Showing titles in History & Criticism

After Andy is Natasha Fraser-Cavassoni's insider's account of working in Andy Warhol's studio and Interview magazine and explores Warhol's impact on the art world, pop culture, society, and fashion - and how his iconic status gave rise to some of our most influential tastemakers today.

Can anyone really own a culture? This magnificent account argues that the story of global civilisations is one of mixing, sharing, and borrowing. It shows how art forms have crisscrossed continents over centuries to produce masterpieces. From Nefertiti's lost city and the Islamic Golden Age to twentieth century Nigerian theatre and Modernist poetry, Martin Puchner explores how contact between different peoples has driven artistic innovation in every era - whilst cultural policing and purism have more often undermined the very societies they tried to protect.

Rodrigo Alvarez conta a história do Cristo Redentor, o monumento mais conhecido do Brasil, que completa 90 anos em 2021. Em Redentor, o jornalista Rodrigo Alvarez, autor dos best-sellers Aparecida e Maria, traz uma deliciosa narrativa baseada em pesquisa inédita sobre a história do famoso Cristo que está de “braços abertos sobre a Guanabara” e que foi escolhido como uma das 7 maravilhas do mundo moderno.

On September 20, 1940, one of the most famous European art dealers disembarked in New York, one of hundreds of Jewish refugees fleeing Vichy, France. Leaving behind his beloved Paris gallery, Paul Rosenberg had managed to save his family, but his paintings - modern masterpieces by Cézanne, Monet, Sisley, and others - were not so fortunate. As he fled, dozens of works were seized by Nazi forces, and the art dealer's own legacy was eradicated.

Quadri, sculture, installazioni, arte ambientale e pubblica, arte post-Internet: l'arte visiva ha acquisito nell'ultimo secolo un vocabolario complesso. Nonostante il pubblico la trovi difficile e molti critici l'abbiano dichiarata morta, mai come oggi si dimostra vitale. Nelle sue forme nuove ha invaso il mondo: in una dinamica sempre più internazionale - anche in tempi di crisi - sorgono ovunque mostre, musei e collezioni.

By delving into the real-life relationships that models have held with the artists who immortalized them, Muse exposes the influential and active part they have played in contributing to the artwork they inspired, and explore the various ways people have subverted stereotypical “muse” roles. From job supervisors to homeless men in Harlem, Muse will reveal the unexpected, overlooked, and forgotten models of art history.

Richly painted maiolica ceramics from Tuscany. Supple Florentine leather. The cameos of Naples and the Amalfi Coast. Made in Italy takes you on a complete tour of the dazzling artisanal legacy of Italy, uncovering off-the-beaten-path destinations and one-of-a-kind, hidden workshops where everything from leather bags to gilded frames are turned out completely by hand, piece by piece. This book includes instructions for getting a free copy of the companion guide, Artisans of Italy, with complete, continually updated listings of Laura's personally recommended shops.

In this brief treatise, Professor Rookmaaker explores the value of art in the Kingdom of God. He asks, what is the God-given purpose of our talents? What of those talents whose only contribution is beauty? He insightfully examines the spiritual crisis in current art, the effect of a meaning vacuum on art and society as a whole. He admonishes Christian artists (and us all) to "weep, pray, think, and work" as our means of seeking the Kingdom of God, and his encouragement kindles our spirits and moves us, in our art, whatever our art, to do the truth.

While the majority of scholarship on early Washington focuses on its political and physical development, in Incidental Architect Gordon S. Brown describes the intellectual and social scene of the late 1700s through the lives of a prominent couple whose cultural aspirations served as both model and mirror for the city’s own.

Laura Cumming reveals her passion for the art of the Dutch Golden Age and her determination to lift up the reputation of Fabritius. She reveals the Netherlands, where - wandering the narrow streets of Amsterdam, driving across the flatlands, or pausing at a quiet waterfront - she encounters the rich reality behind the shining beauty of Vermeer and Rembrandt, Hals and de Hooch. She shares too her relationship with her father, the Scottish artist James Cumming, who had his own deep connection to Dutch painting, and who taught her about colour, light and the rewards of looking deeply.

In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race.

When launching the Talk Art podcast in 2018, actor Russell Tovey and gallerist Robert Diament had one clear aim: to make the art world more accessible. Since then, the podcast has grown to be a global hit, featuring exclusive interviews with leading artists, curators, gallerists, actors, musicians and fellow art lovers such as Lena Dunham, Sir Paul Smith, David Shrigley, Noel Fielding, Edward Enninful, Rose Wylie and Sir Elton John.

Según Guillermo Cabrera Infante, «Puro humo es varios libros a la vez: una historia del tabaco que empieza con su descubrimiento en 1492 por un marino de la nao capitana, Rodrigo de Jerez [...], una celebración del tabaco y del fumar esa hoja extraña, y una rapsodia en que intervienen el cigarrillo y la pipa.

The subject of this audiobook is humankind's extraordinary relationship with colour. It is composed of a series of voyages, ranging across the world and throughout history, which reveal the meanings that have been attached to the colours we see around us and the ways these have shaped our culture and imagination. It takes seven primary colours - black, red, yellow, blue, white, purple and green - and uncovers behind each a root idea, based on visual resemblances or properties so rudimentary as to be common to all societies.

Rip-roaring fictional adventures of swashbuckling pirates and buccaneers of the Spanish Main. Includes "The Ghost of Captain Brand", "Tom Chist and the Treasure Box", "Jack Ballister's Fortunes", and more.

In recent decades, we have witnessed an explosion in the number of visual images we encounter, as our lives have become increasingly saturated with screens. From Google Images to Instagram, video games to installation art, this transformation is confusing, liberating and worrying all at once, since observing the new visuality of culture is not the same as understanding it.

"Diamond Is Fragile was one of my favorite books from my late grandfather's library. Much to my surprise (and dismay) it was only published once in the former Soviet Union approximately 50 years ago and (to the best of my knowledge) has never been published abroad. I was inspired to translate Diamond Is Fragile into English by my father-in-law - Thom Seymour, Sr. - due to his passion for geology and history (topics amply covered in the book). I hope that other English-speaking readers who are interested in these disciplines will enjoy it as well." (Maria K., translator)

Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, 400 stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. Spiral Jetta is a chronicle of this journey.

Since the publication of her prize-winning memoir, Craft for a Dry Lake, writer and artist Kim Mahood has been returning to the Tanami desert country in far north-western Australia where, as a child, she lived with her family on a remote cattle station. The land is timeless, but much has changed: the station has been handed back to its traditional owners, the mining companies have arrived and Aboriginal art has flourished.

We live in an age of the mobile image. This recent kinetic revolution of the image has enormous consequences not only for the way we think about contemporary art and aesthetics but also for art history as well. Responding to this historical moment, Theory of the Image offers a fresh new theory and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but it is rarely understood to be fundamentally in motion.