Showing titles in History & Criticism

Ken Davis began his career as a small-town radio DJ during his college years. Little did he know he would later find himself face-to-face with a notorious serial killer in the middle of the night; be nearly shot by a world-famous music producer; or unexpectedly come across the lifeless body of a legendary Hollywood bombshell. Along the way, he hung out with everyone from Barack Obama to Walter Cronkite to Sting.

A smart, engaging investigation of the show that brought real teens to TV My So-Called Life lasted only 19 episodes from 1994 to 1995, but in that time it earned many devoted viewers, including the showrunners who would usher in the teen TV boom of the late ’90s and the new millennium. With its focus on 15-year-old Angela Chase’s search for her identity, MSCL’s realistic representation of adolescence on TV was groundbreaking; without her there would be no Buffy or Felicity, Rory Gilmore or Veronica Mars.

Few American television series are as deeply entrenched in twentieth-century popular culture as M*A*S*H, a Korean War medical comedy characterized by its dark tone and finesse in tackling serious social and political issues. By the end of its run, M*A*S*H had been a mainstream hit for several seasons and won fourteen Emmys, leading it to be called, "the most popular pre-Seinfeld series in television history." In this comprehensive study of M*A*S*H, David Scott Diffrient analyzes the series' contextual issues such as its creation, reception, and circulation as well as textual issues like its formal innovations, narrative strategies, and themes.

Throughout this audiobook's various chapters, listeners will explore the historical context of the Joker's creation, delve into the character's symbolic and iconic qualities, examine the psychological profile of the Joker, and analyze his relation to various philosophical theories such as Carl Jung's trickster and Nietzsche's will to power.

In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What’s wrong with the modern movie business – and how can we make it right?'

In this concise, crisply written guide, Patricia Aufderheide takes listeners along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling.

Serenity Found takes the contents of Finding Serenity even further, exploring not just the show but the events of the film as well, to create an anthology that's even more thought-provoking, fascinating, and far-thinking than its predecessor.

Der große Erzähler Werner Herzog fragt nach der seltsamsten aller Erzählungen: der von der Wahrheit. Was ist wahr? In einer Welt, die durch Fake News, politische Manipulation und künstliche Intelligenz verunsichert ist, die auf kalte Fakten setzt und doch die Poesie und den Film erfunden hat, muss Wahrheit mehr als bloß stumpfe Empirie bedeuten. Von einem erfundenen Schlachtensieg des Pharao Ramses bis zum modernen Mythos der Entführung durch Außerirdische, von ekstatischen Momenten am Filmset bis zu seinen Begegnungen mit der Wirklichkeit durch tagelanges Gehen reiht Werner Herzog auf einmalige Weise faszinierende Überlegungen und Erinnerungen aneinander. Ein Hörbuch für alle, die sich wundern können.

More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war why it was fought, what was won, what was lost not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gallagher guides listeners through the stories told in recent film and art, showing how they have both reflected and influenced the political, social, and racial currents of their times.

The 1930s was a magical age in Hollywood, with Shirley Temple and Mickey Rooney, Bette Davis, and Clark Gable lighting up the silver screen. But Deanna Durbin’s fame surpassed them all. Born in Canada, Deanna was “discovered” by star-maker Eddie Cantor, producer Joe Pasternak, and director Henry Koster, and she quickly became the world’s most celebrated star. She saved Universal Studios from ruin, she was a favorite of Winston Churchill and Anne Frank, and she became the highest-paid woman in America.

With insight into the genre’s cinematic tropes, our current cultural reckoning with misogyny, and an original interview with director Karyn Kusama, Extra Salty solidifies the status of Jennifer’s Body as a cult classic.

Jewel thievery, car chases, and romance on the French Riviera. Alfred Hitchcock's Oscar-winning film To Catch a Thief brought together Hollywood's two most glamorous stars, Grace Kelly and Cary Grant, in the most glamorous place on Earth, the French Riviera. It is a tale of jewel thievery, intrigue, false identity, covert investigation, and, most of all, romance.

Ever since Johnny Carson first popularized the late-night talk show in 1962 with The Tonight Show, the 11:00 p.m. to 2:00 a.m. comedy time slot on network television has remained an indelible part of our national culture. More than six popular late-night shows air every night of the week, and with recent major shake-ups in the industry, late-night television has never been more relevant to our public consciousness than it is today.

Generation after generation, women have faced the devastating reality that Hollywood is a system built to keep them out. The films created by that system influence everything from our worldviews to our brain chemistry. When women's voices are excluded from the medium, the impact on society is immense. Actor, screenwriter, and award-winning independent filmmaker Naomi McDougall Jones takes us inside the cutthroat, scandal-laden film industry, where only five percent of top studio films are directed by women and less than 20 percent of leading characters in mainstream films are female.

Baudrillard & Lacan: At the (Exploitation) Movies! uncovers the multifaceted complexity situated in several previously neglected exploitation masterpieces. It examines: *Joe D’Amato’s Porno Holocaust & Emanuelle in America *Jess Franco’s Jungfrauen-Report *Christploitation Classic A Thief in the Night *Harmony Korine’s Gummo *Naziploitation Comedy Liebes Lager *Tim Heidecker’s Urinal Street Station *And Much More! Written for lovers of the Video Nasties, Grindhouse, Mondo, Postmodern Theory, and all things Weird and Sleazy. A truly fun and entertaining gambol through the bizarre ...

Only one performance style has dominated the lexicon of the casual moviegoer: "Method acting." The first reception-based analysis of film acting, Imagining the Method investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.

Marvel Entertainment was a struggling toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. But what accounts for its stunning rise? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole, ongoing production, the Marvel Cinematic Universe.

Perhaps no actor has been able to retain their popularity into old age as well as Sean Connery. Despite retiring in 2006, Connery remains a venerable figure who continues to receive accolades for his handsome virility and status within the Hollywood elite. onsidering his personal acclaim as an actor, it is perhaps surprising that despite his status, most of the films in which Connery has appeared are not particularly acclaimed. Even the James Bond franchise initially received a largely lukewarm critical reception.

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we learn how the American theater serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American musical to life in all its artistry and excitement.

Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented.