to astound the world he lived in with his artistry and his inventions.